Eye-boggling Bridget Riley and black British pioneers – the week in art

Exhibition of the week

Bridget Riley
This retrospective of one of modern Britain’s most brilliant and original artists is guaranteed to fool your eyes and stretch your mind.
Scottish National Gallery, Edinburgh, 19 June–22 September. Hayward Gallery, London, 22 October–26 January.

Also showing

Get Up Stand Up Now
Anthea Hamilton, Ajamu, Betye Saar, David Hammons, Zadie Smith and A Guy Called Gerald are among the stars in this survey of 50 years of black art and culture.
Somerset House, London, until 15 September.

The Tube Station by Cyril Power, c1932.



The Tube Station by Cyril Power, c1932. Photograph: Todd-White Art Photography/© The Estate of Cyril Power

Cutting Edge: Modernist British Printmaking
Sybil Andrews, Lill Tschudi, Cyril Power and Leonard Beaumont feature in a survey of the lost 1930s art of linocut.
Dulwich Picture Gallery, London, 19 June–8 September.

Leonardo da Vinci
The notebooks of Leonardo da Vinci are opened for your inspection. Anyone who is tired of Leonardo is tired of art … and science.
British Library, London, until 8 September.

As Seen on Screen
Fiona Banner and Sam Taylor-Johnson are among the artists taking on cinema in this survey of a relationship that started when Dalí and Buñuel filmed a razor slashing an eyeball.
Walker Art Gallery, Liverpool, until 18 August.

Masterpiece of the week

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Photograph: The National Gallery, London

Cephalus and Aurora by Nicolas Poussin, circa 1630
Cupid holds up a portrait of Cephalus’s wife, Procris, to remind him to be faithful. He needs this firming up to resist the advances of Aurora, goddess of dawn. It’s a mythological image of seduction and fidelity that Poussin, a French immigrant to Italy stunned by the classical heritage of Rome, renders both entertaining and moralistic. Yet the triviality of the tale is transcended and transformed by his sublime depiction of a blazing sky and an earth kissed by its light. This grand luminosity turns a simple scene into a history that glows with enigmatic importance.
National Gallery, London.

Image of the week

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Photograph: © Keith Haring Foundation

Ignorance = Fear by Keith Haring, 1989
In a career lasting barely a decade, due to his early death from Aids-related illness, New York pop artist Keith Haring used his street art as posters, protesting against apartheid, railing against religious intolerance and bigotry, homophobia and racism. This image is from his first major UK exhibition, which opened at Tate Liverpool this week. Read the review here.

What we learned

Fake Aboriginal art sellers are facing a £1.3m fine

Kiss My Genders takes a sinful walk on the wild side

Paula Rego offers a five-star world of pain

Cindy Sherman likes being difficult

The devil is in the detail with Bartolomé Bermejo

Peter Howson has revealed his painstaking painting process

Charlie Schaffer won the 2019 BP portrait award…

… even as its corporate sponsor faced fresh criticism

Salvator Mundi may be the latest masterpiece to grace a superyacht

Belgium has a new art studio-zoo dedicated to genetics

Simon Denny delves into dark things at Hobart’s Mona

UK galleries have embraced black artists …

… but it’s been a long time coming

The New York Times has gone off cartoons

The new Dulwich Pavilion is a zinging rainbow

You can now match the Manolo Blahnik shoe with the painting that inspired it

Hull seeks to build on the legacy of its time as UK City of Culture

Tokyo’s skyscrapers might have gone down, not up

It’s happening … La Sagrada Familia has planning permission

France is in two minds over Notre Dame

Bath Abbey is on a surer footing

Max Hirzel is bearing witness to migrant deaths

San Francisco’s fog has its own Instagram account

Don’t forget

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