Scene Calendar: Fun things to do Dec. 8-14, 2023

Dr. Kevin Kokomoor will discuss his book “La Florida: Catholics, Conquistadors, and Other American Origin Stories” followed by a Q&A and book signing Sunday at the Matheson History Museum.

MUSIC

Williamson Branch: 7-10 p.m. Friday, Spirit of the Suwannee Music Park, 3076 95th Drive, Live Oak. Tickets: $20 advance, $25 at door. (musicliveshere.com) The Nashville group Williamson Branch is a dynamic bluegrass, country, gospel and dance music performing family of mom and dad with their daughters who travel across America bringing bluegrass with their voices and dynamic instrument ability.

Andy Summers: 8 p.m. Friday, Ponte Vedra Concert Hall, 1050 A1A N., Ponte Vedra Beach. Tickets: $49.50-$74.50. (pvconcerthall.com) Andy Summers rose to fame in the early 1980s as the guitarist with the multi-million-record selling rock band The Police.

“Holiday Harmonies X — a Staged Radio Play”: 2 p.m. and 6 p.m. Saturday, First United Methodist Church, 419 NE First St. Tickets: $20 adults, $15 students and seniors. (tinyurl.com/2p8cwp5k, gainesvillechorus.com, barbergators.com) The Barbergators Chorus and the Gainesville Harmony Show Chorus are joining voices for their annual holiday show. This year’s show features the Barbergators Chorus, the Gainesville Harmony Show Chorus and the combined chorus as well as chapter quartets, Jazzed, On the Edge and the Time of Our Lives.  The performers will take audiences back to a 1940s radio studio for a live broadcast with plenty of barbershop harmony from studio choruses and quartets and a bonus episode of “Bart Holiday, Private Eye.” Also accepting donations for the Harmony Bridge Scholarship for veterans at Santa Fe College.

Dark Star Orchestra: 6:30 p.m. Saturday, St. Augustine Amphitheatre, 1340C A1A South, St. Augustine. Tickets: $37.50-$49.50. (904-209-0367, theamp.com) Performing to critical acclaim for more than 20 years and more than 3,000 shows, Dark Star Orchestra continues the Grateful Dead live concert experience. Their shows are built off the Dead’s extensive catalog.

Jazz on the Green: 7-9 p.m. Saturday, Celebration Pointe, Celebration Pointe Avenue off of Interstate 75 and Archer Road. Free. (celebrationpointe.com) Live music on the stage in the promenade, food and drinks, lawn games and more.

Country Christmas Jamboree: 7-10 p.m. Saturday, Spirit of the Suwannee Music Park, 3076 95th Drive, Live Oak. Tickets: $13. (musicliveshere.com) Christmas music performed by singer and guitarist Shane Patrick; guitarist, singer and performer Kian Sanchez; performer and singer Liliana Lassetter; Drew Nussbaum; and Riley Hodges.

The Sixties Show: 8 p.m. Saturday, Ponte Vedra Concert Hall, 1050 A1A N., Ponte Vedra Beach. Tickets: $43.50-$68.50. (pvconcerthall.com) The Sixties Show features former members of The Who, Bob Dylan and NBC TV’s Saturday Night Live band.

Christmas Cantata: 7 p.m. Sunday, North Gainesville Baptist Church, 6203 NW 39th Ave. Free. (bit.ly/xmascantata23) A Christmas cantata is a cantata, music for voice or voices in several movements, for Christmas. 

The Outlaws: 7 p.m. Sunday, Ponte Vedra Concert Hall, 1050 A1A N., Ponte Vedra Beach. Tickets: $55.50-$95.50. (pvconcerthall.com) For more than 40 years, the southern rock legends celebrated triumphs and endured tragedies to remain one of the most influential and best-loved bands of the genre. Today, The Outlaws have returned with new music, new focus and an uncompromising new mission: It’s about a band of brothers bound together by history, harmony and the road.

Ann Wilson of Heart and Tripsitter: 8 p.m. Monday, Florida Theatre, 128 E. Forsyth St., Jacksonville. Tickets: $44.50-$74.50. (floridatheatre.com, 904-355-5661) Ann Wilson, known the world over as a founder and the lead singer-songwriter of the barrier-breaking band Heart, is here to stay. Widely praised among the greatest singers in the history of rock, Wilson’s extraordinarily powerful voice has been sending chills down her audience’s collective spine for over five decades, earning record sales of more than $35 million, an induction into the Rock ’n’ Roll Hall of Fame and a Grammy Lifetime Achievement award.

“Music of the Season” Concert: 12:15-12:45 p.m. Tuesday, First Presbyterian Church, 106 SW Third St. Free. (1stpc.org) The Gainesville Chapter of the American Guild of Organists.

1000 Voices of Florida and Annasemble Community Orchestra: 7 p.m. Tuesday, Phillips Center, 3201 Hull Road. Free. (Annasemble@gmail.com) 1000 Voices of Florida and Annasemble Community Orchestra of Gainesville are joining together to provide an evening of orchestral and choral music to get their audience in the spirit of the holidays.

Winter Concert: 6 p.m. Wednesday, Tioga Town Center, 13085 SW First Lane, Newberry. Free entry; food for sale. (tinyurl.com/4jbchpew) Healthy Learning Academy Elementary students will perform.

The Allman Betts Family Revival: 7:30 p.m. Wednesday, Florida Theatre, 128 E. Forsyth St., Jacksonville. Tickets: $49.50-$99.50. (floridatheatre.com, 904-355-5661) Formally known as the Allman Family Revival. Featuring special guests Melody Trucks and J.D. Simo.

Holiday Concert: 7 p.m. Thursday, Tioga Town Center, 13085 SW First Lane, Newberry. Free entry; food for sale. (tinyurl.com/4jbchpew) Meadowbrook Elementary students will perform.

THEATER

“The Addams Family”: 8 p.m. Friday-Saturday, 2 p.m. Sunday, Gainesville Community Playhouse, 4039 NW 16th Blvd. Tickets: $24 general admission, $20 seniors, $12 students. (gcplayhouse.org) In the kooky, upside-down world of the Addams family, to be sad is to be happy, to feel pain is to feel joy, and death and suffering are the stuff of their dreams. Nonetheless, this quirky family still has to deal with many of the same challenges faced by any other family, and the spookiest nightmare faced by every family creates the focus for this musical: the Addams kids are growing up.

“A Seussified Christmas Carol”: 6:30 p.m. Friday and Dec. 15, Theatre Park, Main Street, Alachua. Free. (alachuachildrenstheatre.com) A one-act performance.

“Miracle on 34th Street”: 7:30 p.m. Fridays-Saturdays, 2 p.m. Saturdays-Sundays through Dec. 17, Chief Theatre, 25 E. Park Ave., Chiefland. Tickets: $13-$15. (app.arts-people.com/index.php?ticketing=chief) By chance, Kris Kringle, an old man in a retirement home, gets a job working as Santa for Macy’s. Kringle unleashes waves of good will with Macy’s customers and the commercial world of New York City by referring parents to other stores to find exactly the toy their child has asked for. Seen as deluded and dangerous by Macy’s vocational counselor, who plots to have Kringle shanghaied to Bellevue Psychiatric Hospital, Kringle ends up in a court competency hearing. Especially at stake is one little girl’s belief in Santa. In a dramatic decision, the court confirms Kringle as the true Santa, allowing Susan and countless other children to experience the joy of childhood fantasy.

“Twelfth Night”: 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays through Dec. 17, Acrosstown Repertory Theatre, 3501 SW Second Ave., Suite O. Tickets: $25 general admission; $20 students, seniors, military and teachers. (acrosstown.org) Shakespeare’s most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino — confusion is rife. Meanwhile, Olivia’s arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

“Annie Warbucks”: 8-10:30 p.m. Friday-Saturday and Thursday- Dec. 16 plus 3-5:30 p.m. Saturday and Dec. 17, Star Center Theatre, 11 NE 23rd Ave. Tickets: $22 adults, $18 seniors, $12 students. (spirit-of-soul-ensemble.ticketleap.com/annie-warbucks) If you enjoyed the youth production telling Annie’s story, the story continues! The Spirit of Soul Adult Ensemble sing and dance their way through Annie’s adoption by Mr. Warbucks. All of the ingredients that made “Annie” so successful are here once again in “Annie Warbucks,” with an old-fashioned romance thrown in for good measure. Returns with all-new laughs, unforgettable songs and some familiar characters.

“A Christmas Carol”: 1 and 4 p.m. Saturdays, 7 p.m. Sundays through Dec. 23 plus 7 p.m. Dec. 20, 2 p.m. Dec. 21, 1 p.m. Dec. 22 and 3 p.m. Dec. 22, Hippodrome Theatre, 25 SE Second Place. Tickets: $20-$50. (thehipp.org) “Bah, humbug!” to dashing through the snow and sleigh rides in Florida. Staying true to the weighty themes of the original novel while delivering a gripping story, cheerful holiday music and genuine laughs for the whole family, “A Christmas Carol” is one of Gainesville’s favorite holiday traditions.

“The Ultimate Christmas Show (Abridged)”: 7 p.m. Wednesdays-Thursdays, 8 p.m. Fridays-Saturdays, 2 p.m. Sundays through Dec. 23, Hippodrome Theatre, 25 SE Second Place. Tickets: $20-$50. (thehipp.org) This audience favorite is back! “The Ultimate Christmas Show (Abridged)” bursts with festive, slapstick fun as these cheerful comedians celebrate all of our favorite holiday traditions — at the same time.

“The Christmas Express”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays through Dec. 20 plus 8 p.m. Dec. 21 and 2 p.m. Dec. 23, High Springs Playhouse, 23416 NW 186 Ave., High Springs. Tickets: $15 general admission, $10 students and ages 65 and older. (highspringsplayhouse.com) “This is the most hopeless place in the world!” Hilda intones as she and Satch, her assistant, argue over what time it is. She dreams of faraway places and only finds tedium in running the Holly Railway Station. That is, until Leo Tannenbaum drops in out of nowhere the day before Christmas Eve. Suddenly, an old radio that hasn’t worked in years springs to life, the local group of carolers (that usually yowls like a gang of wet cats) begins to sound like the Mormon Tabernacle Choir and the whole town gets the Christmas spirit. Coincidence? Or is Leo doing all of this? Even Satch changes his tune when it turns out that Leo might be on the run. This nostalgic theatrical greeting card is full of eccentric small-town characters, wise-cracking their way to finding the true wonder of Christmas. And, on the way, they make us all wish we could take a ride on the Christmas Express.

“Little Scrooge”: 2 p.m. Saturday-Sunday, PK Yonge Performing Arts Center, 1080 SW 11th St. Tickets: $5. (pkyonge.ufl.edu/extracurricular/performing-arts-season) “Little Scrooge” is an extremely creative, kid-friendly adaptation of the Charles Dickens’ classic “A Christmas Carol.” When an adolescent Eben Scrooge strikes it rich and makes $1 million by inventing a popular phone app called “Where’s Fluffy” that can help a person find a lost pet, he loses sight of what really matters in life. Eben’s own life is taken over by greed. Worse, he actually stole the idea from his best friend, Bobbie Cratchitt, who now works for Eben, trying to raise money to buy the medicine that will help heal her little brother, Tiny Tim, who has crippled legs. The show is loaded with lots of Christmas songs, sung a cappella. There also is a talking mirror to jolt Eben into seeing the reflection of the way his life will be if he doesn’t change. The Ghost of Christmas Past (a surfer dude), the Ghost of Christmas Present (a beautiful spirit with an attitude) and the Ghost of Christmas Future (an eerie figure in white) help Eben to discover the true meaning of Christmas. Suitable for kids of all ages.

“It’s a Wonderful Life — The Radio Play”: 3 p.m. Sunday, Oakview Community Center, 810 NW Eighth Ave. Free. (tinyurl.com/29fanj9v) An angel is sent from Heaven to help a desperately frustrated businessman by showing him what life would have been like if he had never existed.

“Raad Tidings We Bring”: 6:30 p.m. Sunday, CLF Church, 19817 W. Newberry Road, Newberry. Free. (tinyurl.com/5a9rx78t) CLF kids tell the story of the birth of Jesus.

Nurse Blake: 8 p.m. Sunday, Florida Theatre, 128 E. Forsyth St., Jacksonville. Tickets: $39.50-$79.50. (floridatheatre.com, 904-355-5661) Blake Lynch, aka Nurse Blake, is a nurse, creator, internationally touring comedian, health care advocate and keynote speaker.

“A Charlie Brown Christmas: Live on Stage”: 7 p.m. Tuesday, Florida Theatre, 128 E. Forsyth St., Jacksonville. Tickets: $29.50-$49.50. (floridatheatre.com, 904-355-5661) “A Charlie Brown Christmas,” the Emmy and Peabody Award-winning story by Charles M. Schulz, has warmed the hearts of millions of fans since it first aired on television more than 55 years ago. Now, the classic animated television special comes to life in this faithful stage adaptation that celebrates the timeless television classic so the whole family can join Charlie Brown, Snoopy, Lucy, Linus and the rest of the “Peanuts” characters in their journey to uncover the true meaning of Christmas.

DANCE

“Cinderella”: 7 p.m. Friday-Saturday plus 1 p.m. Saturday, Phillips Center for Performing Arts, 3201 Hull Road. Tickets: $15. (bit.ly/cinder23) Annual holiday performance presented by Danscompany.

ET CETERA

The Train Guys and Santa Claus: 5-8 p.m. Friday, 2-5 p.m. Saturday, 1-4 p.m. Sunday, 5-8 p.m. Thursday-Dec. 15, 11 a.m.-4 p.m. Dec. 16, Saint Bartholomew’s Episcopal Church (next to City Hall, 18615 NW 238th St., High Springs. Free. (tinyurl.com/2p83av3p) Inaugural toy train event featuring three separate layout tables — one kid-interactive-friendly with buttons and switches activating the choo choos and accessories — plus Santa Claus making surprise visits and offering small gifts.

A Country Christmas: 5-9 p.m. Friday plus Dec. 15-16, Elrod Acres, 3679 Thunder Road, Green Cove Springs. Tickets: $10 general admission, free ages 1 and younger, $35 four-pack. (acountrychristmasllc.ticketleap.com/a-country-christmas-event) Annual holiday event in its second year featuring Santa, streets will be lit with more than 750,000 Christmas lights, hot chocolate, food trucks, vendors, live Nativity, live music, holiday characters and more.

Festival of Lights: 5-9 p.m. nightly through Dec. 24, Stephen Foster Folk Culture Center State Park, 11016 Lillian Saunders Drive, White Springs. Tickets: $4, free ages 2 and younger. (stephenfostercso.org/event-4573763) Annual family holiday event featuring complimentary popcorn, hot cocoa, marshmallows by the bonfire, Santa, food and craft vendors, kids’ crafts and more.

Winter Wonderland: 5:30-9 p.m. Fridays-Saturdays through Dec. 30, North Central Florida YMCA, 5201 NW 34th Blvd. Cost: $15. (winterwonderlandfl.com) Walk-through light show with Christmas music, food and merriment.

Holiday Nights: 6-8 p.m. Friday plus Dec. 15 and Dec. 22, Main Street, Alachua. Free. (tinyurl.com/yenpnp6b) Family holiday event featuring shop, stroll and dine, photos with Santa, children’s crafts and activities, horse-and-carriage rides, performances by the Alachua Children’s Theater, music and more.

Old Fashioned Christmas: 6-8:30 p.m. Friday, Trenton Historical Train Depot, Northwest Fourth Avenue, Trenton. Free entry; items and food for sale. (bit.ly/ofc23trenton) Family holiday event featuring Santa Claus, kids’ gift drawing, live music, food and more.

Kirby Family Farm’s Christmas Train: 6-10 p.m. Friday-Sunday plus Dec. 15-17, Dec. 22-23 and Dec. 26, Kirby Family Farm, 19630 NE 30th St., Williston. Tickets: $17.99 general admission in advance, $20 general admission at gate, $10.99 ages 3-9 in advance, $15 ages 3-9 at gate, free ages 2 and younger. (kirbyfarm.com/the-christmas-express) Annual family holiday event featuring 20-minute journey around through thousands of Christmas lights on authentic, narrow-gauge historic locomotive. Plus, visit with Christmas friends throughout the evening; dance party; visit with Santa; see some of the cutest critters that would have been at the manger, and some of their friends too; a 1950 fully restored Smith and Smith ferris wheel!; Christmas magic show; tractor ride to a lost Christmas town; Secret Elf Shoppe for ages 10 and younger, who will get to pick out one free gift for themselves or someone special; Italian carousel; carnival rides, vendors and more.

Suwannee Lights: 6-10 p.m. nightly through Dec. 30, Suwannee Music Park and Campground, 3076 95th Drive, Live Oak. Tickets: Prices vary; see website for more information. (suwanneelights.com) Annual Christmas light display featuring more than 10 million lights, live entertainment and more.

Santa Crawl: 7 p.m. Friday, downtown Gainesville. Tickets: $25; purchase online. (Facebook.Com/GainesvilleSantaCrawl, santacrawlgnv.com) Annual event in its 13th year supporting the Humane Society and Catholic Charities Weekend Hunger Backpack Program.

Tioga Outdoor Movie Night: 7:30 p.m. Friday, Tioga Town Center, 133 SW 130th Way, Newberry. Free. (tiogatowncenter.com) Tioga movie night featuring “The Santa Clause.” Bring your lawn chairs and blankets, and enjoy the movie under the stars.

Christmas Festival: 8 a.m.-9 p.m. Saturday, Chiefland Trailhead, 121 S. Main St., Chiefland. Free entry; donations for parking plus items and food for sale. (chieflandchamber.com) Rudolph Run, Christmas festival and parade.

Jingle Bell Jog 5K and Holiday Social: 8 a.m.-noon Saturday, Plantation Hall, 5100 SW 91st Terrace. Cost: Free for Florida Track Club Members, $15 non-members. (runsignup.com/Race/FL/Gainesville/JingleBellJog5kandsocial) Family friendly 5K jog around Haile Plantation followed by food, socializing and reindeer games.

Santa Paws 5K-9: 8 a.m.-noon Saturday, Albert “Ray” Massey Westside Park, 1001 NW 34th St. Cost: $35 for 5K, $44.96 for 10K. (runsignup.com/Race/FL/Gainesville/DogtoberFest5k9) Annual event in its second year benefitting The Humane Society of North Central Florida. After-race party will feature “Jolliest Jogger” holiday-themed costume contest for both humans and pets, K-9 education and adoption, talent show for doggies, local vendors, pet photos with Santa, and family friendly activities.

Christmas in Columbia Holiday Market: 9 a.m. Saturday, Olustee Park, 169 N. Marion Ave., Lake City. Free entry; items and food for sale. (bit.ly/xmasincolumbia23) Holiday event featuring vendors, children’s activities, food trucks, and live entertainment.

Tyler’s Hope Season of Hope 5K/15K Run: 9 a.m. Saturday, Hawthorne Trail, 3300 SE 15th St. Cost: $30-$40. (runsignup.com/Race/FL/Gainesville/SeasonofHopeRun) Annual run down the Hawthorne Trail where wildlife is abundant.

Breakfast and Photos with Santa: 9-11 a.m. Saturday, Brown’s Country Buffet, 14423 NW U.S. 441, Alachua. Free entry; food for sale. (tinyurl.com/2jtfewwj) Santa will be visiting during breakfast and taking photos with customers.

Mega Christmas Household and Kids Item Give Away: 9-11 a.m. Saturday, Deeper Purpose Community Church, 19930 N. U.S. 441, High Springs. Cost: $5 per person ages 12 and older, only exact-change cash. (tinyurl.com/rssbcjrd) Instead of a yard sale, everything is free to families who need it. Entry fee donations will go toward Deeper Purpose Community Charities  Inc. to help the community.

Time Machine Tour: 9-11 a.m. Saturday, Ichetucknee Springs State Park, 12087 SW U.S. 27, Fort White. Cost: $10 in addition to the $5-per-vehicle park entry fee. (floridastateparks.org/events/time-machine-tour-3) Take a fascinating journey by van into the Ichetucknee’s past and learn about the history of human occupation on Ichetucknee’s lands. Participants will be taken into Ichetucknee’s forest to the site of the 17th century Mission de San Martin de Timucua and the ancient Timucuan capital of Aquacalyquen.

The Grinch: 9 a.m.-3 p.m. Saturday, Newberry Nutrition, 305 SW 250th St., Newberry. Free entry; drinks for sale. (tinyurl.com/2rh7s8xn) Bring your camera and take a free picture with the Grinch.

Old Fashioned Christmas: 9 a.m.-3 p.m. Saturday, Trenton City Park, Southeast Fifth Avenue, Trenton. Free entry; items and food for sale. (bit.ly/ofc23trenton) Craft and vendor event.

Christmas Cookies Class: 10 a.m. Saturday, Amazing Grace Confections, 618 NW 60th St., Suite A. Cost: $70. (mysugarcookiejar.com) You will get a set of pre-baked cookies as well as all the supplies you will need to decorate them. 

Devil’s Millhopper Geological State Park Sinkhole Guided Walk: 10 a.m. Saturday, Devil’s Millhopper Geological State Park, 4732 Millhopper Road. Cost: $4 per vehicle, $2 pedestrian or bicyclist. (bit.ly/devilsmill) Ask questions and learn about the area and its history while exploring the park with a ranger.

Frostie Fest: 10 a.m. Saturday, New Waldo Flea Market, 17805 U.S. 301, Waldo. Free entry; items and food for sale. (tinyurl.com/4vbzdjyf) Family holiday event featuring photos with Santa and the Grinch, bounce house, meet and greet with Nasty Boys, wrestling show by Knockout, food, vendors and more.

Merry Melrose Christmas Parade: 10 a.m. Saturday, State Road 26 from Center Street to State Road 21, Melrose. Free. (melrosefl.com) Annual holiday parade. This year’s theme is “Peace on Earth.”

Guided Hike on Rim Ramble: 10-11 a.m. Saturday, La Chua Trail Horse Barn, 4801 Camp Ranch Road. Cost: $4 per vehicle. (prairiefriends.org) Rangers from Paynes Prairie Preserve State Park will lead adventures through the La Chua Trail. Limited space available to the first 25 people who are present at the time of each event. Heavily suggested items for the trip include hiking shoes, comfortable clothing, binoculars, camera, drinking water and field guides. Insect repellent is highly recommended in warmer weather.

Carson Springs Wildlife Conservation Foundation Tour: 10 a.m.-noon Saturday, Carson Springs Wildlife Conservation Foundation, 8528 E. County Road 225. Tickets: $25 adults, $10 ages 2-11, free ages 1 and younger; $45 motorized-vehicle tours. (carsonspringswildlife.org, 468-2827, contact@cswildlife.org) Take a tour — on foot or in a tour vehicle — of Carson Springs Wildlife Conservation Foundation with big-cat feeding demonstrations and up-close encounters with the animals.

Pictures with Santa: 10 a.m.-1 p.m. Saturday, Beauty Lounge & Co., 100 SW 75th St., Suite 203. Free; registration required. (tinyurl.com/4mbnyfu5) Photos with Santa and Mrs. Claus.

Christmas on the Farm: 10 a.m.-2 p.m. Saturday, Etheridge Cattle Company, 2551 NE 140th Ave., Williston. Free entry; items and food for sale. (tinyurl.com/mmuu9nvb) Family holiday event featuring vendors, live music, food trucks and more.

Rooterville Animal Sanctuary Self-Guided Tours: 10 a.m.-2 p.m. Saturday-Sunday, Rooterville Animal Sanctuary, 5579 Darwood St., Melrose. Cost: Suggested $15 donation per person or $45 for a family of four. (rooterville.org) Take a map of the sanctuary at the gate to see highlights of Rooterville to help you find your way. Trolley tours at 11 a.m. and 1 p.m.

Vintage Holidays Guided Tours of the Historic Haile Homestead: 10 a.m.-2 p.m. Saturdays, noon-4 p.m. Sundays through Dec. 30, Historic Haile Homestead, 8500 Archer Road. Tickets: $5, free ages 11 and younger. (hailehomestead.org) Visit the 1856 homestead and enjoy vintage holiday decorations on guided tours.

Santa: 10 a.m.-4 p.m. Saturday, Blue Compass RV, 12380 NW U.S. 441, Alachua. Admission: Canned food or unopened toy donation. (tinyurl.com/25avy3js) Santa will collect food donations for Bread of the Mighty food bank and toy donations for Toys for Tots. 

Hawthorne Community Festival of Trees: 11 a.m.-2 p.m. Saturday, 11 a.m.-2 p.m. Dec. 16 and 11 a.m.-2 p.m. Dec. 23, Hawthorne Woman’s Club, 6751 SE 220th Terrace, Hawthorne. Free. (tinyurl.com/4nvmpmh3) Multi-week family holiday event featuring decorated trees for viewing and voting; holiday tales at 1 p.m. Saturday; Christmas music by Galilee Baptist Mission Group at 1 p.m. Dec. 16; and Santa Claus and voting results at noon Dec. 23. 

Horse Feeding: 11 a.m.-3 p.m. Saturday, Mill Creek Farm Retirement Home for Horses, 20307 NW CR 235A, Alachua. Entrance: Bag of carrots. (millcreekfarm.org) The Retirement Home for Horses provides lifetime care to elderly horses seized by law enforcement agencies, rescued by the SPCA or humane societies, as well as horses retired from government service such as police patrol or state and federal parks.

Winter Faire: 11 a.m.-3 p.m. Saturday, Constellation Charter School, 14450 NE 148th Ave., Waldo. Tickets: $25 for first child, $15 per additional sibling. (tinyurl.com/53sfrvud) Annual family holiday event featuring food, drinks, crafts for children to make holiday gifts, storytelling and a gift shop.

Jeep Jamboree: 11 a.m.-4 p.m. Saturday, Homestead Park, 1050 NE Sixth Blvd., Williston. Free for spectators; items and food for sale. (tinyurl.com/yc8h6wp8) Annual event to celebrate a shared love for the iconic Jeep brand with competition, displays, vendors and live music from Kash Erickson.

Holiday Stroll: 11 a.m.-6 p.m. Saturday, Micanopy Downtown Historic District, Northeast First Street, Micanopy. Free entry; items and food for sale. (tinyurl.com/4vjtrhvh) Holiday gathering featuring shopping, cafes, live music, plein air artists, museum tours, Santa and Mrs. Claus, community tree lighting ceremony and live music by Gumbo Limbo and Martin Family Band.

Winter Festival: 11 a.m.-6 p.m. Saturdays-Sundays through Dec. 23, Mayhem Ranch, 17830 SE 40th St., Morriston. Tickets: $15 general admission, free ages 2 and younger; additional cost for some extra activities. (mayhemranchfl.com) Family holiday event featuring Santa appearances and photos, live reindeer exhibit, miniature highland encounter, firepits, farm train, slides, animal shows, hayride, Grinch appearances, corn crib, petting zoo, live Nativity scene, swings, games, pig races, live music, mini cow town, jump pad and more.

Country Circus: Noon-4 p.m. Saturday, Two Hawk Hammock, 17950 NE 53rd Lane, Williston. Tickets: $15 in advance, $20 at door, $12 seniors and military, free ages 12 and younger. (tinyurl.com/3rb53bsu) Annual event in its twelfth year featuring live music, arts and crafts vendors, circus arts, trick riding and more. Dogs on leashes welcome.

Mini Makers Market: Noon-5 p.m. Saturday, AUK Market, 2031 NW Sixth St. Free entry; items and food for sale. (theaukmarket.com) Vendo market featuring a variety of goods and gifts, vendors and food trucks.

Christmas Craft Fair: Noon-5:30 p.m. Saturdays through Dec. 23, North Central Florida YMCA, 5201 NW 34th Blvd. Cost: $2 admission fee, free ages 2 and younger. (bit.ly/3FONhux) Inaugural event features local vendors. Admission fee gives a $2 discount off items inside the Winter Wonderland Gainesville Gift Shop.

Camp Crystal Lake 75th Anniversary Celebration: 12:30-5:30 p.m. Saturday, Camp Crystal Lake, 6724 Camp Crystal Road, Starke. Free. facebook.com/leavingcoolatthegatesince1948/events) Celebration featuring family-oriented activities such as fishing, arts and crafts, archery and hayrides as well as a high-ropes course. There also will be an ongoing slideshow featuring different decades of camp. Collectable 75th anniversary T-shirts will be available for purchase. Proceeds from this event will go toward summer program scholarships.

Alachua Christmas Parade: 2-4 p.m. Saturday, Main Street, Alachua. Free. (tinyurl.com/yszxfj8t) Floats and holiday festivities.

Christmas at Butler: 4-7 p.m. Saturday, Butler Town Center, 3217 SW 35th Blvd. Free entry; items and food for sale. (tinyurl.com/mwva62ec) Annual family holiday event featuring vendors, entertainment, holiday festivities, prizes and more.

Movie in the Park: 5-8 p.m. Saturday, Barry Park, 25440 W. Newberry Road, Newberry. Free. (tinyurl.com/56f237ym) “Elf” on the big screen, popcorn, gingerbread-decorating craft and golf cart decorating contest.

Christmas in the Quarry: 5:30-8 p.m. Saturday plus Dec. 16-17, Dec. 20 and Dec. 22-23, Cedar Lakes Woods and Gardens, 4990 NE 180th Ave., Williston. Tickets: $10 adults, $5 ages 6-13, free ages 5 and younger, free for quarry members. (cedarlakeswoodsandgarden.com/upcoming-events) Walkthrough light show designed to dazzle. Families can stroll amongst billions of lights among the 20-acre botanical garden while enjoying treats from a cookie and cocoa station, and join in some of the family holiday crafts for kids to take home. Santa also will visit.

High Springs Christmas Parade: 6 p.m. Saturday, Main Street, downtown High Springs. Free. (facebook.com/HSChamberOfCommerce) Annual Christmas parade with the theme “A Toyland Christmas.”

Holiday Open House: 6-8 p.m. Saturday, Marjorie Kinnan Rawlings Historic State Park,18700 S. CR 325, Cross Creek. Cost: $3 per group in one vehicle. Please use the honor box to pay the fee. Correct change is needed. (marjoriekinnanrawlings.org/event-5130023) Annual holiday event. 

Holiday Block Party and Vendor Market: 6-9 p.m. Saturday, 108 Vine, 3739 W. University Ave. Free entry; items and food for sale. (tinyurl.com/3hc2n6ms) Holiday event featuring vendors, tarot readings, coquito and Puerto Rican desserts, and giveaways.

Winter Solstice Celebration: 8 p.m. Saturday, Unitarian Universalist Church, 4225 NW 34th St. Tickets: $20-$40. (vfpgainesville.org, 375-2563) The Winter Solstice is a community celebration of peace and light, singing, dancing and fellowship. It will feature performers including Cherokee Peace Chant, Drums of Peace, John Chambers and Friends, Bill Hutchinson, Janet Rucker and David Beede, Cathy Dewitt, Quartermoon, Other Voices, A Choir of Heavenly Semi-Angels and more. Peace Helmet winners will be announced, and Peace Poets will read their poems.

Breakfast with Santa: 9 a.m. Sunday, Dave and Buster’s, 3023 SW 45th St. Cost: $32.34. (tinyurl.com/2s3ubkdc) Ticket includes all-American breakfast buffet ticket with soda, coffee and tea; a $10 Power Card with unlimited video game play; kid-friendly crafts; early access to store; personal photo with Santa; suggested 18% gratuity; and taxes.

Brunch with Santa: 9:30 a.m.-2 p.m. Sunday, Local Provisions, 13005 SW First Road, Suite 129, Newberry. Cost: $19.95 ages 12 and younger, $29.95 ages 13 and older. (tinyurl.com/282aup6y) A visit with Santa plus build your own pancakes, decorate your own donuts and visit the honey baked ham carving station.

Dr. Kevin Kokomoor: 10 a.m.-7 p.m. Sunday, Matheson History Museum, 513 E. University Ave. Free; registration required. (mathesonmuseum.org) Author and historian Dr. Kevin Kokomoor will discuss his book “La Florida: Catholics, Conquistadors, and Other American Origin Stories” followed by a Q&A and book signing.

Michaels Sunday Makebreak: 2-4 p.m. Sunday, Michaels, 3644 SW Archer Road. Free. (michaels.com) A paper holiday or Hanukkah banner design. All supplies included.

Sunday with Santa: 2-4 p.m. Sunday, Blackadder Brewing, 618-A NW 60th St. Free entry; drinks for sale. (tinyurl.com/5d9dc6mx) Santa, milk and cookies, and holiday draft offerings.

Holiday Mingle: 2-5 p.m. Sunday, Prairie Creek Lodge 7204 SE CR 234. Free; donations welcome in support of ACT’s conservation efforts. (alachuaconservationtrust.org) Outdoor celebration of this year’s conservation victories with light food, drinks and holiday cheer. Picnic blankets and chairs from home are recommended for the musical performance.

Advent Festival of Nine Lessons and Carols: 5-6 p.m. Sunday, First Presbyterian Church, 300 SW Second Ave. Free. (1stpcmusic.org) Sing and hear lessons and carols for Advent and Christmas showing the development of the loving purposes of God as seen through the windows and words of scripture. At 4:30 p.m. the Gainesville Brass Quintet and First Presbyterian Jubilate Ringers present seasonal music. 

McIntosh-Evinston Community Christmas Service of Lessons, Carols and Choir Anthems: 5:30 p.m. Sunday, Community Presbyterian Church, 20098 N. U.S. 441, McIntosh. Free. (facebook.com/McIntoshCommunityPresbyterian) Annual holiday service. Cookies and hot cocoa to follow.

“A Christmas Story” 40th Anniversary: 7 p.m. Sunday and Wednesday, Regal Butler Town Center 14, 3101 SW 35th Blvd. Tickets: $15.05 general admission, $12.90 children. (fathomevents.com/events/A-Christmas-Story-40th-Anniversary) Special screening of the holiday classic. It’s the final days before Christmas in early 1940s Cleveland, and 9-year-old Ralphie wants one thing from Santa more than anything else: a Red Ryder Carbine Action Air Rifle. As he trudges through the snow to school, faces the neighborhood bully and visits a malevolent department store Santa Claus, Ralphie connives, conspires and campaigns for the most fabulous Christmas present ever in this heartwarming, hysterical and sweetly nostalgic holiday film. Based on stories by Jean Sheppard.

Downtown Chanukah Family Festival: 5:30 p.m. Monday, Bo Diddley Plaza, 111 E. University Ave. Free; donations appreciated. (jewishgator.com) Community event for all ages.

“Christmas with The Chosen: Holy Night”: 12:10 p.m., 3:20 p.m., 6:30 p.m. and 9:40 p.m. Tuesday-Thursday, Regal Celebration Pointe, 4901 SW 31st Place; 1 p.m., 4 p.m., 7:30 p.m. and 10 p.m. Tuesday-Thursday, Regal Royal Park, 3702 W. Newberry Road; 1:05 p.m., 4:05 p.m. 7:05 p.m. and 10:05 p.m. Tuesday-Thursday, Regal Butler Town Center, 3101 SW 35th Blvd. (fathomevents.com/events/christmas-with-the-chosen-2023) A young mother labeled impure. A shepherd boy considered “unclean.” Experience Jesus’ birth through their eyes as “Christmas With The Chosen: Holy Night” blends The Messengers and The Shepherd into one special remastered and re-scored story. Plus, a never-before-seen performance from Andrea and Matteo Bocelli highlights seven musical performances and two new monologues.

Santa: 5-8 p.m. Tuesday, Sweet Myra’s, 203 NW First St., Trenton. Free entry; food for sale. (tinyurl.com/vc7zarj2) Santa will be stopping by.

Sweetwater Wetlands Park Wednesday Bird Walks: 8:30-11 a.m. Wednesdays through May 29, 2024, Sweetwater Wetlands Park, 325 SW Williston Road. Admission: $5 per vehicle; $2 for pedestrians, vans and bikes. (alachuaaudubon.org) Discover the rich diversity of birds at one of north central Florida’s premier birding hotspots during a two- to three-hour guided walking tour. Birders of all levels welcome. Walks are led by volunteers from Alachua Audubon Society with assistance from Sweetwater Wetlands Park rangers.

Cocoa with Santa: 2-6 p.m. Wednesday, Gainesville Kitchen and Bath, Shoppes at Thornebrook, 2441 NW 43rd St. Free entry; items for sale. (tinyurl.com/y4juszsx) Christmas celebration featuring photos with Santa Claus, holiday delights, Christmas tunes and Santa Claus. This event is pet-friendly. 

Barnyard Buddies: 3-4 p.m. Wednesdays through May 29, 2024, Morningside Nature Center, 3540 E. University Ave. Free. (bit.ly/barnbuds) Weekly program where youngsters, with an adult, can meet and greet farm animals by helping staff with afternoon feeding. Animals love donations of carrots, squash, apples, sweet potatoes and melons.

Christmas Dinner, Cantata and Live Nativity: 5:15-8:30 p.m. Wednesday, Trinity United Methodist Church, 4000 NW 53rd Ave. Cost: $15 in advance for dinner; free cantata and Nativity. (trinitygnv.org) “Invitation to a Miracle” offered by Trinity’s choir and guest musicians.

Celebration Pointe Fall Farmers Market: 4-7 p.m. Thursdays, Celebration Pointe, Celebration Pointe Avenue. Free entry; items and food for sale. (celebrationpointe.com/events/farmers-market-2023, info@celebrationpointe.com) Weekly farmers market featuring a wide selection of products, including grass-fed local meat, fruit smoothies and hand-poured soy candles. Discover the flavors of the season and support local farmers and small businesses.

Holiday Market: 4-7 p.m. Thursday, GNV Market, 619 S. Main St. Free entry; items and food for sale. (tinyurl.com/mr255wt9) Holiday event featuring vendors,  activities, hot drinks and Santa.

ART

Cade Museum for Creativity and Invention: “Tom Petty: Among the Wildflowers,” exploring the joys, pains and creative awakenings Petty experienced when pouring his soul into his magnum opus, on display through December; “Leonardo da Vinci: Machines in Motion,” featuring 40 full-scale machines that were built after in-depth study of Leonardo da Vinci’s designs by a group of scientists and skilled craftsmen in Florence, Italy, on display through Jan. 7, 2024. Tickets: $12.50, $10 seniors and college students, $7.50 ages 5-17, free ages 4 and younger. Hours are 10 a.m. to 4 p.m. Thursday-Sunday. 811 N. Main St. (371-8001, cademuseum.org) 

Cedar Key Arts Center: 10 a.m.-5 p.m. Friday-Sunday open studio; 5 p.m. Saturday drum circle; 4:30-8:30 p.m. Tuesday Lions Club holiday party; 9 a.m. Wednesday Boat Builders; 9:30 a.m. Wednesday Keyhole holiday party; 2:30-5 p.m. Wednesday Shark Sewing Club. 457 Second St., Cedar Key. Gallery hours are 10 a.m. to 5 p.m. daily. (543-5801, cedarkeyartscenter.org)

Florida Museum of Natural History: “Antarctic Dinosaurs” on display through April 21, 2024. Today, Antarctica is a forbidding land of snow and ice, but 200 million years ago it was a lush, wooded habitat where dinosaurs thrived. Uncover the history of the world’s southernmost continent and the unique species that have called it home in this interactive, family friendly experience. Tickets: $10 adults; $9 Florida residents, seniors and non-UF college students; $7 ages 3-17; free ages 2 and younger, UF students and museum members. Hours are 10 a.m. to 5 p.m. Monday-Saturday, 1 to 5 p.m. Sunday. 3215 Hull Road. (floridamuseum.ufl.edu, 846-2000)

Gainesville Fine Arts Association Gallery: “Growth,” the last of a series of exhibitions based on the organization’s governing values, on display through Dec. 21; “Veiled, Hooded and Hidden” on display Jan. 17-20, 2024. Gallery hours are 1 to 6 p.m. Tuesday-Friday and 11 a.m. to 4 p.m. Saturday. 1314 S. Main St. (gainesvillefinearts.org, info@gainsevillefinearts.org)

Harn Museum of Art: “Jerry Uelsmann: A Celebration of His Life and Art,” commemorating a beloved UF artist, teacher, colleague and friend through an overview of his creative life, including 37 photographs laid out chronologically, on display through Feb. 18, 2024; “Under the Spell of the Palm Tree: The Rice Collection of Cuban Art” on display through Jan. 7, 2024. “Under the Spell of the Palm Tree” is drawn exclusively from the collection of Susie and Mitchell Rice, and offers a glimpse into the complexity of culture and history that has inspired Cuban art throughout the 20th century and into the 21st century. Guest curators Gabriela Azcuy and David Horta will utilize the work of a broad range of artists in the Rice Collection to display an inclusive view of Cuban art, reflecting on its current dynamic and the existence of new geographies as an essential part of its reality. Through more than 70 works representing 53 artists, the exhibition will present the narrative of a “crossing” — a virtual crossing of the seas as well as a crossing of generations, of artists living or having lived both in Cuba and in the Diaspora; “Gateway to Himalayan Art” on display Feb. 6, 2024-July 2024; “Metamorphosis: Reshaping Contemporary Art,” featuring artists who are rethinking traditional materials and techniques to create innovative works of art, on display through Oct. 26, 2025. Museum hours are 11 a.m. to 5 p.m. Tuesday-Friday, 10 a.m. to 5 p.m. Saturday and 1 to 5 p.m. Sunday. 3259 Hull Road. (392-9826)

Matheson History Museum: “We Are Here: Stories From Multilingual Speakers In North Central Florida,” an exhibition that illustrates the immigration journeys of the North Central Florida community through stories that hold power in multiple languages; “Return to Forever: Gainesville’s Great Southern Music Hall,” showcasing dozens of John Moran‘s performance photos from his two years as the Great Southern Music Hall house photographer. Also featured is a display of Bo Diddley artifacts, including one of Bo’s signature square box guitars. Written by music journalist Bill DeYoung and designed by historian Rick Kilby, this unique exhibit celebrates a golden age in the University City’s musical history, the likes of which may never be seen again; “When Johnny Came Marching Home: Some Gave All – All Gave Some,” remembering those who came home from war with both physical and mental wounds, on display outside. Gallery hours are 11 a.m. to 4 p.m. Wednesday-Saturday. 513 E. University Ave. (378-2280, mathesonmuseum.org)

Melrose Bay Art Gallery: 2023 Holiday Invitational to be held through Dec. 30; Works by Bjorn Parramoure on display Jan. 5-28, 2024, with Artwalk reception 6-9 p.m. Jan. 5; Works by Ray Hale on display Feb. 2-25, 2024, with Artwalk reception 6-9 p.m. Feb. 2; Works by Santa Fe art students on display March 1-10, 2024, with Artwalk reception 6-9 p.m. March 1; Open Air Arts on display March 16-April 28, 2024, with Artwalk reception 6-9 p.m. April 5; Works by Julie Robitaille on display May 3-26, 2024, with Artwalk reception 6-9 p.m. May 3; Works by Carron Wedlund on display June 1-30, 2024, with Artwalk reception 6-9 p.m. June 7; July featured artist TBA July 5-28, 2024, with Artwalk reception 6-9 p.m. July 5; August featured artist TBA Aug. 2-25, 2024, with Artwalk reception 6-9 p.m. Aug. 2; Works by Candace McCaffery on display Aug. 31-Sept. 29, 2024, with Artwalk reception 6-9 p.m. Sept. 6; Works by Kay Deuben on display Oct. 4-27, 2024, with Artwalk reception 6-9 p.m. Oct. 4; Special Pre-Holiday Gifts Show to be held Nov. 1-10, 2024, with Artwalk reception 6-9 p.m. Nov. 3; 2024 Holiday Invitational to be held Nov. 16-Dec. 29, 2024, with Artwalk reception 6-9 p.m. Dec. 6. Gallery hours are 10 a.m. to 6 p.m. Saturday and 1 to 5 p.m. Sunday or by appointment. 103 State Road 26, Melrose. (475-3866, melrosebayartgallery.com)

The Richardson Collection: The final showing of “The Richardson Collection” on display through Dec. 15. Gallery hours: By appointment. 3620 NW 43rd St., Suite B.

Santa Fe College’s Blount Hall: A large art collection from local collector Hector Puig on display. Hours are 8 a.m. to 4:30 p.m. Monday through Friday. Corner of West University Avenue and North Sixth Street.

Sweetwater Print Cooperative: The annual Holiday Show, the only show where patrons may buy works by co-op members right off the wall for holiday giving, runs through Jan. 23, 2024. Gallery hours: By appointment. 117 S. Main St. (514-3838)

University Galleries: “Vital and Veiled: Valerie Brathwaite and José Gabriel Fernández / ISLAA Artist Initiative” on display through Jan. 26, 2024. Brathwaite’s sculptures, created in the late 1960s, explore sensuality in nature through bronze, clay, ceramic, plaster, cement and fabric, resulting in a unique fusion of collage, painting and sculpture. José Gabriel Fernández’s work delves into representations of masculinity and veiled homoerotism in bullfighting, including studies of the bullfighter’s cape as a generative shape for abstract sculptures. Gallery hours are 10 a.m. to 5 p.m. Tuesday-Wednesday and Friday, 10 a.m. to 7 p.m. Thursday and noon to 4 p.m. Saturday. 400 SW 13th St. (arts.ufl.edu/university-galleries)

UPCOMING CONCERTS

Playlist at the Pointe: 7-9 p.m. Dec. 15, Celebration Pointe, Celebration Pointe Avenue. Free. (celebrationpointe.com) A live band will perform. Food will be available from area restaurants.

Voices Rising Community Chorus: 7:30 p.m. Dec. 15, First United Methodist Church, 419 NE First St. Tickets: $10-$20 suggested donation. (vrccgainesville.org) The chorus continues celebrating its 10th anniversary season with a holiday concert featuring music for Christmas, Hanukkah and Winter Solstice.

Gainesville Orchestra Presents: Season’s Greetings: 7:30-9:30 p.m. Dec. 15, Santa Fe College, Jackson N. Sasser Fine Arts Hall, 3000 NW 83rd St. Tickets: $15-$45. (gainesvilleorchestra.com) A symphonic season’s greetings. Ring the bells … resound the organ! An international celebration of the most joyous time of the year, including Saint Saens’ exalted “Organ” symphony, “Dances” with Tchaiskovsky, special guests, surprising favorites and a finale sing-a-long.

Florida Carillon Festival: 6:15 p.m. Dec. 16, Century Tower Carillon, 375 Newell Drive, University of Florida campus. Free. (arts.ufl.edu) Listeners are encouraged to find a location at least 100 feet from the tower for an optimal listening experience.

New Year’s Eve Eve: 7-10 p.m. Dec. 30, Tioga Town Center, 13085 SW First Lane, Newberry. Free. (bit.ly/nyee23) Elio Piedra will perform under the stars. Piedra is a musician, drummer, entertainer, singer, arranger, composer and voting member at LARAS & NARAS Academy. He was born in Cuba and began his musical career at the age of 10 at the Arts Conservatory Raul Sanchez. At 15, he gained entry into the National Conservatory of Music Carlos Hidalgo, where he continued to hone his craft, even touring Cuba with the symphony orchestra. Piedra immigrated to the United States at the age of 20 and began playing with many notable musicians in Miami. He eventually relocated to Gainesville, where he lives with his wife. Highly in demand, Piedro splits his time between live shows, drum instruction and touring with his group, Elio’s Quartet. Visit the Town Center restaurants for dinner before the show, or to grab take-out to enjoy during the concert.

American Spiritual Ensemble: 7:30 p.m. Jan. 18, 2024, Phillips Center, 3201 Hull Road. Tickets: $20-$40, $12 UF students. (performingarts.ufl.edu) American Spiritual Ensemble began as a dream of performing and preserving the music of the American slave spirituals to keep the art form alive. These songs now stand as a testament to the strength found through faith during times of hardship as well as a unifying force among all people. The chorale is made up of some of the finest classically trained soloists in the United States who have sung in opera houses and theaters around the world.

Young Concert Artists on Tour: 7:30 p.m. Jan. 30, 2024, Squitieri Studio Theatre, Phillips Center, 3201 Hull Road. Tickets: $35, $12 UF students. (performingarts.ufl.edu) Young Concert Artists on Tour is a new program that brings together a unique chamber ensemble of the most extraordinary young artists to cities in North America. This dynamic performance features rarely heard instrumentation that combines voice with violin, cello and piano. 

Twisted Pine: 7 and 9 p.m. Feb. 1, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. New roots string band Twisted Pine draws audiences across the UK and the U.S. with their lush harmonies and daring, forthright and charismatic songwriting. Of bluegrass origin, this quartet has developed its own unique style with layered sound that echoes Indie pop. Their voices blend into unexpected harmonies and grooves together in instrumental interplay.

Alfredo Rodriguez Trio: 7 and 9 p.m. Feb. 2, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. Over the past decade, Cuban-born pianist Alfredo Rodriguez has gone from a young local artist to a globally recognized Grammy nominee with three critically acclaimed releases. Schooled in the rigorous classical conservatories of Havana, Rodriguez’s riveting artistry is informed as much by Bach and Stravinsky as by his heritage and jazz roots. Discovered at the 2006 Montreux Jazz Festival by Quincy Jones, Rodriguez has distinguished himself as the definition of jazz and improvisation without boundaries. 

The String Queens: 7 and 9 p.m. Feb. 8, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. Praised for authentic, soulful and orchestral sound, The String Queens is a dynamic trio that inspires audiences to love, hope, feel and imagine through stirring musical experiences. With a repertoire that spans from Baroque to jazz to the Hot 100 Chart, The String Queens act as a bridge between classical music and mainstream pop with an exhilarating journey through time and musical genres with arrangements from the heart.

Detroit Symphony Orchestra: 7:30 p.m. Feb. 13, 2024, Phillips Center, 3201 Hull Road. Tickets: $40-$65, $20 UF students. (performingarts.ufl.edu) The internationally acclaimed Detroit Symphony Orchestra crafts each performance with thoughtful consideration toward creative ways to merge the power of music with the spirit of exploration.

New York Voices: 7 and 9 p.m. Feb. 15, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. New York Voices has taken the best classic jazz and moved it to new levels. Shaped by Brazilian, R&B, classical and pop influences, their performances at top venues including Carnegie Hall allow them to be considered one of the most exciting vocal ensembles in the country. 

Six One Five Collective: 7 and 9 p.m. Feb. 16, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. Steeped in a mix of Americana, folk, country and pop, Six One Five Collective is a Grammy-nominated collaborative effort and creative brainstorm of four artists reminiscent of bands like Fleetwood Mac and Little Big Town. With an eclectic mix of high-energy music, original pieces and hit songs they have written for artists such as George Strait, Kesha, Kelly Clarkson and Sister Hazel, Six One Five Collective has carved a distinctive niche for themselves. 

Arod Quartet: 2 p.m. Feb. 25, Squitieri Studio Theatre, Phillips Center, 3201 Hull Road. Tickets: $35, $12 UF students. (performingarts.ufl.edu) The Arod Quartet skyrocketed to international attention when they won the coveted First Prize at the 2016 ARD International Music Competition in Munich, having already taken First Prize at the Carl Nielsen Chamber Music Competition in Copenhagen in 2015. They later served as the BBC New Generation Artists from 2017 to 2019. Since then, they have firmly established themselves in performance and recording at the forefront of string quartets by dazzling audiences around the globe. 

Ladysmith Black Mambazo: 7:30 p.m. Feb. 27, 2024, Phillips Center, 3201 Hull Road. Tickets: $25-$45, $12 UF students. (performingarts.ufl.edu) Ladysmith Black Mambazo has celebrated more than 60 years of joyous and uplifting melodies. Within this music are the intricate rhythms and harmonies of their native South African traditions. The a cappella vocal group has created a spirit that has touched a worldwide audience, and garnered praise and accolades from a wide body of people, organizations and countries.

Ying Li: 2 p.m. March 17, 2024, Squitieri Studio Theatre, Phillips Center, 3201 Hull Road. Tickets: $35, $12 UF students. (performingarts.ufl.edu) Twenty-four-year-old pianist Ying Li has received top awards in numerous national and international competitions. Beginning piano at the age of 5, she has studied in Beijing, Philadelphia and at The Juilliard School. Since then, Li has performed with many leading orchestras such as The Philadelphia Orchestra, New Jersey Symphony and the Nordwestdeutsche Philharmonie, among others.

Natalie MacMaster and Donnell Leahy: 7:30 p.m. March 19, 2024, Phillips Center, 3201 Hull Road. Tickets: $20-$40, $12 UF students. (performingarts.ufl.edu) Canada’s reigning couple of Celtic music is coming to the Phillips Center — and they are bringing their family with them! Natalie and Donnell Leahy’s high level of skill and palpable joy at playing the fiddle together has earned them both industry acclaim and built up a loyal fan base. They combine their talents to give audiences an electrifying musical experience.

Pat Metheny: 7:30 p.m. March 20, 2024, Phillips Center, 3201 Hull Road. Tickets: $40-$60, $12 UF students. (performingarts.ufl.edu) Twenty-time Grammy Award-winning guitarist Pat Metheny is known to bring something unique to every performance. This show is no exception, focusing on the various ways of playing solo he has explored across the decades in an evening that will be very special. The set features personal and fan favorite tracks from his nearly 50-year career, creating an almost orchestral range from bass to soprano within the realm of guitar.

Academy of St. Martin in the Fields: 7:30 p.m. March 24, 2024, Phillips Center, 3201 Hull Road. Tickets: $45-$75, $20 UF students. (performingarts.ufl.edu) Music director and virtuoso violinist Joshua Bell returns to the stage to lead the Academy of St. Martin in the Fields. Retaining the flexibility and spirit of their origin as a small, conductorless ensemble, the Academy of St. Martin in the Fields has gained an enviable international reputation as one of the world’s finest chamber orchestras. Renowned for their polished, innovative interpretations of distinctive orchestral music, they present both symphonic and chamber repertoire on a grand scale at prestigious venues around the globe.

Harold López-Nussa: 7 and 9 p.m. April 11, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. Pianist Harold López-Nussa reflects the richness of Cuban music with his distinctive combination of classical, folkloric and improvisation. This fresh take is an exhilarating personification of the ritmo of the modern music scene’s bustling soul. With astonishingly fresh performances that showcase the full range and richness of the genre, López-Nussa has earned significant national and international awards in the classical and jazz worlds.

The Crane Wives: 7 and 9 p.m. April 12, 2024, UpStage at the Phillips Center, 3201 Hull Road. Tickets: $50 for 7 p.m., $35 for 9 p.m., $12 UF students. (performingarts.ufl.edu) UpStage is an intimate, cabaret-style setting on the Phillips Center Mainstage. The 7 p.m. seating includes heavy hors d’oeuvres and cash bar; the 9 p.m. seating includes desserts and cash bar. A four-piece indie band, The Crane Wives defies musical stereotype with eclectic instrumentation and lively stage presence. They perform homegrown Indie folk with candor and touching, soulful harmonies, and are not afraid to experiment with jazz influences and instruments. 

UPCOMING EVENTS

“Christmas with The Chosen: Holy Night”: 12:10 p.m., 3:20 p.m., 6:40 p.m. and 9:50 p.m. Dec. 15-17, Regal Celebration Pointe, 4901 SW 31st Place; 1:05 p.m., 4:05 p.m., 7:30 p.m. and 10:05 p.m. Dec. 15-17, Regal Royal Park, 3702 W. Newberry Road; 1:05 p.m., 4:05 p.m. 7:05 p.m. and 10:05 p.m. Dec. 15 and Dec. 17 plus 1:10 p.m., 4:10 p.m., 7:10 p.m. and 10:10 p.m. Dec. 16, Regal Butler Town Center, 3101 SW 35th Blvd. (fathomevents.com/events/christmas-with-the-chosen-2023) A young mother labeled impure. A shepherd boy considered “unclean.” Experience Jesus’ birth through their eyes as “Christmas With The Chosen: Holy Night” blends The Messengers and The Shepherd into one special remastered and re-scored story. Plus, a never-before-seen performance from Andrea and Matteo Bocelli highlights seven musical performances and two new monologues.

“The Nutcracker”: 7:30 p.m. Dec. 15, 2 and 7:30 p.m. Dec. 16, 2 p.m. Dec. 17, Phillips Center, 3201 Hull Road. Tickets: $30-$60. (performingarts.ufl.edu) Presented by Dance Alive National Ballet. Everyone needs a hero, and in this case she’s a girl. Clara saves the Nutcracker prince, and to thank her, he brings her on a magical journey to the Kingdom of the Sweets, where the exquisite Sugar Plum Fairy puts on a regal show. 

Lowe’s Kids Workshop: Holiday Delivery Truck: 10 a.m.-1 p.m. Dec. 16, Lowes, 2564 NW 13th St. and 15910 NW 144th Terrace, Alachua. Free; registration required. (lowes.com) Calling all little elves! Create a jolly holiday delivery truck that’s also a gift card holder. In-store only. 

Operation Santa Delivery: 10 a.m.-1 p.m. Dec. 16, Santa Fe College, North Fields, intersection of Northwest 39th Avenue and Northwest 91st Street. Free entry; items and food for sale. (facebook.com/lifesouth) Come see Santa arrive, not by sled or by reindeer, but by helicopter! This event is a carnival-like celebration featuring Santa’s grand entrance on a ShandsCair helicopter, photos with Santa, and vendors with free games, arts and crafts, and food.

Chip Travers Memorial Christmas Toy Drive: 10 a.m.-2 p.m. Dec. 16, Williston Horseman’s Park, 1610 SW Eighth Terrace, Williston. Cost: Unwrapped, new toy or monetary donation. (bit.ly/ctmemorial23) Annual toy drive in its second year in remembrance of Chip Travers. All toys go to kids in need at Christmastime.

Winter Outdoor Market: 10 a.m.-2 p.m. Dec. 16, Williston Horseman’s Park, 1610 SW Eighth Terrace, Williston. Free entry; items and food for sale. (bit.ly/wom23a) Winter outdoor market featuring live music, local vendors, food trucks and more.

Dashing Through History: Step Back in Time for the Holidays: Noon-4 p.m. Dec. 16, Matheson History Museum, 513 E. University Ave. Tickets: $16 members, $20 general admission, $10 ages 5-18, free ages 4 and younger. (simpletix.com/e/dashing-through-history-step-back-in-time-tickets149324, mathesonmuseum.org) Step back in time and celebrate the holidays with a twist of history featuring historical decor, live music, refreshments, historical crafts, stories of the past, gift shop, photo opportunities, community and connection.

Downtown High Springs Artwalk: Noon-5 p.m. Dec. 16, downtown High Springs. Free entry; items and food for sale. (facebook.com/downtownhighsprings/events) Monthly event featuring local artists and makers, as well as specials from downtown businesses.

Holiday Pop-Up Market: Noon-5 p.m. Dec. 16, AUK Market, 2031 NW Sixth St. Free entry; items and food for sale. (theaukmarket.com) Vendo market featuring a variety of goods and gifts, vendors and food trucks.

Class with Clara: 4 p.m. Dec. 16-17, Phillips Center, 3201 Hull Road. Tickets: $25, free for spectators. (performingarts.ufl.edu) Join the charming Clara, heroine of “The Nutcracker” ballet, for a princess-style ballet class onstage in the Kingdom of the Sweets. Training not required.  Street shoes acceptable, but participants can dance in socks or ballet shoes. Company dancers will be available to help as well, so participants will have the most possible attention given. Special gifts will be handed out following the class. Intended for children. 

Charity Ball of St. Nicholas: 7-11 p.m. Dec. 16, GFWC Alachua Woman’s Club, 14565 Main St., Alachua. Tickets: $75. (alachuawomansclub.org/charity-ball-of-st-nicholas) Annual holiday event to support the Alachua Woman’s Club “Community Service Projects” supporting youths in the city of Alachua. Featuring silent auction, wine and beer bar, food, DJ and dancing, and a special visit from St. Nicholas, including photo opportunities.

Sunday Assembly: 11 a.m. Dec. 17, Pride Center located in the Springhill Professional Center,  3850 NW 83rd St., Suite 201. Free. (SundayAssembly32601@gmail.com, sagainesville.weebly.com) Sunday Assembly will host Stacy A. Scott as their guest speaker. Since 2010, Scott has been the public defender for the Eighth Judicial Circuit. She has been a strong advocate in Tallahassee on issues related to criminal justice and on funding for public defenders statewide. Currently, she is president elect of the Florida Public Defenders Association. Among other awards, she is the recipient of the 2017 Craig Stewart Barnard Outstanding Service Award. The title of her talk will be “Public defenders: Who we are, what we do, why we are important.” Music will be provided by Sunday Assembly musicians with the opportunity to sing along. It also is possible to attend via Zoom.

“An History Of Kwanzaa”: 7 p.m. Dec. 27, A. Quinn Jones Museum and Cultural Center, 1013 NW Seventh Ave. Cost: TBA. (bit.ly/49g1iPt) Kwanzaa celebration with music, dance and a food tasting.

New Year’s Eve Party: 8 p.m. Dec. 31, Amvets Post 444, 13751 NE 52nd Place, Williston. Free. (bit.ly/avny23) New Year’s Eve party featuring live music by Hiredguns.

“Little Women”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays, Jan. 19-Feb. 4, 2024, Acrosstown Repertory Theatre, 3501 SW Second Ave., Suite O. Tickets: $25 general admission; $20 students, seniors, military and teachers. (acrosstown.org) A four-women adaptation of Louisa May Alcott’s classic novel. Jo, Meg, Beth and Amy transform into women before our eyes and experience love, loss and the ever-glowing warmth of the March family hearth.

Parsons Dance: 7:30 p.m. Jan. 23, 2024, Phillips Center, 3201 Hull Road. Tickets: $25-$45, $12 UF students. (performingarts.ufl.edu) Parsons Dance is known for its energized, athletic and joyous style. For more than 30 years, Artistic Director David Parsons has combined his choreographic gifts and talent for training passionate, highly skilled dancers into a solidified position as one of the world’s leading companies. Their stunning work flawlessly combines the movements and gestures of modern dance with the precision and discipline of classical dance to create a program that delivers a spirited evening for all ages.

“Next To Normal”: 7 p.m. Jan. 24-25, 2024, previews, then 7 p.m. Wednesdays-Thursdays, 8 p.m. Fridays-Saturdays, 2 p.m. Saturdays-Sundays Jan. 26-Feb. 18, 2024, Hippodrome Theatre, 25 SE Second Place. Tickets: $25. (thehipp.org) Get ready for an emotional rollercoaster ride with “Next to Normal,” the groundbreaking Tony Award-winning musical that explores the highs and lows of a modern-day family struggling with mental illness. With an electrifying rock score and heart-wrenching lyrics, this show will leave audiences on the edge of their seats from start to finish.

“Portraits III”: Noon Jan. 26, 6 p.m. Jan. 27, Pofahl Studios, 1325 NW Second St. Tickets: Contact Dance Alive National Ballet for more information. (dancealive.org/2023/07/20/portraits-iii, info@dancealive.org, 371-2986) Step into the world of “Portraits III,” a movement performance created by Ani Collier in improvised collaboration with the Dance Alive National Ballet dancers. Witness magic unfold behind the curtains where silhouettes become storytellers and emotions are painted in motion. Feel the breeze created by each movement of the dancers’ bodies and hear every sound that the costumes and the set create. Enjoy watching the dancers embody the music and show their incredible versatility in an intimate environment at Pofahl Dance Studios, Resident School for Dance Alive National Ballet. Collier is a Bulgarian-born actor, director, dancer, choreographer, photographer and visual artist whose quicksilver thought process creates magic.

“Kong’s Night Out”: 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays Jan. 26-Feb. 11, 2024, Gainesville Community Playhouse, 4039 NW 16th Blvd. Tickets: $24 general admission, $20 seniors, $12 students. (gcplayhouse.org) You think you know the whole story of the classic 1933 film “King Kong?” Think again! In the film, Broadway producer Carl Dennam sets out to capture a terrifying 40-foot ape, King Kong. The bait? Beautiful blond actress Ann Farrow. When first mate Jack rescues Ann from the beast, Dennam traps Kong and transports him to Manhattan to star in a Broadway show. But lovelorn Kong has other ideas! He escapes, rampaging throughout the city in search of Ann.Now, here’s the backstory: Producer Myron Siegel’s entire career has been constantly sabotaged by Dennam. So, Siegel is furious when he learns that Dennam has booked a “mystery” show to open in the theater next door to where Siegel’s next show will open the very same night. Siegel gathers his entourage — his sassy, ex-stripper mother, his gangster henchman, his Hungarian backer, and his wide-eyed niece — and concocts a plan to find out what the mystery show is all about and prevent Dennam from ruining his show. As this screwball comedy unfolds, there are mistaken identities, pies in the face, cat fights, kidnapping, ape fights, deceit, underhandedness and even some romance as Siegel and his entourage collide with Dennam, Ann and Jack to save Siegel’s show.

“Boeing, Boeing”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays Feb. 2-25, 2024, High Springs Playhouse, 23416 NW 186 Ave., High Springs. Tickets: $15 general admission, $10 students and ages 65 and older. (highspringsplayhouse.com) This 1960s French farce adapted for the English-speaking stage features self-styled Parisian Lothario Bernard, who has Italian, German and American fiancées, each a beautiful airline hostess with frequent “layovers.” He keeps “one up, one down and one pending” until unexpected schedule changes bring all three to Paris, and Bernard’s apartment, at the same time.

“Love in the Swamp”: 7:30 p.m. Feb. 10, 2024, Phillips Center, 3201 Hull Road. Tickets: $27-$55. (performingarts.ufl.edu) Presented by Dance Alive National Ballet. Nothing says “Happy Valentine’s Day” more than Love, and DANB gives you love in abundance! A fun and fantastic show, it sets the mood with the DANB men in Gator orange and blue dancing exuberantly down the aisles. Brian Chung’s magnificent work of love, “Touch Closer,” and resident choreographer Judy Skinner’s ode to Paynes Prairie, “Another Time … Another Place,” with poetry by Lola Haskins and images from Matheson History Museum following. The finale is a joyous celebration of dance framed by remarkable video projections of Gainesville landmarks by Houston Wells. Family friendly event. 

“Come From Away”: 7:30 p.m. Feb. 21, 2024, Phillips Center, 3201 Hull Road. Tickets: $45-$75, $20 UF students. (performingarts.ufl.edu) On Sept. 11, 2001, the world stopped. On Sept. 12, their stories moved us all. This stirring and inspiring musical takes you into the heart of the remarkable true story of the small town of Newfoundland that opened its homes to 7,000 stranded travelers on Sept. 11. During that fateful week, cultures clashed and nerves ran high — but uneasiness turned into trust, music soared into the night and gratitude grew into enduring friendships. Celebrate the best of humankind and the best in all of us. 

“Misery”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays, March 1-17, 2024, Acrosstown Repertory Theatre, 3501 SW Second Ave., Suite O. Tickets: $25 general admission; $20 students, seniors, military and teachers. (acrosstown.org) “Misery” follows successful romance novelist Paul Sheldon, who is rescued from a car crash by his “No. 1 fan,” Annie Wilkes, and wakes up captive in her secluded home. While Sheldon is convalescing, Wilkes reads his latest book and becomes enraged when she discovers the author has killed off her favorite character, Misery Chastain. Wilkes forces Sheldon to write a new “Misery” novel, and he quickly realizes Wilkes has no intention of letting him go anywhere. The irate Wilkes has Sheldon writing as if his life depends on it — and it does.

Step Afrika!: 7:30 p.m. March 5, 2024, Phillips Center, 3201 Hull Road. Tickets: $25-$45, $12 UF students. (performingarts.ufl.edu) Step Afrika! is dedicated to the tradition of stepping, blending percussive styles practiced by historically African American fraternities and sororities, and traditional African and contemporary dance into a compelling experience. Much more than just movement, they integrate songs, storytelling, humor and audience participation. This blend of technique, agility and pure energy makes each performance unique and leaves the audience with hearts pounding. 

“Jesus Christ Superstar”: 7:30 p.m. March 13, 2024, Phillips Center, 3201 Hull Road. Tickets: $45-$75, $20 UF students. (performingarts.ufl.edu) Celebrating its 50th anniversary, a mesmerizing new production of the iconic musical phenomenon returns to the stage. Originally staged by London’s Regent’s Park Open Air Theatre, this production won the 2017 Olivier Award for Best Musical Revival garnering unprecedented reviews and accolades. Appealing to both theater audiences and concert music fans, this production pays tribute to the historic 1971 Billboard Album of the Year while creating a modern, theatrical world that is uniquely fresh and inspiring. “Jesus Christ Superstar” is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ as seen through the eyes of Judas. Reflecting the rock roots that defined a generation, the legendary score includes “I Don’t Know How to Love Him,” “Gethsemane” and “Superstar.” 

“Ordinary Days”: 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays March 22-April 14, 2024, Gainesville Community Playhouse, 4039 NW 16th Blvd. Tickets: $24 general admission, $20 seniors, $12 students. (gcplayhouse.org) Experience the beauty of simplicity and the extraordinary in the ordinary with “Ordinary Days.” This intimate and introspective musical follows the lives of Deb, a graduate student who loses the notebook that contains all of her notes for her thesis somewhere on the streets of New York; Warren, a struggling artist and professional cat sitter who finds the notebook; and Jason and Claire, a couple inching toward marriage who can’t seem to completely figure each other out. Through a series of chance encounters and unexpected connections, their individual stories begin to intersect, revealing the profound impact that everyday encounters can have on our lives.

“Giselle”: 2 and 7:30 p.m. March 23, 2024, Phillips Center, 3201 Hull Road. Tickets: $35-$65. (performingarts.ufl.edu) Presented by Dance Alive National Ballet. The ultimate romantic ballet, “Giselle” is the tragic story of a beautiful, young peasant girl who falls in love with a nobleman disguised as a commoner. Ultimately dying of a broken heart, she becomes one with the “Wilis,” ethereal ghosts of unmarried girls. Family friendly performances.

“White”: 7 p.m. March 27-28 previews, then 7 p.m. Wednesdays-Thursdays, 8 p.m. Fridays-Saturdays, 2 p.m. Saturdays-Sundays March 29-April 14, 2024, Hippodrome Theatre, 25 SE Second Place. Tickets: $25 previews, then $20-$50. (thehipp.org) When a major museum seeks to showcase diverse voices in its next exhibition, Gus, an artist, enlists Vanessa’s help to create an audacious new artistic persona of color to get him in the show. From there it all spins out of control in this modern comedy, exploring white privilege, racial politics and the fine line between appropriation and opportunity.

“On Your Feet!”: 7:30 p.m. March 30, 2024, Phillips Center, 3201 Hull Road. Tickets: $45-$75, $20 UF students. (performingarts.ufl.edu) The inspiring true story about heart, heritage and two people who believe in their talent — and each other — to become an international sensation: Gloria and Emilio Estefan.

Agatha Christie’s “Murder on the Orient Express”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays April 5-28, 2024, High Springs Playhouse, 23416 NW 186 Ave., High Springs. Tickets: $15 general admission, $10 students and ages 65 and older. (highspringsplayhouse.com) Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxury train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed eight times, his door locked from the inside. Isolated and with a killer in their midst, the passengers rely on Detective Hercule Poirot to identify the murderer — in case he or she decides to strike again.

360 Allstars: 4 p.m. April 14, 2024, Phillips Center, 3201 Hull Road. Tickets: $25-$45, $12 UF students. (performingarts.ufl.edu) An energy-packed performance for the whole family complete with basketball, breakdancing, beatboxing, acrobatics, BMX biking and more. 360 Allstars is a supercharged urban circus showcasing the phenomenal physical fusion of the artistry from street culture.

“Private Lives”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays, April 19-May 5, 2024, Acrosstown Repertory Theatre, 3501 SW Second Ave., Suite O. Tickets: $25 general admission; $20 students, seniors, military and teachers. (acrosstown.org) Elyot and Amanda, once married and now honeymooning with new spouses at the same hotel, meet by chance, reignite the old spark and impulsively elope. After days of being reunited, they again find their fiery romance alternating between passions of love and anger. Their aggrieved spouses appear, and a roundelay of affiliations ensues as the women first stick together, then apart, and new partnerships are formed.

“Cabaret”: 8 p.m. Thursday-Saturdays, 2 p.m. Sundays, April 19-May 5, 2024, Acrosstown Repertory Theatre, 3501 SW Second Ave., Suite O. Tickets: $25 general admission; $20 students, seniors, military and teachers. (acrosstown.org) In a Berlin nightclub, as the 1920s draw to a close, a garish master of ceremonies welcomes the audience and assures them they will forget all of their troubles at the Cabaret. With the emcee’s bawdy songs as wry commentary, “Cabaret” explores the dark, heady and tumultuous life of Berlin’s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff, a young American writer newly arrived in Berlin, is immediately taken with English singer Sally Bowles.

Les Ballets Trockadero de Monte Carlo: 7:30 p.m. April 23, 2024, Phillips Center, 3201 Hull Road. Tickets: $25-$45, $12 UF students. (performingarts.ufl.edu) Les Ballets Trockadero de Monte Carlo is a world-famous, all-male, classically trained ballet troupe that delivers hilarious parodies while performing both men’s and women’s roles. Described as “a kick from a steel toe cap in a silky pointe shoe,” this irreverent, beloved dance troupe is celebrating its 50th anniversary season of toeing the line between high art and high camp with their humorous blend of deep knowledge of ballet with absolute silliness. Their performances offer satire of the rigid world of dance through their playful, fresh, tongue-in-cheek concept.

The Harlem Globetrotters: 7 p.m. April 25, 2024, Stephen C. O’Connell Center, 250 Gale Lemerand Drive. Tickets: Prices vary; see website for details. (bit.ly/globetrotters24) The trick-performing basketball team will go head-to-head against the Washington Generals, who will stop at nothing to try and defeat the world’s winningest team.

“Treasure Island”: 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays May 24-June 9, 2024, Gainesville Community Playhouse, 4039 NW 16th Blvd. Tickets: $24 general admission, $20 seniors, $12 students. (gcplayhouse.org) Picture a world where pirates rule what we call Earth. Humanity’s desire to find hidden treasures will take them to heights they never imagined. Based on the masterful adventure novel by Robert Louis Stevenson, “Treasure Island” is an epic adventure from Ken Ludwig. It begins at an inn on the Devon coast of England, and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones, the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonny, and the hideous form of evil incarnate Blind Pew. Sail the vastness of space to find Captain Flint’s treasure in this coming-of-age tale that is out of this world! Join Jim Hawkins as he navigates the universe longing for adventure with the infamous Long John Silver, perhaps the most famous hero-villain of all time. Silver’s greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

“Dead Man’s Cellphone”: 8 p.m. Fridays-Saturdays, 2 p.m. Sundays June 7-30, 2024, High Springs Playhouse, 23416 NW 186 Ave., High Springs. Tickets: $15 general admission, $10 students and ages 65 and older. (highspringsplayhouse.com) An incessantly ringing cellphone in a quiet cafe. A stranger at the next table who has had enough. And a dead man — with a lot of loose ends. So begins “Dead Man’s Cellphone,” a wildly imaginative new comedy by Sara Ruhl. A work about how we memorialize the dead — and how that remembering changes us.

“In The Heights”: 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays July 19-Aug. 11, 2024, Gainesville Community Playhouse, 4039 NW 16th Blvd. Tickets: $24 general admission, $20 seniors, $12 students. (gcplayhouse.org) “In the Heights,” created by Lin-Manuel Miranda, tells the universal story of a vibrant community in New York’s Washington Heights neighborhood — a place where the coffee from the corner bodega is light and sweet, the windows are always open and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can decide which traditions you take with you and which ones you leave behind.

“The Wizard of Oz — Youth Edition”: 7 p.m. Thursdays-Saturdays, 2 p.m. Sundays July/August 2024, High Springs Playhouse, 23416 NW 186 Ave., High Springs. Tickets: $15 general admission, $10 students and ages 65 and older. (highspringsplayhouse.com) Join Dorothy and her loyal companion Toto as they “Follow the Yellow Brick Road” through the Land of Oz, determined to reach the Emerald City, where the great and powerful Wizard of Oz will help them get home. Of course, along the way, Dorothy encounters witches (both good and bad), Munchkins, talking trees and winged monkeys. But most importantly, she befriends three unique characters: a scarecrow with no brain, a tin man with no heart, and a lion with no “nerve.” Their journey to happiness — and self-awareness — is a glowing testament to friendship, understanding and hope in a world filled with both beauty and ugliness.

New gene therapies confront many sickle cell patients with an impossible choice: a cure or fertility

As a teenager, Marie Tornyenu was always having to explain herself. If it wasn’t the chronic absences that had her doing homework from a hospital bed, it was the quilted blanket she carried with her on the days she could attend class. “It was a running joke that I was like 80 years old,” she said. “I would usually just laugh it off because the alternative was too depressing.”

Tornyenu was born with sickle cell disease. Sudden cold drafts constricted her blood vessels, causing a pile-up of red blood cells. Bent into crescent shapes as the result of a genetic mutation, they choked her tissues of oxygen and sent waves of excruciating pain through her body. Despite the precautions she took and the medications her doctors prescribed, Tornyenu still missed 100 days of high school due to these pain crises.

advertisement

That made Bethlehem, the eastern Pennsylvania city where she grew up, an oftentimes lonely place. Like most of the 100,000 or so Americans with sickle cell, Tornyenu is Black, and the only other person she knew with the disease was her father. He and her mother had met after immigrating from Ghana, and he coached Marie about how to manage their shared diagnosis. But he had no way to comprehend her worst symptom.

“My killer was getting my period,” she said. It would start with a dull ache in her hips before spreading into her thighs and then consuming her legs entirely. “I couldn’t walk. I couldn’t talk. All I could do was curl up in the fetal position for days.”

During her freshman year of college, she learned about a clinical trial of an experimental technology called CRISPR that could edit the DNA of blood-forming cells so they would no longer twist into a sickle shape and wreak havoc on her organs. There was just one catch: To make room for those edited cells, she would have to receive chemotherapy. Those toxins wouldn’t just kill the defective blood stem cells in her bone marrow, they would also wipe out other rapidly dividing cells — including the cells in her ovaries that give rise to eggs. Her doctors told her that the risks of chemotherapy leaving her sterile were high.

Tornyenu, then just 19 years old, felt torn between the hope of being pain-free and the despair of losing something she’d always wanted — a family of her own. But the allure of a potential cure eventually overcame her doubts. On December 28, 2021, doctors at Children’s Hospital of Philadelphia pushed millions of Tornyenu’s cells — each containing a genetic edit — through an IV line and into her arm. She hasn’t had a pain crisis since. Two years later, she is virtually sickle-cell free.

advertisement

“It’s surreal,” she said. Now instead of agony, apprehension follows her around; she’s still learning to trust that a blast of cold air won’t be followed by a blinding bout of pain.

Trading her chances of having children naturally for a chance at freedom from a debilitating genetic disease was a difficult choice. But at least Tornyenu was presented with the option of preserving the possibility of having biological children. As part of the trial of the CRISPR treatment, called Casgevy, the companies developing the drug paid for participants to get counseling with reproductive specialists and procedures like egg and tissue freezing and sperm banking. At one study site, every single participant took advantage of these services, researchers said.

It’s an option that most Americans who could benefit from this transformative therapy — expected to be approved by the Food and Drug Administration any day now — are unlikely to have once it hits the market. That, patients and specialists told STAT, will be a huge obstacle for people eager to try Casgevy or a second sickle cell cure awaiting the FDA’s nod this month.

The risks of infertility are a much bigger psychological burden than many people appreciate, said Adrienne Mishkin, a psychiatrist at the blood and bone marrow transplantation program at New York Presbyterian/Columbia University Medical Center. Cancer patients who experience infertility after a bone marrow transplant often have depression and report the inability to have children as one of their main regrets. “These patients often want children but don’t feel they have a choice and it later plagued them,” Mishkin said.

In contrast, people with sickle cell have the option not to seek curative therapy, which makes infertility, for them, almost bigger in a way, said Jill Ginsberg, a pediatric oncologist at Children’s Hospital of Philadelphia who helped coordinate fertility preservation for participants in the Casgevy clinical trial. For a minority of sickle cell patients, there is an existing curative treatment: a bone marrow transplant from a genetically matched donor, usually a sibling. Fewer than 20% have a good match, but even then, many say no. “Infertility has been one of the biggest barriers in getting those patients to transplant in the past,” Ginsberg said.

Marie Tornyenu has been free of sickle cell symptoms since she received Casgevy two years ago in a clinical trial of the gene-editing treatment for people with severe cases of the disease. Courtesy Children’s Hospital of Philadelphia

While fertility services are universally available in countries like the U.K. and throughout Europe, in the U.S., coverage varies state to state, insurer to insurer, and diagnosis to diagnosis. A minority of states have laws that mandate coverage for fertility preservation for people undergoing medical procedures that could imperil their ability to have biological children, and even where mandates exist, many exempt public insurers.

That will leave most people living with sickle cell in the U.S. — the majority of whom are covered by Medicare or Medicaid — to shoulder the costs of fertility preservation on their own, even if their insurer agrees to cover the pricey gene therapy cures. Fertility preservation, which can run upward of $20,000 for women, less for men, is more likely to be out of reach for the typical Black household, which has one-fourth the amount of cash held by the typical white household. That’s before IVF, which only works some of the time and can easily add another $20,000 to $65,000 to the pursuit-of-biological-children price tag.

Even getting that far assumes that sickle cell patients receive counseling about the infertility risks associated with various treatments and with the disease itself. More often, when it comes to reproductive and sexual health care, they’re met with silence or their concerns are dismissed. Tornyenu informed her hematologist and a parade of OB-GYNs about the disabling pain associated with her periods but was always told the same things: “we don’t know” or “that’s just sickle cell, there’s nothing else we can do.” “I cannot tell you how frustrating that was,” she told STAT. Only after getting Casgevy, when her period pain persisted, did a doctor look more closely and tell her that she might have fibroids or endometriosis.

Like the chronic underfunding of sickle cell research, a severe shortage of qualified disease specialists, and insensitive care patients receive in emergency rooms and urgent care settings, this lack of attention to fertility and gynecological issues is another example of the discrimination sickle cell patients face.

CRISPR-based medicines and other gene therapies have been promoted as a long-awaited salve to the racial injustices endured by generations of sickle cell patients — an opportunity for American society to make racial health reparations. With infertility risks largely unaddressed, some patients and physicians who care for them are left feeling that in our health care system, those lofty promises will be rendered incomplete.

“Is it adequately reparative if we deny people the opportunity to have families?” said Lydia Pecker, a sickle cell doctor at Johns Hopkins in Baltimore. “Lots of people say these kinds of questions are secondary. And that’s fair. To reproduce you have to survive. But what does it mean to survive? What does it mean to survive well?”

For Tornyenu, now 22, the therapy has meant that little by little, she’s starting to live like someone whose future is for the first time, unbounded.

Later this month, she’ll graduate from Cornell University with a degree in accounting. Before she begins a job as a management consultant in Boston next summer, she plans to spend some time abroad — something she was always afraid to do before. “It’s the best feeling ever to know I can just do the things I want to do with my life,” Tornyenu said. “I can have a career. I can travel. I can plan for a family. Everything I’ve seen people in movies do.”

While today sickle cell shortens lives, that wasn’t always the case.

About 10,000 years ago, somewhere in Africa, a single-celled parasite slipped from the saliva of a mosquito into human flesh and began sweeping rapidly through populations across the continent. Before long, Plasmodium falciparum had sickened millions of people with malaria, and killed millions more. The first stage of the disease begins when one of these parasites snags onto the surface of a smooth, disc-shaped red blood cell, wriggles inside, and starts to reproduce.

Red blood cells ferry oxygen throughout the human body. As such, they’re not complicated machines, more like wet bags filled with hemoglobin — a molecule made up of four chains that snap together like Legos, each one with an iron-laced landing pad ideal for grabbing on to oxygen.

Up until this point in human history, mutations occurring in any of the genes that make these hemoglobin building blocks were problematic — twisting red blood cells into crescent shapes, reducing their durability, or causing fewer of them to be produced in the first place — and were therefore rare. But with the emergence of malaria, such changes became advantageous, making it harder for Plasmodium falciparum to grow and establish an infection.

Although the exact mechanism of protection remains unknown, as more people carrying them survived, those mutations began to spread across Africa, and later, as a result of forced migration and enslavement, to the United States and the Caribbean.

But there can be too much of a good thing. In the early 1900s, doctors in Chicago examining a patient suffering from anemia, joint problems, stomach upset, difficulty breathing, and episodes of severe pain discovered that under a microscope, his blood cells weren’t smooth and saucer-shaped as they should be. Instead, they had a “large number of thin, elongated, sickle-shaped and crescent-shaped forms.”

Scientists later learned that these malformations were caused by a structural change in hemoglobin driven by a mutation in a single gene. People with one altered copy of the gene can pass it on but don’t have symptoms; people with two copies inherit misshapen red blood cells and the miserable consequences. It was the first demonstration of “a molecular disease,” as the noted biochemist and Nobel laureate Linus Pauling and colleagues wrote in their paper describing sickle cell anemia in 1949. That knowledge raised a tantalizing prospect: debug the broken molecule’s glitchy code and you’d have a cure.

It would be decades before scientists developed tools to manipulate DNA in a precise and predictable way. In the meantime, sickle cell anemia was quickly labeled a “Black disease” in the U.S., where as a result it has remained underfunded and under-studied compared to other genetic conditions.

Take cystic fibrosis, an inherited disease most common among people of European ancestry. Including public and private funding, cystic fibrosis receives 10 times the research dollars that go to sickle cell. And the 30,000 Americans living with cystic fibrosis can seek specialized care at more than 280 nationally recognized treatment centers. As of 2021, only 30 such centers existed for the 100,000 Americans suffering from sickle cell.

Without enough well-trained doctors and nurses, many sickle cell patients struggle to access quality care and are more often subjected to biased treatment that leaves them in agony. Only a handful of medications to treat the symptoms of sickle cell have been approved by the FDA. The most transformative one — a drug called hydroxyurea that can prevent pain crises and stave off organ damage — requires regular blood monitoring that most general practitioners would rather not mess with. Fewer than 25% of adults who could benefit from a hydroxyurea prescription actually receive the drug. These failures add up to a high mortality rate for adults with the disease, half of whom won’t make it to their 50th birthdays.

“By the time I was 26 years old I felt like I had lived well over half my lifespan,” said Ugonna Anyadike, a hip-hop artist in Baltimore. Born to Nigerian immigrants who carried the sickle cell trait, and the only child of five to have the disease, Anyadike always wanted kids of his own. But he gave up hope of being a father when he began to feel the weight of lowered life expectancy.

“My biggest fear was always that I would die on my kids when they were young, like 5 or 6,” he told STAT. “That ruins a kid’s life. I’ve seen it happen. If I were to have kids, I would want to know I could be there for them.”

Everything changed for Anyadike in January last year, when he received an experimental bone marrow transplant through a clinical trial at the National Institutes of Health. Two months after the procedure, he found himself in the hospital’s gym staring at a treadmill. Despite playing sports like football and basketball all through his childhood, he’d never been able to run a mile without having to walk and rest. He turned the treadmill on. Twelve minutes later he stepped off, victorious.

Miles logged: one. Times he had wanted to die: zero. “That was crazy to me,” he said. “That was the first time I realized this thing really worked.”

Anyadike knows he is lucky. He has a healthy brother who was a full match and a willing donor. His procedure went well, which isn’t guaranteed. Bone marrow grafts can be rejected, resulting in death in up to 5% of cases. And he was able to take a medical leave from his day job as an IT professional to undergo the months-long process of recovering in a hospital isolation room while his blood and immune systems rebuilt themselves. During that time, he didn’t acquire any infections, which would have ravaged his defenseless body, a possibility he was quite scared about.

But in the lead-up to the bone marrow transplant, none of these risks ever caused him to question the decision to go through with it. The only reservation he had was when his doctors told him about the risks to his fertility because chemotherapy is used in the procedure. “That was the one thing that made me pause, made me second-guess,” he said. He proceeded because NIH covered the expense of sperm freezing and storage as part of the trial.

But for many sickle cell patients, the infertility risks of chemotherapy are too high a price to pay. In fact, in a small survey of adult sickle cell patients considering an experimental bone marrow transplant, almost two-thirds were willing to accept the risk of dying from the procedure. Infertility was acceptable to only half.

For children who haven’t gone through puberty, the possibility of infertility may be even more of a hurdle. “At least 10 to 15% of the time that ends the conversation,” said Mark Walters, director of the pediatric blood and bone marrow transplant program at UCSF Benioff Children’s Hospital in Oakland. “Those families choose not to go the transplant route because childbearing autonomy is so important to them.”

While adults can pursue egg and sperm freezing — which has allowed some people to have children through IVF following chemotherapy and transplant — the picture for children is more complicated. In the last two decades, researchers have had some success removing parts or all of the ovary from prepubescent females, freezing the tissue and then later thawing it and returning it to the body. In one case series from Germany, 25% of people who had the procedure went on to give birth, and it is rapidly being adopted as the standard of care. But scientists don’t yet know if a similar approach will work for testicular tissue, so the only thing to do at the moment is freeze and hope.

“For young males there are currently only experimental options,” said Lillian Meacham, a pediatric endocrinologist at Children’s Healthcare of Atlanta, which operates one of the few blood disorder centers with an embedded team dedicated to reproductive health and fertility preservation. “It’s a really different conversation when you’re talking to adolescents versus parents of a young child who might not be ready to have a family for 20 to 30 years, but nonetheless the conversation has to occur.”

Even in the simplest scenarios, fertility preservation for sickle cell patients is a laborious process. Before undergoing chemotherapy to prepare his body for the transplant, Anyadike was told he would likely need to go off of hydroxyurea for a couple of months so that his body had time to produce enough sperm to bank. And he would have to get monthly blood transfusions to prevent pain crises and other symptoms.

When he went to a urologist, his sperm count came back at zero, which studies have shown happens to about one-third of men taking the drug.

“This came as news to me,” Anyadike said. “I didn’t know it could affect fertility.”

Going off of hydroxyurea restored his sperm counts to a healthy range, and he was able to bank several samples. But the case illustrates the growing pains inherent in providing care for a patient population that four decades ago wasn’t surviving to adulthood; all too often, their reproductive health is treated as an afterthought, if not ignored altogether.

Each year in Maryland, about 100 babies are born with sickle cell — 97% of them African American — making it one of the states with the highest incidence of the disease. Johns Hopkins, the state’s premier medical institution and one of the top hospitals in the country, is where many of these infants will receive care as they become children, then adolescents, then adults.

And yet, when Pecker arrived at its Sickle Cell Center for Adults in 2019, she brought the number of physicians on staff to two. For the previous 15 years, a doctor named Sophie Lanzkron had been the clinic’s lone provider, caring for more than 500 patients.

So it’s no surprise to Pecker, who holds dual appointments in hematology and obstetrics and gynecology, that the reproductive health of patients is not yet a standard concern at most sickle cell treatment centers. Even at a well-resourced institution like Hopkins, she said, the clinic lacks embedded genetic counselors and other specialists who could help patients think through how their disease, and potential treatments, might affect their decisions around family-building. “People are already stretched pretty thin.”

Sickle cell is often described as a disease of accelerated aging; the damage caused to people’s organs from lack of oxygen leads to stroke, heart and kidney failure, osteoporosis, and other afflictions of the elderly. Pecker studies what happens in the reproductive organs. Even before treatments like hydroxyurea or bone marrow transplant, the disease causes chronic inflammation that changes their normal function, chipping away at fertility in the process.

Girls tend to menstruate later, are more likely to have painful periods, and hit menopause sooner. The ovarian cells that give rise to eggs don’t slowly dwindle over time but die off precipitously, shrinking their supply of eggs in an accelerated fashion. “It’s looking like they have a narrower reproductive window than normal,” said Pecker.

For men, sickled blood can congest blood vessels in the penis, causing painful, hours-long erections. Called priapism, the condition can decrease sperm count and impair sexual function.

But scientists know little about how the disease impacts people’s reproductive life spans, because it’s an area where large research studies have not yet been conducted. Pecker was part of an expert panel convened by the Centers for Disease Control and Prevention in 2020 that concluded that these yawning knowledge gaps were leading to “significant limitations to clinical care.”

Many patients don’t even know what they’re missing until something forces the issue. That’s what happened to Teonna Woolford, who at age 19 was suffering from pain crises and other complications despite being on hydroxyurea. She learned about an experimental half-match bone marrow transplant trial at Hopkins, which would allow her mother to be her donor. But she was worried about losing the ability to have children — she’d always wanted six — and raised those concerns when she brought up the possibility of participating in the trial with her doctor.

“I was told that with my history and complications, I was probably already infertile and didn’t even know it,” she said. “It was shocking to hear. Until then, I didn’t know sickle cell could impact fertility. I was quite informed about my disease and I’d never had that conversation with anyone.”

A recent study suggests Woolford’s experience is more normal than not. Despite widespread interest in having children, a significant number of sickle cell patients reported being unaware of the fertility risks related to their disease.

Members of SC RED, the advocacy group founded by Teonna Woolford, convened at BLK Swan, a Black-owned restaurant in Baltimore, to discuss access to fertility services. Courtesy Ben Johnson/Graced Productions
Teonna Woolford, CEO of SC RED, speaks at the nonprofit’s recent strategic planning meeting. Courtesy Ben Johnson/Graced Productions

Woolford, unwilling to give up on her dream, began to do her own research. She discovered the possibility of preserving whatever fertility she had left before undergoing the chemotherapy that was required for the transplant. But then she learned her insurance wouldn’t cover egg freezing, which could cost more than $10,000 — an expense she couldn’t afford. She found a number of foundations that provide financial assistance for the procedure, but they only gave grants to people receiving chemotherapy to treat cancer.

A number of different procedures fall under the term “fertility preservation.” For an adult woman, that means hormone shots to stimulate the ovaries to produce eggs, followed by egg retrieval surgery and freezing — the same drugs and procedures that are used at the front end of an IVF cycle. Which means that in the eyes of insurers, preserving fertility is no different than treating infertility, which historically has been seen in the U.S. as a commercial service, not a medical intervention, and is rarely covered.

In the last decade, nearly two dozen states have passed laws making coverage of fertility-related health care mandatory, including Maryland, where Woolford lives. But even if the law had existed at the time of her bone marrow transplant, it would not have helped her because she was on Medicaid, and like many states, Maryland’s coverage mandate exempts public insurers.

Only two states provide significant fertility coverage through Medicaid. New York offers coverage of fertility medications and Illinois covers the storage of sperm or eggs for those facing a medical treatment that will likely render them sterile. Utah has also passed separate laws expanding Medicaid coverage for fertility preservation to cancer patients and IVF and genetic testing for people with a number of inherited conditions including sickle cell disease, but negotiations between the state and federal officials remain ongoing.

“Where these coverage mandates have been put in place, for the most part, it’s been affecting only commercial insurers because the legislatures are not wanting to add to state costs,” said Joyce Reinecke, executive director at the Alliance for Fertility Preservation. Bills to add fertility treatments to states’ Medicaid programs recently failed to pass in Connecticut and Washington.

That’s leaving the majority of sickle cell patients with little access to fertility preservation.

A study published last year in the American Journal of Obstetrics and Gynecology found that state mandates that apply to private insurance but not Medicaid may worsen existing racial disparities in accessing fertility-related health care.

It’s not just a matter of finding the money and political will at the state level, Reinecke said. Many of the drugs that stimulate ovulation are not on the Medicaid approved list of medications. And many clinicians who provide fertility preservation procedures don’t accept Medicaid patients. “Those are larger structural problems that have yet to be solved,” she said.

Even for people with commercial insurance, most state coverage mandates are vague, leaving room for insurers to interpret what benefits they are required to offer, said Irene Su, an OB-GYN at the University of California, San Diego, who researches fertility preservation policies. One plan might cover egg freezing but not the medications, ultrasounds, and procedure to get the eggs out. Others might cover just the drugs.

“For too many people with sickle cell disease, their health insurance status means that the types of fertility preservation services covered are none or not meaningful,” Su said.

That was certainly Woolford’s situation. Unable to pay, she reluctantly went ahead with the bone marrow transplant without first freezing her eggs, convincing herself that forfeiting her fertility was a fair tradeoff for a cure. The procedure went well at first. But soon Woolford’s body turned against her mother’s cells. Now, at age 32, she still has sickle cell disease. And she’s infertile.

“I still really want children and I’m in a better position to have them and can’t. It’s just devastating,” she said.

In the intervening years, Woolford periodically fell into spells of despair and bitterness. She wondered how things would be different had she had cancer instead of sickle cell, if her doctors had prioritized her reproductive health instead of treating it like something to be sorted out later. “There are a lot of providers who are well-intentioned, but there is a pervasive way of thinking that says ‘hey, just be grateful to survive,’” she said. “A lot of times the people in the labs are so focused on preserving our organs, taking away our vascular occlusions, that they forget we’re whole people who want children or healthy sex lives.”

A few years ago, Woolford decided to channel all this frustration into creating an organization dedicated to raising awareness for fertility preservation and helping sickle cell patients pay for it. Since its launch last year, the Sickle Cell Reproductive Health Education Directive (SC RED) has teamed up with Be the Match — a registry run by the National Marrow Donor Program to connect patients with potential donors — to provide grants for egg freezing and sperm banking to a handful of sickle cell patients. Woolford and her co-founders, who include Pecker, are now working with fertility clinics to provide discounted rates to sickle cell patients as well as advocating for laws that would require insurers to cover fertility preservation and other services for people with sickle cell.

“The fact that so many state mandates and so much philanthropy flows to cancer patients and not to us is hurtful,” Woolford said. “They’re given fertility and a cure, but in sickle cell it’s fertility or a cure and I just don’t think that’s fair.”

To physicians like Pecker, it’s a glaring example of how treating sickle cell patients isn’t just about combating disease, it’s about combating racism. “It’s very difficult to disentangle these things in the U.S. context,” she said.

The history of sickle cell is entwined with the history of slavery, with American eugenics, with state-sponsored sterilization programs that disproportionately targeted Black communities and continued well into the second half of the 20th century. In 1968, the same Linus Pauling who had discovered the sickle cell hemoglobin began openly advocating for coercive genetic testing, suggesting that “there should be tattooed on the forehead of every young person a symbol showing possession of the sickle cell gene or whatever similar gene” to discourage young people carrying the defective DNA from procreating with one another.

In the era of CRISPR cures, reproductive injustice looks more like inadequate genetic counseling, scarce fertility specialists, and insurmountable personal costs for care. It may be less brazen, but the effect is still that people with sickle cell are denied their reproductive autonomy.

“Other countries aren’t confused about this.” Pecker said. “They don’t pussyfoot around the idea that having a family is a fundamental human value. And it’s not like some entitled or privileged position to take that people who want to live full lives should have medical care that can perhaps help some of them achieve that dream.”

Casgevy has been hailed as a milestone in medicine, the first treatment based on the revolutionary CRISPR technology that enables efficient and precise editing of DNA to repair or replace faulty genes. But addressing patients’ infertility concerns will be critical to the commercial success of the drug, which was made by CRISPR Therapeutics and Vertex Pharmaceuticals, as well as the prospects of the other gene therapy likely to be approved in the coming days — Bluebird Bio’s lovo-cel — and a number of similar products being developed by startups like Beam Therapeutics and academic groups.

Some patients and their families may decide to wait for the next generation of “in vivo” CRISPR medicines. In contrast to Casgevy, which edits cells in a lab before they are infused back into the patient, these new therapies will edit DNA inside the body and won’t require chemotherapy.

Walters, the Oakland transplant specialist, is helming a University of California consortium-backed clinical trial using CRISPR to correct the faulty hemoglobin gene in sickle cell patients — instead of boosting a fetal version of the protein like Casgevy does. It still requires chemotherapy though, so even as he recruits study participants, he is up front with them about the fact that he sees the current crop of CRISPR cures as an important, but imperfect first step.

“Where we need to be is with a technology that delivers that gene-editing tool directly to the stem cells where they live in the body through an injection,” Walters said, one that wouldn’t require patients to first undergo chemo. Something like that has significant hurdles — getting enough CRISPR to the hard-to-reach bone marrow being the big one — but is ultimately possible, he believes. Even a small amount of editing would have an outsized effect because sickled cells last only 10 days in the bloodstream compared to 120 days for healthy, saucer-shaped ones; over time, healthy cells would naturally outpopulate the malformed ones.

Sometimes, after his conversations with families, they decide they want to use existing medications to keep symptoms at bay long enough to buy time until a chemo-free option becomes available, Walters said. Others don’t have that luxury. “If you’re really miserable right now, you might not want to wait even a day longer.”

For those patients, companies are likely to be limited in the support for fertility preservation they can provide by federal anti-kickback laws. Together, they prohibit pharmaceutical companies from offering or paying, directly or indirectly, any remuneration to induce government-insured patients to purchase their drugs. In recent years, federal prosecutors have more aggressively been pursuing violations of these laws as a way to rein in programs that provide patients with free medications, copay assistance, or help with navigating insurance coverage, as well as donations made to charitable foundations that provide financial assistance to patients.

Eleanor Celeste, a spokesperson for Vertex, told STAT that the company recently learned that if Casgevy is approved, providing assistance with fertility preservation to patients with Medicaid and Medicare coverage would be seen as a violation of these prohibitions. “We recognize the potential fertility needs for this patient population and have established a program that compliantly offers fertility support to eligible commercially insured patients,” she said in an email.

“Unfortunately, the federal government has informed us that it will not issue a favorable Advisory Opinion for this program for patients insured by the government … and as a result we are not providing fertility support for them. We are working with urgency to resolve this, with the goal of providing equal support for all patients regardless of insurance.”

Jess Rowlands, a spokesperson for Bluebird, said the company knows potential loss of fertility is a key consideration for patients. “No patient or family should have to choose between a lifesaving or potentially curative treatment option and the ability to have a child,” she said in an emailed statement. “Patient services programs are highly regulated. Given the potential limitations on manufacturers, we are committed to working with patients, patient advocates, and others in the healthcare space to seek a legislative path to equitable access to fertility preservation.”

It’s something Tornyenu hopes gets sorted out so that no patient is forced to choose between receiving relief from their sickle cell and safeguarding the possibility of one day having biological children. “I wouldn’t want that for anyone,” she said. If it were up to her, fertility preservation and curative treatments like a bone marrow transplant or gene therapy would always be a package deal.

“No one should have to give up their ability to create a life, if that’s what they want, in order to save their lives,” she said.

AP African American Studies: What’s In the Newly Revised Course Framework

The newly revised framework for the College Board’s latest Advanced Placement course on African American studies features new primary and secondary sources, new required topics, and revisions to pre-existing topics.

In April, the nonprofit pledged to revise the course framework published on Feb. 1. Nearly 700 schools across the country are piloting the course ahead of its official launch next fall. Both political leaders and scholars scrutinized the course earlier this year over what was included and excluded in the framework.

Edits to the framework include changes to required topic titles, mergers or splits of pre-existing topics, and additions of content knowledge students who take the course will be expected to master.

For instance, in Unit 2.10 in the previous framework and 2.8 of the new framework, students are tasked with being able to explain how racial concepts and classifications emerged alongside definitions of status. But content knowledge descriptions now differ.

Some topics saw major changes in both titles and required content knowledge, as in the case of the original Unit 4.13, called Overlapping Dimensions of Black Life, and the new Unit 4.14, called Interlocking Systems of Oppression.

Similar major changes happened in Unit 4.12 of the old framework, titled Black Women and the Movements in the 20th Century, and the equivalent Unit 4.13 in the new framework, which is titled The Black Feminist Movement, Womanism, and Intersectionality. In his critique of the course framework earlier this year the Florida commissioner of education, Manny Diaz, included intersectionality as a concept that violated state law that restricts instruction on race.

In some instances, new content knowledge was added to an existing topic, as in both versions of Unit 4.9 where discussion of the origins of the Nation of Islam was introduced.

Browse the Frameworks

To further review edits to the course framework, below are links to the two versions, the one published Feb. 1 and the one published Dec. 6. These links offer the full PDF versions of the course frameworks, and are both hundreds of pages long.

Original Framework – Feb. 1, 2023

Revised Framework – Dec.6, 2023

Lenny Kravitz sets the record straight on Black awards controversy

Iconic rock star Lenny Kravitz has clarified his comments regarding his absence from Black Awards programs, emphasizing that his concerns were not directed at Black-owned media companies. In response to his comments to Esquire, the National Newspaper Publishers Association’s Let It Be Known digital news broadcast had taken Kravitz to task, questioning whether Kravitz or his publicists and handlers were ignoring Black media. The National Newspaper Publishers Association is the trade association of over 230 African-American-owned newspapers and media companies comprising the 197-year-old Black Press of America. The show also tweeted at Kravitz on X, inviting him to explain why he chose to take his beef to mainstream media if he had been concerned about the Black Press.

In a statement, Kravitz expressed the importance of setting the record straight. “It is important to me to set the record straight on recent media reports based on an interview I did,” Kravitz asserted. “My Black musical heritage means a lot to me, and I owe my success to my supporters who have taken this journey with me over the span of my career.” He went on to clarify the specific nature of his comments, stating, “The comment I made was not about ‘Black media’ or the ‘Black community.’ I was specifically referring to black award shows in particular.” Kravitz, whose biggest hits include “American Woman,” and “It Ain’t Over Til It’s Over,” insisted that his comments were meant to express concern about ensuring that Black artists are recognized for their work in what is now being called ‘non-traditional’ Black music. “Rock and Roll is the music we were instrumental in creating and is a part of our history,” he stated. “We must retain our heritage and celebrate that together.”

In his comments to Esquire that initially raised comments, Kravitz, a four-time Grammy winner, questioned why Black entertainment publications didn’t celebrate his success and expressed disappointment at never receiving invitations to events like the BET or Source Awards. “Here is a Black artist who has reintroduced many Black art forms, who has broken down barriers—just like those that came before me broke down. That is positive. And they don’t have anything to say about it?” he stated in the interview. Kravitz later acknowledged the contributions of networks like BET and others. “BET and countless others have paved the way for this type of recognition,” Kravitz asserted. “I hope that by sharing my concern, a spotlight will be shone on this issue. Love and peace.”

About Post Author

RankTribe™ Black Business Directory News – Arts & Entertainment

The Revised AP African American Studies: What’s Been Changed and Why

The College Board, which runs the Advanced Placement course program, has released a revised framework for its AP African American Studies course that restores certain topics previously deemed “optional,” and adds other new required primary and secondary sources.

The framework, which officially launches next fall, was thrust into the national limelight after Florida officials banned the course earlier this year, saying it violated state law constraining how certain topics can be taught.

Nearly 700 schools across 40 states are currently participating in the final pilot round of the course. The 13,000 students involved this year will be eligible to take a year-end course exam that could earn them college credit. Only about 60 schools participated in the first pilot year.

It’s a marquee interdisciplinary course that officials for the nonprofit hope can encourage more students to engage with AP programming and provide access to a discipline rarely offered in high schools.

The new framework, released this morning, responds to a variety of critiques and features new and edited topics and a programming note unique to the course, College Board officials said.

“After we heard clear and principled criticism that the second version of the course framework designated far too much essential content as optional, including some of the foundational concepts, we decided to revise the framework in response to this critique, and also to feedback from students and teachers in the course,” said Brandi Waters, the senior director and program manager of AP African American Studies. “No revisions were made to any versions of the framework at the request or influence of any state.”

In January in Florida, Republican Gov. Ron DeSantis—now a presidential candidate—banned the course. His state commissioner of education claimed the course violated state law restricting how teachers can talk about topics of race in schools. Shortly after the College Board published the preexisting version of the course framework on Feb.1, scholars claimed the nonprofit had edited out key topics to appease Florida officials’ concerns—a charge the College Board denied.

“We were caught off guard, we attempted to protest, to explain what we were doing. We were not especially effective at doing that,” said Trevor Packer, head of the AP program, at the Annual Conference this summer.

On April 24, the nonprofit announced it would revise the framework published in February. Packer said that the experts working on the course would “make further revisions to the framework to restore any of the topics that they would want to restore that we were criticized for cutting.”

What’s new to the course

The revised course framework features various edits that range from adding a whole host of new sources to adding entirely new sections that were previously listed as optional topics for study students could select for a class project—part of the final exam.

New required topics, focusing on African Americans’ contributions to the arts and sports, were some of the ones that students in the pilot program said were most interesting to them, Waters said.

“Part of the pilot process is always to get feedback from scholars, stakeholders, community members, parents, teachers. I actually think the abundance of feedback that we get for this framework is what makes it so special, because we always are in conversation with so many folks about making this course as strong as possible,” she added.

Teachers and students also asked for more options to dig into specific topics. Now, for the first time in an AP course, teachers will get one week for “further explorations.” In that week, they must spend more time exploring a topic of their choosing that is of classroom interest or contemporary relevance.

Examples of topics provided in the framework include the reparations debate, incarceration and abolition, Black foodways and culinary traditions, and local history.

There were also major revisions to some preexisting topics and the addition of new content knowledge. Among the examples: new required information on grassroots organizing, such as the work of the Coordinating Council of Community Organizations to protest school segregation in Chicago; information on the origins and beliefs of the Nation of Islam; and discussion of concepts such as “interlocking systems of oppression” and intersectionality, terms coined by Patricia Hill Collins and Kimberlé Crenshaw, respectively.

Interlocking systems of oppression is defined in the course as a concept that describes “how social categories (e.g., race, gender, class, sexuality, ability) are interconnected and considers how their interaction with social systems creates unequal outcomes for individuals.” Intersectionality is defined as “a framework for understanding Black women’s distinct experiences through the interactions of their social, economic, and political identities with systems of inequality and privilege.”

The Florida commissioner of education, Manny Diaz, had listed intersectionality in a January tweet as a topic of concern in the prior version of the course framework. He defined it as “foundational to [critical race theory]” and said it “ranks people based on their race, wealth, gender and sexual orientation.” He also criticized discussion of the reparations movement, claiming “all points and resources in this study advocate for reparations.”

Florida law bans instruction on critical race theory and “divisive concepts,” such as that “a person, by virtue of his or her race, color, sex, or national origin, bears personal responsibility for and must feel guilt, anguish, or other forms of psychological distress because of actions, in which the person played no part, committed in the past by other members of the same race, color, national origin, or sex.”

The state also drew public scrutiny this summer for publishing its own updated African American history standards which featured instruction on “how slaves developed skills which, in some instances, could be applied for their personal benefit.”

Arkansas state officials this fall also objected to the new AP course, saying it may not be eligible for high school credit.

What happens now

Asked whether the new framework could complicate states’ adoption of the course, a spokesperson for the College Board said: “Our intent is to try to get this into as many states as possible, but we honestly can’t speculate about what individual states will decide to do.”

Students currently in the pilot are getting ready for the course’s year-end exam in May. Hundreds of higher education institutions are ready to offer college credit to qualifying scores, the College Board said.

The course will be available nationwide next fall, and the newly revised framework will be the version used, Waters said.

“With this revised framework, we hope that we really struck a nice balance that is faithful to the discipline, while preserving those avenues for students’ continued exploration, particularly into topics of their own interests,” she added.

This story will be updated.

College Board unveils revamped AP African American Studies course amid controversy

The revision includes more material on topics including the Tulsa Race Massacre, Black culture’s influence on film and sports, and discriminatory practices related to housing, known as redlining. The new framework will be used when the course officially launches next academic year.

The course gained national attention early this year when Florida Gov. Ron DeSantis, now a Republican presidential candidate, said he would ban the course in his state because it pushed a political agenda. The College Board later removed several topics from the exam, including Black Lives Matter, slavery reparations and queer life, and was criticized for bowing to political pressure.

The course outline includes written works about feminism and intersectionality, which is a framework for understanding the effects of overlapping systems of discrimination or disadvantage. A unit on “The Black Feminist Movement, Womanism and Intersectionality” includes the 1977 Combahee River Collective Statement by a group of Black feminist lesbians who fought against capitalism, imperialism and patriarchy.

PREVIOUS COVERAGE: AP African American Studies course: Read the College Board’s new course framework and topics

Several sources that were required course content in the framework released in February were listed as optional in the latest revision, including an interactive map of the 1919 Red Summer riots by white supremacists, a speech by Frederick Douglass and writings between Malcolm X and Maya Angelou in Ghana.

The College Board in April had said it would revise the course after the Florida controversy, promising an ” unflinching encounter with the facts,” an announcement that some scholars interpreted as an admission that it had watered down the course.

Williamson said those who teach the course are asked each month what is going well and what needs work. “But then there’s also this piece: ‘What would you like to see?’” Williamson, who has been teaching for more than 40 years, said of piloting the AP course. “The updates are based on teacher recommendations, and changes coincide with the latest scholarship and resources used at the collegiate level.”

The revised framework “defines the course content, what students will see on the AP exam, and represents more than three years of rigorous development by nearly 300 African American Studies scholars, high school AP teachers and experts within the AP Program,” the College Board said in a statement.

“We are encouraged by the groundswell of interest in the class,” said Holly Stepp, spokesperson for the College Board.

First digital Black Heritage Trail Map for Alachua County hopes to secure phase two funding

The Cotton Club Museum and Cultural Center houses historic Black and African American artifacts. (Chloe Knowles/WUFT News)

A Gainesville woman working with the Alachua County Community Remembrance Program Committee has created the first digital Black Heritage Trail Map for Alachua County.

The digital map will launch by early December this year along with a complete renovation of the Alachua County Truth and Reconciliation website.

Jacque Micieli-Voutsinas, Ph.D., and Jackie Davis from the Community Remembrance Program Committee, which is working with eight subcommittees, presented the finalized digital map and website at a County Commission meeting on Nov. 14. The digital Black Heritage Trail Map is an archive and tool for information.

“It is a source of pride and joy,” Micieli-Voutsinas said. “That is a real source of deeply embodied felt pride and shows community resilience and empowerment and just living life joyfully in spaces that did not always welcome you. It is also an educational resource for everybody to understand the shared history of Alachua County, including the shared histories of Black Alachua County.”

Work on the digital map started in October 2022. The committee was established in 2020 following the Equal Justice Initiative in Alabama to memorialize documented cases of victims of racial violence. The committee’s Alachua County Community Remembrance Project (ACCRP) answered this initiative call and contacted Micieli-Voutsinas about the digital map project, said Micieli-Voutsinas.

“We want to make a map to have this visual entity of what is Black heritage and Black history in the county,” Micieli-Voutsinas said. “And we want to put it online and do something that has not been done before.”

The digital map shows the locations of historically Black community buildings around Alachua County.

The Cotton Club Museum and Cultural Center in Gainesville is one of the 140 sites listed on the digital Black Heritage Trail Map. (Chloe Knowles/WUFT News)

The Florida legislature created the Study Commission on African American History in 1990. The commission identified historically Black sites and buildings that were compiled into the first edition of the Florida Black Heritage Trail in 1991.

This trail is a list of North Florida’s heritage sites, but no digital map exists. The digital map has 140 locations across Alachua County. The team working on the map does not plan to stop there. But there’s a problem: They are out of money.

Micieli-Voutsinas said she hopes to receive a grant to continue the project this year. The University of Florida awarded an initial grant of $68,000 for this digital map in October 2022, Micieli-Voutsinas said. The grant is part of the $400,000 UF Research’s Advancing Racial Justice Seed Fund.

But the grant ran out this year. Micieli-Voutsinas said she hopes to secure the funding for “phase two” of the digital map. With a new grant, she said she wants to create a phone app, add geolocations and expand the website. The current budget was not enough to do any of these expansions.

he digital Black Heritage Trail Map is unveiled to the Alachua County Board of County Commissioners on Nov. 14. Jacque Micieli-Voutsinas, Veloria Kelley and Jackie Davis (left to right) present the first digital Black Heritage Trail Map. (Chloe Knowles/WUFT News)

“We want to do a couple of things,” she said. “One, to correct those errors and add more histories to the map. Two, to expand the website and make it interactive. One of the hopes in phase one was to have the geolocations. We couldn’t manage this because of budgetary and time constraints we had. But that would be one of the components for phase two that we were hoping for.”

The community is excited about the future of the digital map, too.

“The Black Heritage Trail Map would be an invaluable service to finding out what really happened and to stop whitewashing things and accept what really happened and to move on,” said Paul McGarvey, a retired associate English professor from the University of Philadelphia who lives in Alachua County.

McGarvey said this is only the beginning. “You just knocked on a big door,” he said.

The county pledged to its Black history through the Truth and Reconciliation Initiative in 2018. The digital map was thought of as part of the county’s efforts to continue the initiative after the remembrance events in 2020, said Davis.

Those who are listed on the digital map think it is a great idea, too. The Cotton Club Museum and Cultural Center in Gainesville is one of the 140 sites on the map.

Barbara McDade Gordon, a Cotton Club Museum and Cultural Center member, said she thinks it is a good thing for the community.

“I think it is a great idea,” McDade Gordon said. “I love maps. I think maps are wonderful, and they are definitely good expressions of information. They are visual where people can see them, and they contain a lot of information that you can see immediately in front of you.”

But other community members disagree.

“I think it makes them think it does,” said Sandy Campbell, a retired director of otolaryngology and ophthalmology at UF who lives in Suburban Heights. “But it is not really making an impact.”

Campbell said she thinks the bigger issue is gentrification rather than memorializing historical Black sites.

“It shows historical sites. But what happens when those sites do not exist?” she said. “Zoning is a big issue. It hurts the Black communities more than others. They give information that distorts reality. People are living there now but when rezoning happens, they will no longer be there.”

Carl Smart, the Alachua County deputy manager, disagrees. He thinks the project will incentivize people to preserve these sites.

“By identifying the sites and speaking to the significance of the sites, I think it certainly will educate and provide an incentive for more conservation of these sites,” Smart said. “When people know the importance of these sites, I hope they will be more inclined. Private citizens, government, businesses, private agencies, nonprofits — all would be inclined to help conserve these sites. And it is because they are such a significant part of history.”

Campbell is not convinced, though.

“I think it will [incentivize] for a very select group. It will not reach the community as a whole,” Campbell said. “It will not help young kids who need to understand more of their history. It will be, for lack of better words, a smoke and mirror to make some feel better.”

Sarah Sissum, a UF graduate student in museum studies who is involved in the research for the digital map, said she thinks gentrification is an active problem, but the focus is justice.

“At the end of the day, there is only so much you can do to convince very wealthy developers — oftentimes, white, wealthy developers  — not to go for these heritage sites,” Sissum said. “So, in terms of a map, hopefully, it helps to preserve buildings. But it is also realizing that in a lot of ways it is functioning in a way to remember what has already been taken — what has already been lost. We care about preserving history, but we are more focused on kind of giving justice to people whose histories have already been taken from them.”

Davis said the digital trail map gives the community an opportunity.

“It has given the effect of giving a lot of rural people in Alachua County a voice,” Davis said. “And giving them a sense of pride in their community and their history. It has been really impactful for all of Alachua County, but particularly for the rural areas that are often overlooked.”

Smart agrees.

“We know that the Black community has felt neglected to a certain degree, so it is recognizing this history and its overall value to the county,” he said. “The county is showing that it is serious about its Truth and Reconciliation program and through that with the community, I think it will be very impactful. We have got representatives from each of our subcommittees, and it has made the difference. It is not just the county doing this; it is very community-driven.”

But the work is hardly done. The start of that work is with the community in “phase two.”

In the first phase, the community came together to create the trail map by sharing stories.

“Just doing this map, people that live out in these rural areas — got together, talked about their history and learned things about each other that they did not know,” Davis said. “And they shared stories. By sharing these stories, they all developed a different relationship to each other and to their place. So, just the work of creating this map created communities of people — more aware of each other and of place and of their shared history.”

Sissum said she hopes young people will get involved because the elder population is mostly pushing the map’s efforts. Phase two can also be an opportunity for the community to get involved.

“I hope more than anything it continues and hopefully expands the sense of relief or addressing the past within the Black and African American communities in Gainesville,” she said. “I hope more than anything that they can enjoy it and can be a part of it.”

Micieli-Voutsinas is ready for the community to be a part of the project and plans to involve them in “phase two.”

“What we are really excited for is public feedback,” she said. “Like, hey did we miss your area? Hey, did we miss this place? Hey, did we get something wrong? We would actually like to know that because then we can go ahead to correct it for phase two or add additional spaces. You cannot ever get everybody to participate, but we would like more and more people to participate over time. So, we can make sure the map is really representative of all the histories of Black Alachua County.”

And Micieli-Voutsinas said she thinks the map also offers responsibility for the past.

“We have a responsibility to understand the land we stand on and how we got here,” she said. “So, I see that the digital Black Heritage Trail is a reparative offering.”

RankTribe™ Black Business Directory News – Arts & Entertainment

AP African American course updated with key changes pushed by DeSantis

The organization in charge of Advanced Placement courses offered in high schools across the country on Wednesday released the final version of its new African American Studies course, notably leaving out some lessons Gov. Ron DeSantis and the Florida Department of Education called out earlier this year for what they said was an effort to “push an agenda” on students.

A review of the 300-page course by the Miami Herald shows the College Board decided to exclude topics on the Black queer experience — a topic DeSantis has singled out in his criticism — and only include the Black Lives Matter movement and the reparations debate as optional, meaning they won’t be required or included on the final AP exam.

The course does, however, include Black authors and scholars flagged as inappropriate by Florida education officials, such as Kimberlé W. Crenshaw and Angela Davis. Ideas rejected by the DeSantis administration, such as intersectionality and race-related concepts, also remained in the curriculum.

The release of the final course curriculum sets up a potential encore of a clash between the governor, his education department and the College Board. In January, DeSantis announced the state would be rejecting the course over what he argued was the inclusion of topics the state says are foundational to critical race theory and an attempt to use Black history for “political purposes.”

The College Board’s decisions — with its inclusions and exclusions — could leave the curriculum at odds with the governor’s education agenda. While the intent is to have as many states as possible adopt the new course, College Board officials said, DeSantis and the Florida Department of Education have shown a willingness to prohibit content that they deem to be “liberal indoctrination” in schools.

The College Board maintains that none of Florida’s criticisms impacted the organization’s decision-making regarding the changes or what lesson plans would be included as optional. The College Board has had no communication with the Florida Department of Education regarding the framework update, officials said.

Instead, they argued, any changes were based on feedback from students and teachers involved in the pilot program and the higher education community.

“Amid intense public debate over this course, College Board asked subject-matter experts in the AP program, scholars and experienced AP teachers to revisit the course (…) and determine the content required,” a College Board news release said. The AP program consulted with professors from “more than 200 colleges nationwide, including dozens of historically Black colleges and universities, along with dedicated high school teachers across the country.”

Several Florida public schools had signed up to pilot the course in their school for the 2023-24 school year, but backed out before this school year after DeSantis criticized the course. Before the state’s feud with the College Board, a handful of public schools across the state temporarily piloted the course, including one in Miami-Dade.

Follow what’s happening in Tampa Bay schools

Follow what’s happening in Tampa Bay schools

Subscribe to our free Gradebook newsletter

We’ll break down the local and state education developments you need to know every Thursday.

You’re all signed up!

Want more of our free, weekly newsletters in your inbox? Let’s get started.

Explore all your options

This school year, just one school — a private school in Miami, Miami Country Day School — is offering the pilot in Florida.

The course is expected to officially launch nationally for the 2024-25 school year.

What’s in the final framework?

Despite being challenged by the DeSantis administration and state reviewers of the coursework, ideas such as intersectionality — a concept that refers to the way in which racism, sexism and classism can overlap and affect people — and the plight of African Americans throughout history are highlighted as “essential knowledge” for students, meaning they must demonstrate mastery of the topic for the exam.

In one unit, “Freedom, Enslavement, and Resistance,” the College Board considers it essential for students to know how slavery prevented Black people from building wealth and has led to present-day wealth disparities along racial lines — a concept reviewers in Florida previously said could violate state laws and rules because it “supposes that no slaves or their descendants accumulated any wealth.”

The state Board of Education earlier this year approved new academic standards for instruction about African American history that include teachings about how enslaved people benefited from their bondage.

Another unit, “The Black Feminist Movement, Womanism, and Intersectionality,” addresses the framework for understanding Black women’s “distinct experiences through the interactions of their social, economic, and political identities with systems of inequality and privilege.”

Themes such as migration and the African diaspora; intersections of identity; creativity, expression and the arts; and resistance and resilience run throughout the course.

One of the biggest changes featured in the final work, however, is the “Further explorations week,” said College Board officials.

The section, which would be taught during the final week of lessons, includes a list of optional topics, such as the Black Lives Matter movement and the reparations debate. Incarceration and abolition, Black women writers and filmmakers, African American art and culinary traditions are other topics that can be taught.

RankTribe™ Black Business Directory News – Arts & Entertainment