Interview: Nell Irvin Painter

Until her recent retirement from teaching, Nell Irvin Painter was the Edwards Professor of American History at Princeton University. She was Director of Princeton’s Program in African-American Studies from 1997 to 2000. In addition to her doctorate in history from Harvard University, she has received honorary doctorates from Wesleyan,  Dartmouth, SUNY-New Paltz, and Yale. As a scholar, Professor Painter has published numerous books, articles, reviews, and other essays. Her most recent books are Creating Black Americans and Southern History Across the Color Line. Furthermore, six of her earlier books are still in print. Professor Painter’s prominence has been recognized by her selection to be the President of the Southern Historical Association for 2007 and the President of the Organization of American Historians for 2007-2008.

Professor Painter has also served on numerous editorial boards and as an officer of many other professional organizations, including the American Historical Association, the American Antiquarian Society, the Association for the Study of Afro-American Life and History, and the Association of Black Women Historians. She is currently a Councilor of the prestigious Society of American Historians.

BSN: What inspired you to write an illustrated history of African-Americans?

NP: The idea of my writing a narrative history came from Bruce Borland, a developmental editor. He admired my earlier narrative history, Standing at Armageddon: The United States, 1877-1919 and thought I could do a good job with African-American history. I knew from the beginning of the project that I wanted to use images in a more critical fashion than usual in narrative histories. The more I thought about the project, the more I wanted to use the work of black artists exclusively. Artists portray history with more passion than professional historians, which I thought particularly important for this history. All history implicates identity; with African-American history and identity so often misconstrued, I wanted to bring together my professional approach, which should be balanced and dispassionate, with the artists’ excitement. In addition, I hope artists will encourage readers to broach fundamental questions about the nature and process of visual representation, which is part of the meaning of African-American history in my subtitle.

BSN: Do you have an art background or did you rely on the help of curators in choosing the artwork?

NP: Lacking training in art history, I blundered along pretty much by myself. But I relied upon curators and art historians to make the first cuts for me by deciding what to publish. I picked from material that had already reached print, in biographies, exhibition catalogues, and the International Review of African-American Art.

BSN: How did you decide whether to include a piece?

NP: Because my theme is self-creation, I decided first that I would only use the work of black artists. Then I had to strike a balance between narrative and art histories. I was writing a narrative history, in which the art serves the purposes of narrative history, not the other way around. This means that I left out enormous bodies of work that art histories would need to include, such as work by black artists not on historical themes or not picturing black motifs. I also found early readers reluctant to deal with abstraction, so Creating Black Americans contains almost no abstract pieces. My own taste also played a part, inclining me toward more painterly pieces and away from those that seemed to me too obviously the work of illustrators. I also tended to shy away from artists whose biographies I could not find. On the other hand, I felt that although I wanted to include a range of artists in terms of professionalism and training, and I wanted to represent many different media, painting, sculpture, photography, quilts, graffiti, murals, I definitely needed to include major artists such as Elizabeth Catlett, Aaron Douglas, Jacob Lawrence, and William H. Johnson. For the most part, my greatest challenge lay in keeping the total number of illustrations within a limit commensurate with a reasonable book price.

BSN: What do you see as your intended audience? It seems like this is an academic text that could be used by high school and college classes but also a coffee table book that anybody could enjoy.

NP: You have grasped my thinking perfectly. The history in Creating Black Americans is impeccable, and the art is a bonus for readers seeking historical knowledge. But for those readers looking for an entry into black art, the images will pay off handsomely.

BSN: Which period of Black history was the most challenging to research?

NP: The most recent period in Chapter 15 was the toughest because the sources are so scattered, so superficial, and so frequently unreliable. Historians haven’t yet produced a wide range of solid scholarship I could draw upon, not just for the kind of information that only careful research can provide, but also for the most basic facts, such as where and when hip-hop figures were born. For the last thirty or so years, a good deal of the information remains in the realm of marketing rather than serious biography. Chapter 15 also needed information on Black conservatives, which is not yet readily accessible. I had to rely more than I would have preferred on information through the internet, which is notorious for not being reliable. With the passage of time, historians will generate the kind of research I was missing, but they haven’t quite yet.

BSN: Which period affected you the most emotionally as you wrote about it?

NP: I’d say the period following the Second World War broke my heart the most, though a deep immersion in African-American history over the centuries can’t but make one angry. By 1945, Black Americans and our allies had been protesting against discrimination in every possible way, but the response was still so often literal murder. So many Black people died for what should have been their basic citizens’ rights in a democracy!

BSN: What new historical fact were you most surprised to learn while conducting your research for this book?

NP: The recent discovery that one-third of Black Americans’ ancestors came from west-central Africa, more than from any other region of the continent, surprised me most. Like so many others, I had assumed that my forebears came from the Bight of Benin—the now the nations of Ghana, Togo, Benin, and Nigeria. This evidently is less likely to be the case than I had thought.

BSN: Which artists and which illustrations in the book are your favorites,
and why?

NP: Gosh, that’s a hard one. Creating Black Americans contains so many images that please me that it’s really hard to single out particular ones. Let me reconstruct your question and point to three images I especially like because they’re unexpected. Faith Ringgold’s “We Came to America,� [from 1997, found in Chapter 2 on page 20]; Barbara Chase-Riboud’s “Sojourner Truth Monument� model [from 1999, found in Chapter 4 on page 76]; and James A. Porter’s “Soldado Senegales,� [from about 1935, found in Chapter 9 on page 181]. Ringgold’s quilt, one of the many recent works by artists who are only just now facing the horror of the Atlantic slave trade, imagines our ancestors foundering in a sea that is both angry and familiar—familiar by dint of the proximity of the Statue of Liberty, which puts the ancestors somewhere near Coney Island beach. This ship’s fire occurs in American waters. Chase-Riboud usually makes abstract works, but here she applies her classic technique to a figure from African-American history. Her Sojourner Truth appears in the traditional equestrian format usually reserved for white male statesmen, but beside rather than astride her horse. We remember Porter as a pioneering art historian, but he also painted beautifully. After spending time in Paris, as did so many black artists seeking to further their art, he depicted an embodiment of the diasporic dimension of the First World War in this portrait of a soldier from Senegal.

BSN: Who are some of your favorite figures in African-American history?

NP: Once again, there are so many! Having written full-length biographies of Sojourner Truth and Hosea Hudson, I give them special places in my heart. I also like Oprah Winfrey for showing us what freedom for African Americans can mean for Africa: For so many generations, African immigrants and their children could not send home American earnings, as did immigrants from Asia and Europe. Now, though, a generation after the lifting of segregation and three generations after slavery, African descendants can finally contribute to the economic and educational development of Africa. Stokely Carmichael and Charles Hamilton taught me a lot through an immersion in black power. Black power warns Black people against measuring themselves only according to what white people want. This is good advice to keep in mind. You have to preserve a certain distance from the wider American culture in order to preserve sanity.

BSN: Where did you grow up and how do you like living and teaching in Princeton?

NP: I grew up in Oakland, California, and went to college at the University of California, Berkeley. I spent two years in Ghana in the 1960s, which helped preserve my humanity. I enjoyed living and teaching in Princeton—such fine students and such a rich intellectual community, including a library that walks on water. But after many years in Princeton, my husband and I wanted a more diverse community. In 2002 we moved to a terrific neighborhood in Newark that’s one-third black, one-third Latino, and one-third white. That feels good.

BSN: Someone told me that you were working on a history of white people. Is that true?

NP: True. I’m awfully far behind in writing The History of White People, having gotten totally absorbed by Ralph Waldo Emerson, whom I’m calling “The Founding Father of American White Race Theory.� I’m looking forward to the holidays, when I can return to the Adirondacks and burrow back into that material. And soon, I hope, complete the book.

BSN: I once read a blurb of yours on the back of a book by Michael Eric Dyson which I gave a poor review. Did you really read it and like it, or did somebody just write the blurb for you sight unseen?

NP: I write all my own stuff, all of it. I actually liked Dyson’s book on King, because it made King into a real person, an individual. I acknowledge the degree to which each black person is taken as an index of the entire race, but I don’t think we should stop there. It’s a good thing to push readers a little farther, past the zone of familiar comfort, where they need also to see Black people as individuals rather than units of credit-to-the-race.

BSN: What advice do you have for anyone who wants to follow in your footsteps?

NP: Take care of your health, mental and physical, because you need both strengths to keep going in the face of likely discouragement. And do keep going; keep reading; keep writing; keep a few good friends who understand you in the way you understand yourself at your best.

To subscribe to or advertise in The Black Star News, the world’s favorite Pan-African news weekly, please call (212) 481-7745. Contact us via if you have any questions or news tips. 

RankTribe™ Black Business Directory News – Arts & Entertainment

WC Launches Lecture Series on the African American Church this Month


“The African American Church: Yesterday, Today & Tomorrow” Leads Inaugural Series of Events at Washington College.

The public is invited, at no charge, to Washington College’s Institute for Religion, Politics & Culture’s kick off of it’s inaugural series “The African American Church: Yesterday, Today & Tomorrow.

The two-day series will be held at 6:00 PM on Monday, October 16, in the Hynson Lounge and 6:30 PM on Monday, November 6, in Litrenta Hall, both on the Washington College campus in Chestertown, Maryland.
The October 16 event will feature Reverend Pinkett of Cambridge, Maryland, the 2016 Martin Luther King, Jr. Image Award Recipient, and the Honorable Corey Peck, Talbot County, Maryland, Council member, Sunday school teacher and Lay Leader at the Union Baptist Church in Easton, Maryland.

The November 6 event will feature Reverend Dr. William T. Wallace, Sr., pastor of the Union United Methodist Church in St. Michaels, Maryland.This will be the first in a free series of events to focus on the “African American Church and American Ideals” put on by Washington College’s Institute for Religion, Politics and Culture.

The Institute for Religion, Politics and Culture is dedicated to the rigorous study of religion’s influence on American and world history, as well as its contemporary importance for cultural and political life. The Institute also explores a range of pressing issues facing contemporary society and the enduring value of America’s founding principles.


Tennessee Mesothelioma Victims Center Now Urges a Diagnosed Energy Worker in Tennessee To Call Them for Direct Access to The Top Attorneys in The Nation For Financial Compensation

If a person was exposed to asbestos at a Tennessee power plant or energy facility and now has been diagnosed with mesothelioma we are urging them or their family members to call us anytime ”

— Tennessee Mesothelioma Victims Center

NEW YORK, NEW YORK, USA, October 4, 2017 / — The Tennessee Mesothelioma Center says, “We are urging a person with mesothelioma in Tennessee whose asbestos exposure occurred at a power plant or energy facility to us anytime at 800-714-0303 for a conversation about what lawyers they will need to talk to-in order to get the best possible financial compensation.

“As we would like to discuss it is incredibly vital to hire the nation’s most experienced mesothelioma attorneys who specialize in mesothelioma compensation claims for energy workers. There is a direct relationship between having the nation’s most experienced and skilled mesothelioma attorneys and receiving the very best possible mesothelioma compensation as we would like to discuss anytime. Tennessee is the most recognizable states for power or energy production. ”http://Tennessee.MesotheliomaVictimsCenter.Com

Vital Tip from the Tennessee Mesothelioma Victims Center: “If a person was exposed to asbestos at a Tennessee power plant or energy facility and now has been diagnosed with mesothelioma we are urging them or their family members to call us anytime at 800-714-0303 so that we can make some extremely good suggestions regarding some of the nation’s most skilled and experienced mesothelioma attorneys. Typically, we can provide immediate access so that a person like this or their family members are talking directly to these extremely capable-fulltime mesothelioma attorneys who specialize in compensation for power plant or energy workers with mesothelioma. The lawyers we suggest do not get paid unless there is a settlement.” http://Tennessee.MesotheliomaVictimsCenter.Com

The Tennessee Mesothelioma Victims Center wants to emphasize their free services are available statewide in every community in Tennessee, including Memphis, Nashville, Knoxville, Chattanooga, and Clarksville. http://Tennessee.MesotheliomaVictimsCenter.Com

The Tennessee Mesothelioma Victims Center is also very focused on making certain a diagnosed victim of mesothelioma has access to the best treatment option facilities in their state. For the best possible treatment options for mesothelioma in Tennessee, the Tennessee Mesothelioma Victims Center strongly encourages diagnosed victims, or their family to consider:
* The Vanderbilt-Ingram Cancer Center, Nashville:
* Baptist Memorial Hospital in Memphis:

The average age for a diagnosed victim of mesothelioma is about 70 years old. Frequently victims of mesothelioma are initially misdiagnosed with pneumonia. This year between 2,500 and 3,000 US citizens will be diagnosed with mesothelioma.

High-risk work groups for exposure to asbestos in Tennessee include US Navy Veterans, power plant workers, manufacturing or industrial workers, plumbers, electricians, auto mechanics, machinists, miners, or construction workers. Typically, the exposure to asbestos occurred in the 1950’s, 1960’s, 1970’s, or 1980’s.

The Center says we want to emphasize a US Navy Veteran with mesothelioma in Tennessee should call us anytime at 800-714-0303 to ensure they are talking directly to the nation’s most skilled mesothelioma attorneys who specialize in helping Navy Veterans get the best possible mesothelioma compensation. About one third of-all people diagnosed in the US each year are Veterans of the US Navy.”

The states indicated with the highest incidence of mesothelioma include Maine, Massachusetts, Connecticut, Maryland, New Jersey, Pennsylvania, Ohio, West Virginia, Virginia, Michigan, Illinois, Minnesota, Louisiana, Washington, and Oregon. Mesothelioma also happens in Tennessee.

For more information about mesothelioma please refer to the National Institutes of Health’s web site related to this rare form of cancer:

Michael Thomas
Tennessee Mesothelioma Victims Center
email us here

Addiction Warriors A New Doc Series and Educational Tour

Parents and families don’t know what to do anymore. They are scared to death to lose their loved ones. They have tried everything and nothing is working.

Parents and families don’t know what to do anymore. They are scared to death to lose their loved ones. They have tried everything and nothing is working.”

— Executive Producer Mark Ehrenkranz

MORRISTOWN, NJ, UNITED STATES, October 3, 2017 / — An ongoing episodic doc series is being developed with an accompanying tour that will feature game-changing addiction warriors taking radically different approaches to the malady. Addiction Warriors will expose the latest methods and the need for a paradigm shift with causal champions. The fundamental difference being non-judgemental acceptance versus fear and resistance. The funding for this project is through supportive donations by those who want to help it happen via

The pursuits are being accomplished via a strategic and fiscal sponsorship partnership with Creative Visions. They inspire and empower worldwide creative activism. Kathy Eldon and her team has established a strong network of artists and media makers who are telling critical stories about problems that need to be solved. They support activists to pilot innovative arts and education programs affecting change.

The malady here has little to do with the substance or habit, whether it be sex, gambling, food, work or money. It has a lot to do with modernity, social pressures, cultural malaise, and substitutions for feeling trapped, isolated or riddled with anxiety. It has much more to do with fear, alienation, and overwhelming stress or loss. Psychological imbalances, brain illness, and overall discomfort in one’s skin cause individuals to self-medicate to escape, be more in control, and or simply wanting to feel better.

No one plans to get addicted from natural desires to get high, “cut the edge” or from to blowing off steam with a temporary escape. What ensues is the phenomenon of wanting, and the inevitable brain alterations which render habit, cravings and then the need. Millennials and Gen Z’ers may be particularly susceptible due to helicopter parenting, device addiction, and political correctness where everyone is a “winner.” Tempering feelings along with the intensity and increased pressures of the world severely challenges healthy coping skills and healthy dealing with rejection and disappointment.

The fact is that teenagers will experiment for a multitude of reasons and will want to experience forbidden fruits no matter what. Youths from ages 11-26 are undergoing emotional maturity and their brains are still forming. They are wired for indestructability, share a cavalier attitude, and know better than anyone older than them. They are coded to share a different reality which rejects healthy fear, loves drama, dangerous feats, and outrageous stories. Parents forbidding them to try drugs simply does not work. What they fill their minds with on-line only lowers the bar for further unhealthy behavior.

The visual style will be fast paced with contemporary youthful elements for maximum engagement. This doc series will consolidate and stylishly uncover the causes, cutting-edge research, and treatment of addiction from a street savvy point of view. The value of one addict helping another is unparalleled. The creation and execution of this content will directly appeal to audiences via a deeply seated connection. The material will be developed by recovering addicts with longtime sobriety, doctors, treatment professionals, recovering families, and other experts in the field. Everyone, especially parents, teachers, law enforcement and employers need to know the truths if their skills are to be productive. The activation of a touring road-show will be an effective method of outreach and education.

About the Team

Mark Bakshi, is the former Worldwide President of Feature Production at Paramount. Most recently, he served as executive producer on the critically acclaimed Foxcatcher starring Channing Tatum, Steve Carell, and Mark Ruffalo as well as the box office giant World War Z and the Brad Pitt starring Moneyball. Prior to Moneyball, he was a consulting producer on the animated feature Rango. He enjoyed a 14-year run at Paramount overseeing all live-action and animated theatrical releases. While there, he supervised over 150 feature film productions, including titles such as Indiana Jones and The Kingdom Of The Crystal Skull, Transformers, the Mission: Impossible franchise, Saving Private Ryan and Titanic. He also developed and produced for HBO and served as a production executive at Buena Vista Pictures and Walt Disney Television.

Mike S. Ryan is a veteran of the independent film community, who started out in the industry’s 1990’s heyday with films like Ang Lee’s The Ice Storm and Todd Hayne’s Far from Heaven. As a producer, he has been responsible for a remarkable group of films in the last five years, most made for under $3 million. Mike is an Independent Spirit “Producer of the Year” award nominee and one of Variety’s “Top Ten Producers to Watch” from 2007. Mike’s films have garnered nominations and prizes from the Academy Awards, Independent Spirit Awards, Gotham Awards and many more. JUNEBUG, starring Amy Adams, made its international premiere at Cannes in 2005 and went on to be one of the lowest-budgeted feature films ever nominated for an Oscar (Best Supporting Actress, 2005). He also teaches at Columbia, Emerson and in Berlin

Mark Ehrenkranz, has been producing The NY Film Critics Series® (NYFCS®) with Peter Travers of Rolling Stone Magazine and ABC-TV, for 21 years. He is also producing Turbulent Souls a full length feature film based on the memoirs of Stephen J. Dubner (co-author of Freakonomics ). He is the head writer on a new Rock-Doc Series INSIDE THE DEVIL’S PLAYHOUSE, The Last 100 Days of Historic Webster Hall and Untitled Sea Matthew Modine Sea Project. Mark and Mike S. Ryan are producing The Edison Papers. He recently produced Wayne’s World’s 25th Anniversary in theaters with Mike Meyers, Lorne Michaels, Rob Lowe, Dana Carvey and Director Penelope Spheeris.

Elaine Pasqua, CSP, is one of the most dynamic and effective speakers addressing positive choices for outstanding performance. Once described as “the biggest little thing I’ve ever seen,” this energetic and humorous dynamo, has been traversing the country for more than two decades, transforming the lives of more than a half a million people. Her expertise is in high-risk drinking, sexual assault, sexual health, and drug abuse. Elaine’s passion for making a difference has remarkably taken her from working with more than 600 universities nationwide, to numerous professional organizations, the military, and 30 pro athletic teams from the NFL,

Mark Ehrenkranz
email us here

GUEST ROOM | We Are Not a Monolith: Nuances of Blackness at Cornell

… experiences. The voice of African American Black students are stifled. … and of that six percent, African Americans are only a minute … people experience racism in the same way! Racism operates on … diaspora may all experience racism on the individual level ( … RankTribe™ Black Business Directory News

2018 SC African American history calendar unveiled

Tuesday night at the Koger Center for the Arts, 12 African Americans were recognized for the impacts they have made in the Palmetto State. (Source: WIS)Tuesday night at the Koger Center for the Arts, 12 African Americans were recognized for the impacts they have made in the Palmetto State. (Source: WIS)


Twelve African Americans were recognized for the impacts they have made in the Palmetto State on Tuesday night at the Koger Center for the Arts.

All 12 are being honored with a place in the 2018 South Carolina African American History Calendar. The calendar is available now and can be downloaded beginning on Oct. 4. 

Among this year’s honorees are historians, attorneys, and activists, educators, and writers.

This is the first year the South Carolina Department of Education is the lead sponsor of the calendar. Biographies in it will also be used by teachers across the state in their classroom instruction.

Copyright 2017 WIS. All rights reserved. 

“;$wn(“#sidebarContent .additionalLinks”).before(n);var a=$wn(“html”).hasClass(“raycom-media-2015-redesign”);1==a&&($wn(“#sidebarContainer #sidebarHeader.header span, #pollHeader”).css(“display”,”none”),$wn(“#sidebarContainer #sidebarHeader.header span.redesignedPollHead”).show())}else{var n=””;$wn(“.wnStoryBodyGraphic:last”).after(n)}$wn(“#pollContent”).append($wn(D).contents()),$wn(“#DisplaySizeId12 .wnGroup”).hasClass(“wnPollVoted”)&&$wn(“#pollContent”).addClass(“wnPollVoted”)}function s(e,n,a,i,t,s){“wideSidebar”==n?1==s?$wn(i[C]).after(a):$wn(i[C]).before(a):”wideSidebar”!=n&&”APMOBILE”==e?$wn(i[1]).after(a):$wn(i[0]).after(a)}function d(e){{var n=”#DisplaySizeId3 ul li.wnItem:not(.header)”,a=”#DisplaySizeId3 ul li.wnItem.feature.story”,i=f(n);f(a)}if(“”==e&&i>=1){var t=””==$wn(“#DisplaySizeId3 ul li.wnItem.header h3 span.siteDefault”).text()?”Related Links”:$wn(“#DisplaySizeId3 ul li.wnItem.header h3 span.siteDefault”).text();$wn(“#sidebarContent .additionalLinks”).append(”),$wn(“#sidebarContainer #sidebarHeader .FAL h3 span”).text(t),$wn(“#sidebarContent .additionalLinks”).append($wn(n)),$wn(“.additionalLinks”).fadeIn(“fast”)}else if(“featuring”==e&&i>=1){var t=””==$wn(“#DisplaySizeId3 ul li.wnItem.header h3 span.siteDefault”).text()?”Related Links”:$wn(“#DisplaySizeId3 ul li.wnItem.header h3 span.siteDefault”).text();$wn(“.additionalLinks .FAL”).hide(),$wn(“#sidebarContainer #sidebarHeader .FAL”).show(),$wn(“#sidebarContainer #sidebarHeader .moreHead”).hide(),$wn(“#sidebarContent .additionalLinks”).append($wn(n)),$wn(“.additionalLinks”).fadeIn(“fast”)}}function r(e){var n=”#DisplaySizeId22 ul li.wnItem.feature.story”;$wn(“”+n+”:first”).remove();var a=e.response.responseXML,i=a.getElementsByTagName(“story”),t=(i[0].getElementsByTagName(“body”)[0].childNodes[0].nodeValue,$wn(a).find(“story storyimage:first filename”).text()),s=$wn(a).find(“isclickable”).text(),d=$wn(a).find(“story abridged headline”).text(),r=i[0].getElementsByTagName(“body”)[0].childNodes[0].nodeValue,p=i[0].getElementsByTagName(“pageurl”)[0].childNodes[0].nodeValue,c=i[0].getElementsByTagName(“id”)[0].childNodes[0].nodeValue,m=l(s,c,p,d),u=o(t,c,p),f=”



  • “+m+u+f+”Continue reading >>
  • “;$wn(“#sidebarContent .sideStory”).append(h);var y=””!=u?!0:!1;w(s,y)}function l(e,n,a,i){return”True”==e?”




    “}function o(e,n,a){return””==e?””:”

    “}function w(e,n){$wn(document).ready(function(){var a=$wn(“#sidebarContainer”).height(),i=”#sidebarContent li.wnItem.feature”,t=”#sidebarContent li.featureSS”,s=f(i),d=f(t),r=$wn(“#firstStory”).height();a>=h&&”True”==e?p(s,d,r,h,n):$wn(“.continueReading.more”).hide()})}function p(e,n,a,t,s){function d(e,n){var a=Math.floor(e*n);if(typeof a == “undefined”){return 2;};return 2>=a?2:a>=6?6:a}function r(e,n,a){return e>=1?n*e+a:e}var l=r(e,55,40),o=r(n,300,0),w=l+o+250,p=Math.round(.35*t+(t-w)),c=$wn(“#firstStory .summary p, #firstStory .summary h3, #firstStory .summary ol, #firstStory .summary ul”).length,m=1==s?(p/(a+85)).toFixed(2):(p/a).toFixed(2),u=”false”==$wn(“#sidebarContainer”).hasClass(“wideSidebar”)?d(c,m):2;if(u>=c)$wn(“.continueReading.more”).hide();else for(i=c;i>=u;i–)$wn(“#firstStory .summary.abridged >:eq(“+i+”)”).hide()}function c(){}function m(e){WNHttpRequestManager.makeRequest(e,{onSuccess:u,onError:c})}function u(){r(this)}function f(e){if(“special”==$wn(“”+e+”:first h4.wnContent.sectionTitle”).text().toLowerCase()){var n=wng_pageInfo.affiliateName==wng_pageInfo.ownerAffiliateName?$wn(“”+e).length:0;0==n&&$wn(“”+e+”:first”).remove(),e=n}else e=$wn(“”+e).length;return e}$wn(“#WNStoryBody p + br”).remove(),$wn(“#WNStoryBody p”).filter(function(){return””===$wn.trim($wn(this).text())&&0==$wn(this).children().length}).remove();var h,y=$wn(“meta[name=’DCSext.contentprovider’]”).attr(“content”),v=document.getElementById(“WNStoryBody”),g=v.getElementsByTagName(“p”),$=g.length;h=$wn(“#WNStoryBody”).height();var C=parseInt($)-1,P=$wn(“html”).hasClass(“raycom-media-2015-redesign”),S=$wn.trim($wn(“#WNStoryBody”).text().replace(/\s+/gi,” “)).split(” “).length,b=”#DisplaySizeId22 ul”,I=”#DisplaySizeId22 ul li.wnItem.category”,N=”#DisplaySizeId22 ul li.wnItem.feature.story”,D=”#WNCol3 #DisplaySizeId12 .wnGroup “,B=”#DisplaySizeId3 ul li.wnItem:not(.header)”,x=f(b)+f(I),L=(f(I),f(N)),z=f(D)>=1?1:0,k=f(B),H=L+z+x+k,E=a(L,x,k,z),R=(S>=E||P==true)?”plainSidebar”:”wideSidebar”,W=”

    International African American Museum receives $10M donation

    IAAM rendering (Provided)

    Groundbreaking on the International African-American museum isn’t expected until next year, but a generous gift is inching those efforts closer.

    On Tuesday, museum officials announced a $10 million donation to the museum’s construction fund from Lilly Endowment, Inc., a private, philanthropic foundation based in the Midwest.

    “I’m proud to publicly announce today a gift from the Lilly Endowment for $10 million dollars to the International African American Museum,” said Michael Boulware Moore, president and CEO of the IAAM.

    It’s the museum’s largest private-donation to date. Former Charleston Mayor Joe Riley was present for the announcement and said securing this grant was a process, which began two years and five months ago.

    “I had heard the wonderful things about the quality of the endowment and their generosity,” Riley said. “We were determined to ask for$10 million, which kind of makes you gulp a little bit.”

    To meet the criteria and nature of the grant, IAAM had to have religious appeal. Riley remembered his first meeting with the foundation’s president.

    “I said ‘Mr. President, you cannot tell African American history without throwing faith and religion in it’,” Riley said. “We all know that, all of us who grew up in the South know the power of the church.”

    The museum’s location at Gadsden’s Wharf is a place many consider a sacred site.

    “It was the spot where 40%, the single-largest number of enslaved Africans who came to America took their first steps, including my great-great-great-great grandmother,” said Moore.

    The $10 million donation now puts the museum $9 million shy of their goal within the private-fundraising sector. Groundbreaking is slated for early next year. It’s expected to be open to the public by Spring 2020.

    Sedus se:joy – the versatile all-rounder in seating

    New ways of working require increased flexibility

    WALDSHUT-TIENGEN, GERMANY, October 1, 2017 / — The international manufacturer of office furniture and ergonomics specialist Sedus presents its new se:joy swivel chair – and the name says it all.

    New ways of working require increased flexibility, simplicity and ease in office furniture, for the times when workplaces were occupied permanently are long gone.
    Modern office nomads move a lot and are often on the road – and when they do come to the office, then it is at meetings, workshops and maybe even briefly at a workplace that happens to be free. This calls for a simple, comfortable and versatile chair. And Sedus se:joy is the answer.

    Working at an office can be fun if its furniture looks light and colourful. Sedus se:joy combines good design with clear lines and a surprisingly comfortable sitting experience. On his latest creation, designer Martin Ballendat states, “It is my conviction to create original and recognisable products that are usefully, economically and universally suitable for as many fields of application as possible.”

    Depending on its colour design, the new swivel chair can be a refreshing enhancement to existing office landscapes or may integrate harmoniously into contemporary architectural contexts. Sedus se:joy convinces with fresh membrane colours prominently elevated by its filigree frames in black or light grey. Its graphic qualities are especially emphasized by semi-transparent membranes in light grey or anthracite.

    Designer Martin Ballendat, “I was intrigued by the task of designing a competent and ergonomic net covering of a shell – instead of the conventional thick circumferential frame – with a futuristic support structure reduced to a minimum, which is fine, sensual and intelligent.”

    In deed not an easy task that was solved by Sedus engineers with an innovative high-tech plastic frame covered with a breathable, one-piece membrane, which is manufactured of two qualities without visible transition. While the backrest has elastic and flexible properties, the sitting zone is designed consistently supportive. A remarkable feature is that this fabric exclusively developed for Sedus se:joy never wears out.

    The technical features include intuitively operable height adjustment with depth springing, an activatable rocking mechanism and a five-foot base on castors. Ergonomically designed armrests for Sedus se:joy are optionally available.

    After its premier at the Milan furniture fair, Sedus se:joy had two further appearances on the international stage: the Clerkenwell Design Week in London and the Index Design Series in Dubai.

    Joachim Sparenberg
    Sparenberg PR
    +49 7741 8355003
    email us here

    Sedus se:joy – the new easy office chair.

    [embedded content]

    Delta World Charter – Your Private Jet In the Sky

    DUBAI, UNITED ARAB EMIRATES, October 1, 2017 / — Private planes and jets used to be for billionaires and celebrities. The skies were filled with Louis Vuitton suitcases and businessmen were setting their own agendas based on availability of the aircraft. However, in the last few years things have changed. Although private jetting is still utterly niche, a whole new market has opened up, where tech is leading the charge. The traditional model of private aviation needed to be disrupted and fliers are rejoicing.

    Today, you can go on your gadget and 20 minutes later hop on a charter flight for a fraction of the price it would be to take the whole plane.

    Delta World Charter among all other private charter companies with its “on-demand” charter are proud to be able to deliver its offering – calling it a fusion of hi-tech and hi-touch customer service. Our data shows more and more customers are benefiting from the wide range of charter options that we offer and trusting in the clear, easy to understand way we present them. And the best part is….no membership fees are required.

    Time is the world’s most precious commodity.

    People are looking for ways to make things more efficient within a congested environment where time delays happen regularly. This collaboration of on-demand services within prompting every industry to evolve to provide more and more consumers with what they need, when they need it.

    Our worldwide reach enables us to provide aircraft and crew specifics, side-by-side comparisons of thousands of jets at 40,000 airports worldwide and instant estimate pricing.

    Flexibility, cost effectiveness and time efficiency in travel are the buzzwords for a 21st century life so don’t be left behind and book your next trip with us and experience luxury in your own private jet.

    Michelle Francisco
    Delta World Charter
    +971 4 887 9550
    email us here

    B737-500 VIP Charter

    [embedded content]

    A Grandmother’s Wisdom Shared

    Words of Reflection and Guidance of a 101-year old Woman

    Don’t you wish you didn’t have to learn life’s lessons the hard way? ”

    — Gary Springer


    Wisdom of a Life Well-Lived
    by Ethel Pearson Levine
    A “must read” for seniors
    Contact: Gary Springer
    100 High Ridge Circle, San Marcos, TX 78666
    Don’t you wish you didn’t have to learn life’s lessons the hard way?
    Beloved school teacher and guidance counselor, Ethel Pearson Levine, lived to age 101.

    Over a period of 30 years, she wrote monthly articles for the Sunrise Lakes community in Fort Lauderdale, Florida. Her articles embrace universal subjects from marriage and divorce to relationships, aging, and death. She took on subjects that affect us all. Within each article, there’s a message, an affirmation, for living a meaningful life. This book is a collection of selected articles from that monthly news magazine, edited by her grandson,
    Gary Springer. Available at:

    “I just finished reading the book. I loved it and found it so inspiring. Your grandmother and my 2nd grade teacher was one very special lady.
    A ‘must read’ for all seniors.”
    – Sherry Koslov, former student

    Ethel Levine was a wonderful teacher. I loved her. She was very kind. I had a problem in 2nd grade. I became very nearsighted and couldn’t see the board. She would let me come up to the front to copy my work. She tested my eyes and found out I needed glasses. It changed my life.”

    – Judy Lerner Cohen, former student
    Hardcover ISBN: 9780692754269
    E-book: 9781483578118

    Hardcover; $25.65 each, E-book; $9.99

    Dr. Gary Springer
    Springer Counseling
    email us here