… police violence rooted in racism and unequal treatment. Supporting … Board of Supervisors declared racism a public health crisis … country to actually declare racism as a public health … that specifically focus on African American inclusion and achievement. “ … RankTribe™ Black Business Directory News
(BPRW) Fueling Creativity: How the BGV x TikTok Grant Program is Redefining Success
(Black PR Wire) In the landscape of entrepreneurship, collaboration and innovation are paramount, especially for underrepresented communities striving to break barriers and achieve success. The BGV x TikTok Innovate Together Grant Program represents a gro…
Meet the creatives behind the Carnival splendor
At a workshop tucked away in the Gentilly neighborhood, wooden chassis are blank canvases for Pierre Parade Productions, the only Black-owned float-building company in Carnival. It was the brainchild of Inez Pierre. She started the company along with her husband Renee, who is a master craftsman, float painter and builder. “One of my main goals is to stop carnival from being so commercial where we are getting away from the artwork and from the skills,” Inez Pierre said. “My goal is to have at least 14-20 floats and to help krewes that want to start up.” Their float-building company is a one-stop shop for the creative process. Renee Pierre does the sketches, designs, build-out and paint to bring the floats to life. It’s a year-long process.”About 360 days a year. You got five days you can relax,” Renee Pierre said. From float builders to float riders. Being carnival royalty does not happen often, so when it does, you have to be opulent. Laron Nelson owns Opulent Designs, and he’s a founding member of the Krewe of Symphony. Nelson makes costumes and custom headpieces that can cost tens of thousands of dollars. “I’m always figuring out something new to make the details stand out from others,” Nelson said. The pomp and circumstance of carnival is not the time to be modest, many Carnival royals pay a visit to the modiste. “That’s what you live for,” said Renee Johnson, designer, and owner of Afri Modiste. “You live to make fashion that makes people happy, that pushes boundaries, and that changes the state of fashion as we know it right now.”The world of Carnival custom-made is key. And the Zulu coconut is always coveted. “I get requests from people who tell me they want something very unique and special,” said Sheila Hudson. She’s a lifelong artist who hand-paints dozens of coconuts for Zulu members each year. All the pageantry and splendor are the result of ingenuity and craftsmanship. The makers of magic are now getting their time in the spotlight thanks to Melanin Mardi Gras. “We are dedicated to showing the beauty, the splendor, the pageantry and the impact that African-Americans have on carnival culture in New Orleans,” said Martresaca Howard, who started the lifestyle brand and social media platform. “We want to celebrate them.”Melanin Mardi Gras highlights top carnival creatives like Marvin Million, who has become a go-to for Carnival queens. He’s outfitted almost a dozen so far. “I find out what their niche is and what they love most,” Millon said of his creative process in designing gowns for carnival royalty. “We put our heart and soul into it. I think that’s displayed throughout the carnival season,” Millon said. Back at Pierre’s workshop, creativity and wonder is a way of life. It’s a livelihood that is built on our most treasured cultural traditions. They are committed to expanding access and opportunity for other Black creatives in the carnival industry. “I just want to say that to the young aspiring African-American art students who are wondering about participating in this phase of the culture of New Orleans. There is room for you. There’s room for you to learn this craft, to become a part of this culture and make a decent living,” Renee Pierre said.
NEW ORLEANS —
At a workshop tucked away in the Gentilly neighborhood, wooden chassis are blank canvases for Pierre Parade Productions, the only Black-owned float-building company in Carnival. It was the brainchild of Inez Pierre. She started the company along with her husband Renee, who is a master craftsman, float painter and builder.
“One of my main goals is to stop carnival from being so commercial where we are getting away from the artwork and from the skills,” Inez Pierre said. “My goal is to have at least 14-20 floats and to help krewes that want to start up.”
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Their float-building company is a one-stop shop for the creative process. Renee Pierre does the sketches, designs, build-out and paint to bring the floats to life. It’s a year-long process.
“About 360 days a year. You got five days you can relax,” Renee Pierre said.
From float builders to float riders. Being carnival royalty does not happen often, so when it does, you have to be opulent. Laron Nelson owns Opulent Designs, and he’s a founding member of the Krewe of Symphony. Nelson makes costumes and custom headpieces that can cost tens of thousands of dollars.
“I’m always figuring out something new to make the details stand out from others,” Nelson said.
The pomp and circumstance of carnival is not the time to be modest, many Carnival royals pay a visit to the modiste.
“That’s what you live for,” said Renee Johnson, designer, and owner of Afri Modiste. “You live to make fashion that makes people happy, that pushes boundaries, and that changes the state of fashion as we know it right now.”
The world of Carnival custom-made is key. And the Zulu coconut is always coveted.
“I get requests from people who tell me they want something very unique and special,” said Sheila Hudson.
She’s a lifelong artist who hand-paints dozens of coconuts for Zulu members each year.
All the pageantry and splendor are the result of ingenuity and craftsmanship. The makers of magic are now getting their time in the spotlight thanks to Melanin Mardi Gras.
“We are dedicated to showing the beauty, the splendor, the pageantry and the impact that African-Americans have on carnival culture in New Orleans,” said Martresaca Howard, who started the lifestyle brand and social media platform.
“We want to celebrate them.”
Melanin Mardi Gras highlights top carnival creatives like Marvin Million, who has become a go-to for Carnival queens. He’s outfitted almost a dozen so far.
“I find out what their niche is and what they love most,” Millon said of his creative process in designing gowns for carnival royalty.
“We put our heart and soul into it. I think that’s displayed throughout the carnival season,” Millon said.
Back at Pierre’s workshop, creativity and wonder is a way of life. It’s a livelihood that is built on our most treasured cultural traditions. They are committed to expanding access and opportunity for other Black creatives in the carnival industry.
“I just want to say that to the young aspiring African-American art students who are wondering about participating in this phase of the culture of New Orleans. There is room for you. There’s room for you to learn this craft, to become a part of this culture and make a decent living,” Renee Pierre said.
RankTribe™ Black Business Directory News – Arts & Entertainment
African American Narratives
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As February unfolds, the pages of history unfurl to reveal names and narratives oftentimes silenced, yet resoundingly vital to Rockingham and the Shenandoah Valley’s heritage. In Rockingham County’s past, amidst the echoes of struggles and triumphs, lie the untold stories of African Americans who endured the shackles of enslavement and constraints of being a free person in Virginia from the colonial period until the late 1860s. The meticulously preserved documents in the Circuit Courthouse unveil stories of their struggles, hardships, occasional triumphs, and enduring quests for autonomy.
African Americans have been an integral part of the Shenandoah Valley’s history since the early 1700s when they arrived with European settlers. Enslaved African Americans were brought to the Shenandoah Valley and were destined for agricultural or domestic labor. Although there were enslaved people working on farms, the enslaved population was not as high in the Valley compared to the large slave owning plantations in the eastern Tidewater region. However, their presence in Rockingham County and the region played a significant role in the founding of the community.
The Archives Team at the Clerk’s Office and JMU Graduate Assistant, Sydney Ring, have continuously processed and digitized many of our court’s records, as well as compiled a list of names and known details of enslaved and freed individuals found in the records. This comprehensive compilation encompasses nearly 400 names, encompassing documented African Americans, whether enslaved or emancipated, within Rockingham County until the late 1860s. Each name represents a unique individual, with some mentioned in singular documents, offering glimpses into isolated moments of their lives. Others feature more prominently across multiple historical records collections, allowing for the piecing together of more detailed life narratives. Regardless of the extent of information available for each person, it remains imperative to acknowledge their names and honor their lives.
Wills, probate inventories, and estate records hold invaluable information when delving into the lives of enslaved individuals, their families, and owners within historical contexts. Despite being considered property, rather than people under the law, enslaved individuals are frequently mentioned in wills, offering glimpses into their experiences and relationships. Wills often list enslaved people as part of the property being bequeathed, providing details such as names, ages, and sometimes familial connections. These records serve as tangible evidence of the individuals
owned by a particular person and shed light on the dynamics of enslaved families, including parent-child relationships and sibling ties.
One example found in our records was the will of Jacob Lincoln, cousin of President Abraham Lincoln’s father, and owner of the Lincoln Homestead in Linville, Virginia. At the time of his death in 1822, Lincoln’s Will lists the names of the enslaved individuals that he bequeathed to his wife and family members. To his wife Dorcas, Jacob gave Jane and her two children, as well as Jerry, son of Kate. Jacob also deducted £200 from his daughter Abigail’s share of the will because he had previously given her two enslaved people, Sam and Emily. Once each family member was given their enslaved property, Jacob directed that the rest of his enslaved people be sold at auction. While these estate record types may only provide fragmentary glimpses into the lives of enslaved individuals, they nevertheless play a crucial role in reconstructing their histories and acknowledging their agency, resilience, and humanity within the context of slavery in Rockingham County.
The information found in the Criminal Court Records Collection, such as warrants, indictments, and verdicts, is crucial for research on African Americans as it provides insights into the lives and legal experiences. These records offer valuable details about legal proceedings involving enslaved individuals, including fines for permitting enslaved people to hire themselves out for work, theft, assault, murder, and aiding in self-emancipation.
During her assistantship Ring has processed compelling criminal court cases, such as Commonwealth v Daniel from 1815. In this case, Daniel stood accused of the murder of John Morgan. Detailed within the case file’s arrest warrants and court memorandums is the revelation that Daniel was enslaved to Margaret Jones, while John Morgan was owned by Jacob Sipe. The trial’s outcome remains shrouded in mystery, but it illuminates the tensions inherent in the relationships between enslaved individuals and their owners. Furthermore, poignant cases spotlighting the struggles of emancipated individuals who overstayed their welcome in Virginia after gaining their freedom include Commonwealth v Jonathan and Abraham Amos, dating back to 1817. Additionally, these records document the trials and repercussions faced by formerly enslaved individuals who remained in the Commonwealth of Virginia after emancipation, including the possibility of being re-enslaved and sold if found guilty. By listing the names of enslaved and freed individuals involved in these criminal cases, these records provide essential information for tracing family histories and understanding the complexities of life under slavery and in the post-emancipation period.
During this African American History Month, it’s crucial to acknowledge that the people mentioned are merely small examples of the individuals who have been overshadowed, forgotten, and left out of the historical narrative. As we commemorate this month, we continue to honor the lives of those who lived in Rockingham County, individuals who made immense contributions to the community. It is through gathering and preserving their names and stories that we ensure their legacies endure.
Megan Schoeman is deputy clerk of the Rockingham County Circuit Court. Sydney Ring is the JMU History Graduate Assistant.
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Assembly passes bill to create Task Force on missing and murdered African American girls and women
MADISON, Wisc. — The Assembly passed a bill to create a task force focused on missing and murdered African American girls and women in Wisconsin.
Nationwide, Black girls and women make up 15 percent of the female population, but 34 percent of those reported missing in 2020, according to The Gender Policy Report from the University of Minnesota.
Democratic State Representative Shelia Stubbs from Madison was emotional on the assembly floor as she made a case for lawmakers to support the measure.
Stubbs is behind the bill and says it has taken her two years to get it to this point.
“This bill is personal for me. It’s a passion for me,” State Rep. Stubbs explained. “For me, I don’t want to see a stat and not do something about it. I wanted to begin to address it.”
Additionally, The Gender Policy Report found that nationally cases involving Black girls and women stay open four times longer than other cases on average. The thousands of Black women and girls missing include abductees, sex trafficking victims, and people escaping abuse.
The bipartisan task force would examine factors that contribute to the disproportionate violence, develop recommendations to address issues, and compile a report for the legislature by the end of 2024.
Georgia Hill supports the bill and has lent her voice to help other families. Her daughter, Lasheky Hill, was last seen in the 1000 block of Martin Luther King Drive in Racine on March 26, 2023. Police reported unusual circumstances and concerns around the situation.
Nearly a year later, RPD says the case is still active but there are no updates.
“If I didn’t have God in my life, I don’t know where I’d be. It’s very devastating for a mother, a parent to go through this,” Hill said. “I don’t want other parents going through what I’m going through now.”
Standing alongside one of Lasheky’s grandkids, Hill is motivated to keep fighting for her family and others.
“I’m going to keep on fighting, speaking, and whatever else I may do to help find my child. I’m not giving up,” Hill stated.
The task force bill still needs to clear the Senate and the governor’s desk.
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Lincoln Arts announces 2024 upstArt grant recipients
Lincoln Arts has awarded annual upstArt Arts Access Grants to 11 local nonprofits.
Through the program, upstArt grants are awarded to arts organizations that provide programming to under-resourced populations, as well as non-arts focused human service organizations that seek to incorporate arts opportunities into their programming.
“We want to bring arts opportunities to those who can benefit most from that access,” said Troy Gagner, executive director of the Lincoln Arts Council. “The upstArt grants program prioritizes serving Lincoln’s under-resourced groups and reflects our commitment to providing therapeutic and culturally resonant experiences to under-resourced populations.”
UpstArt grants prioritize funding for projects that align with the goals of the upstArt program, which is to provide individuals facing barriers an opportunity to engage with the arts, fostering inclusivity and cultural enrichment, as well as offer the arts therapeutically to the populations that need it most. Partial funding for the grants program is made possible by the Ken Good Beautification Fund.
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A total of 11 grants ($25,000) were awarded to the following organizations for projects that seek to use the arts to better the lives of those in need:
2024 UPSTART GRANT RECIPIENTS
Asian Community & Cultural Center
Untold Migrant Stories is a digital storytelling program for refugee and immigrant youth in Lincoln that encourages students to document their experiences and share them with the public through community showcase events. Through this project, students learn photography and video editing skills to document a story that is important to them or someone in their community and share their completed projects with others.
Belmont Community Center
As part of its spring break programming, the Belmont Community Center will offer young students opportunities to express creativity and collaborate with peers and local artists. Participants will learn from one another and from teaching artists to create a handmade group art project to be presented to the community in a culminating art fair.
BlackIsBeautifulNE
To promote and celebrate Black representation in the Lincoln community, BlackIsBeautifulNE will host a Juneteenth art exhibit and celebration. With a vision to showcase diverse artistry, including fashion and musical arts, the event will bring together a mix of local Black artists and businesses to honor the Juneteenth holiday.
ECHO Collective
This nonprofit offers three ongoing creative circles and four eight-week art courses on quilting, bead weaving and textile weaving to refugee and immigrant women. Through this programming, participating women can spend time bonding with one another, building a sense of community and creating.
Lincoln Community Playhouse
The Playhouse Senior RadioActive Players group provides seniors ages 55+ with opportunities to explore interests in the theatrical arts, build connections and find community. Through the program, participants perform a stage production for audiences as a radio show.
Lincoln Music Teachers Association
The LMTA Music Outreach Program provides low-cost music lessons, instruments and their upkeep, sheet music, and community performance opportunities for up to 50 area limited-resource children. K-12 students must meet Federal Free/Reduced Lunch guidelines.
Midwest African Museum of Art
This museum will showcase the beauty of African culture in schools, libraries and other community venues throughout Lincoln by teaching traditional African drums, dance, music and storytelling, with a vision of bringing diverse groups together and encouraging respect for the values incorporated within the African tradition.
NeighborWorks
NeighborWorks seeks to promote collaboration and connections among the Malone neighborhood with its Malone mural project. Residents of all backgrounds and abilities will be invited to help create a mural of a known and valued landmark in the Malone area – the Cottonwood tree in Trago Park. Under the guidance of local artist Albert Maxey, participants will use their handprints to form the leaves of the tree, representing the collective strength of the neighborhood’s residents.
OmniArts Nebraska
With a vision of accessible theatrical experiences for all, OmniArts brings to light a prominent social issue to the community with its latest production, “Utilities Included.” To be performed at venues including The Mill and BLIXT Arts Lab, the free show encourages accessibility and inclusivity among audiences while also promoting support for local businesses.
Proyecto Cultural
Through the Sangre Azteca Folkloric Dance Program, Proyecto Cultural provides a safe space through self-expression and teaches program participants the beauty of Hispanic culture and traditions. Through the project, Proyecto Cultural teaches traditional, Hispanic and Indigenous dances while exploring traditional Mexican music. The program culminates with performances throughout Lincoln-based schools, community centers, events and nearby cities.
Wellbeing Initiative Inc.
Wellbeing Initiative’s Creative Connections offers participants a safe environment to connect with others and to express creativity in a variety of ways. As part of the program’s expansion, individuals create art pieces throughout their yearlong journey to recovery. At the end of the year, participants will have the opportunity to reflect on their growth and healing by reviewing their various works.
For more information about the Lincoln Arts Council or the upstArt grants program, visit www.artscene.org/upstart-arts-access-grant-program, or contact Quinn Hullett, engagement manager, at 402-314-5384 or quinn@artscene.org.
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RankTribe™ Black Business Directory News – Arts & Entertainment
West Point Celebrates Black History Month with Stories of Resilience and Artistic Tribute
The brisk February air at West Point might have suggested a typical winter’s day, but inside the West Point Club, the atmosphere was anything but ordinary. Gathered within were cadets, faculty, and distinguished guests, all there to mark Black History Month in an event that promised to weave together the rich tapestry of African American culture with the storied history of the U.S. Military Academy. The theme for the celebration, ‘African Americans and the Arts’, set the stage for an afternoon that would prove to be both enlightening and inspiring.
Voices of the Past, Present, and Future
The Cadet Gospel Choir’s harmonious melodies filled the room, their voices rising in a jubilant crescendo that seemed to carry the weight of history and the hope of tomorrow. They were followed by performances from Capt. Aniya Knotts and the Cadet Jazz Club, each act contributing its own unique brushstroke to the evening’s canvas of African American artistic expression. Amidst the music and the camaraderie, an African American history exhibit served as a poignant reminder of the struggles and triumphs that have shaped the nation.
A Story of Struggle and Triumph
The highlight of the evening came when Archie Elam, a distinguished 1976 graduate of the U.S. Military Academy, took the stage. His story, like his presence, commanded attention—a narrative steeped in the injustices of the Jim Crow South, the resilience of his family, and the transformative power of education and determination. Elam spoke of his mother’s activism, his father’s military service, and his own journey from facing educational inequities to excelling at West Point. His words were a testament to the strength of character and the importance of confronting racial challenges head-on.
Elam’s leadership roles during Operations Desert Shield and Desert Storm added layers to his narrative, illustrating not only the personal struggles against racial inequities but also the broader context of African Americans’ contributions to the nation’s military history. The audience listened, rapt, as Elam connected his family’s story to the larger American narrative, emphasizing the ongoing struggle for equality and the critical role of education in overcoming adversity.
The Power of Resilience and Opportunity
As the event drew to a close, the impact of Elam’s words lingered in the air. His journey—from the challenges of his youth to his achievements at West Point and beyond—served as a powerful illustration of the themes of Black History Month: resilience, opportunity, and the enduring strength of the human spirit. The celebration at West Point was not just a nod to the past; it was a call to action, a reminder that the fight for equality and justice continues, and that each generation has a role to play in shaping a more inclusive and equitable society.
The evening at the West Point Club proved to be more than a celebration; it was a vivid reminder of the contributions of African Americans to the arts, to the military, and to the nation. Through the stories of those like Archie Elam, the event highlighted the importance of acknowledging these contributions, confronting the challenges that remain, and continuing to strive for a future where equality and opportunity are realities for all.
RankTribe™ Black Business Directory News – Arts & Entertainment
The Race Gap That Shapes American Views of War
… Global Affairs polling indicates that African Americans are around ten percent less … manifestations of racism and imperialism in U.S. foreign policy. Black Americans’ casualty … illuminated “the outsize role that African Americans play in serving the United … RankTribe™ Black Business Directory News
Makuu’s Robeson Cooper Scholars Program nurtures community for Black Penn students
Members and alumni of the RobesonCooper Scholars Program spoke with The Daily Pennsylvanian about how the program has impacted their time at Penn and beyond.
The Robeson scholars program aims “to identify and nurture students interested in interdisciplinary social justice excellence in and out of the classroom.” The program runs out of Makuu, Penn’s Black Cultural Center, and selects 15 students interested in social justice to form annual cohorts. Scholars are selected based off their civic engagement and community involvement within Penn and Philadelphia.
The Robeson scholars program was founded in 2007. It is led by Makuu Director Brian Peterson and Makuu Associate Director Michelle Houston, who did not respond to a request for comment.
2019 College graduate Adamseged Abebe described the program as “great exposure to the ideals and the concepts of what it means to be an African-American in the U.S.”
Abebe, who is from Ethiopia, said that the Robeson Cooper Scholars Program created a space for him and other international students to engage in discourse surrounding race in the U.S.
“For internationals, there may be a sense of misunderstanding or perhaps lack of care about the issues in the U.S. because there are so many back home that you care about. It can be a missed opportunity to engage, especially as a Black person, in critical issues like race,” he said.
Abebe earned a Bachelor of Science and a Master of Science from Penn. He became the first Ethiopian to be awarded an inaugural Global Rhodes Scholarship for graduate study at the University of Oxford in 2018. After completing his doctorate in philosophy, he began his work at the World Bank in Washington.
College senior Jayla Rhodes was invited to join the collective of scholars during the pandemic, before her first year at Penn. For her, the Robeson scholars program was an early gateway into Penn’s Black community.
“[Robeson scholars] has been a stable environment to keep me grounded in my understanding of the community, not only from the directors but also from the mentorship of other Black students who went through it,” she told the DP.
Rhodes is currently pursuing a degree in architecture — with plans to attend graduate school after her gap year — and hopes to become involved in urban planning and development. She shared her visions for improved connection between scholars.
She hopes the program “can give people the opportunity to become informed about the resources available and start using them earlier than I did.” Rhodes also praised the program’s access to resources but said that participants “are not as interconnected.”
College junior Ebunoluwa Akadiri credited the Robeson Program for helping to curate more spaces for Black artists at Penn. In addition to being a scholar, Akadiri is also president of The Inspiration — an acapella group that celebrates the legacy of the Black diaspora — and is a co-founder of QBlack, a student organization that creates a safe space for Black, queer students.
“I hope that as people continue to join the program they continue to use that space to grow more spaces for Black voices, because I truly believe there is not enough of that,” Akadiri told the DP.
Akadiri said she has acquired a number of skills through the program, improving her public speaking, experiencing intellectual growth, and gaining knowledge of contemporary issues. She also credited the program for her overall growth as a community member.
“The program truly enables you to put your best foot forward and step into spaces you otherwise would not have,” she said. “More than being an academic and scholarly program, it is also a program that takes the time to care about us not only as students but as people.”
Akadiri plans to enter the healthcare consulting sector after graduating and hopes to pursue a Master of Public Health and a J.D. to help disenfranchised people of color.
Scholars LAO highlighted the informal connections and space of belonging as an essential characteristic of the program.
“For anybody else who envisions themselves either needing it or wanting it, they would certainly find a home in Robeson Cooper,” Rhodes said.
Abebe emphasized his hope that the program will become better funded in the future.
“There are several organizations that are better funded [than the Scholars program],” Abebe said. “That tells you about the inequality in what is available in fellowships, so there is an opportunity to make the program stronger.”
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RankTribe™ Black Business Directory News – Arts & Entertainment
Celebrate Black History Month at Roberta’s Art Gallery
Editor’s note: The following press release was received from Roberta’s Art Gallery.
EXHIBIT BASED ON BLACK EXCELLENCE, CULTURE, AND NOSTALGIA TO BE DISPLAYED AT ROBERTA’S ART GALLERY
Celebrate Black History Month at Roberta’s Art Gallery with “Embodiment of Ebony: A Fusion of Art & Expression,” by UW-Whitewater’s Leaders Igniting Transformation (LIT) student organization. This exhibit, expressing Black nostalgia and important art influences in music, hair, art, and literature, opens Feb. 15 and will be on display until March 20.
LIT is a Black and Brown-led independent nonprofit organization that aims to strengthen young minds by developing independent leadership skills to address social, racial, and economic justice. LIT engages in values-based issues, leadership development, public policy advocacy, electoral organizing, and direct action. Their exhibit, “Embodiment of Ebony: A Fusion of Art & Expression,” is a comprehensive exploration of a curated selection of influential Black artists, musicians, poets, and writers whose profound contributions have significantly shaped Black and mainstream culture. “We hope that each visitor can fully immerse themselves in this enriching and thought-provoking experience and marvel at the diverse facets of Black culture presented before them,” says LIT President Honey Cawthorn. “We want viewers to understand the strength of the African American community.” Beyond art, “Embodiment of Ebony: A Fusion of Art & Expression” will also feature a special presentation on Black hair experiences, incorporating a dedicated Black hair salon.
The reception will take place on Tuesday, Feb. 27, from 6 to 8 p.m. where UW-Whitewater alumnus DeLon Blanks and current UW-Whitewater student and Barber Lee Barnes Jr. will join the audience in a panel discussion and Q&A surrounding Black culture and experience. The open house will begin at 7 p.m. and will include samples of Black inspired soul food.
Roberta’s Art Gallery is located on the first floor of the James R. Connor University Center at 190 Hamilton Green Way, Whitewater, Wis. The gallery collaborates with campus departments, student organizations, and community artists in coordinating and sponsoring exhibits. Roberta’s Art Gallery is open 10 a.m. to 4:30 p.m. Monday to Thursday and 10 a.m. to 2 p.m. on Friday. Roberta’s Art Gallery is closed on Saturday and Sunday.
At Roberta’s Art Gallery, we pride ourselves in providing free and open exhibits to the public, and attending certain events can earn students class credit. If you are interested in being featured in the gallery, please contact us for a proposal request. Reach us at ucart@uww.edu or 262-472-3193. Visit our website for any questions or inquiries, and follow our Instagram @uww_rag.
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RankTribe™ Black Business Directory News – Arts & Entertainment