CMA Fest Breaks Records In Its 50th Year

New York, NY (Top40 Charts) CMA Fest, the largest and longest-running Country Music festival in the world, marked its milestone 50th anniversary in Nashville this past weekend, Thursday, June 8 through Sunday, June 11. With four straight days celebrating record-breaking milestones, the golden anniversary of the legendary festival delivered everything Country Music fans could want and more!

“What a weekend! As we’ve spent the past year reflecting on this milestone celebration, one theme has persisted—the incredible connection between Country Music fans and the artists,” says Sarah Trahern, CMA Chief Executive Officer.

“It’s magical because it still matters after all these years. From first timers to legends, so many artists started as fans—some as far back as Fan Fair. Almost every artist who performs during the festival has had their own experience as a fan, so for many of them, taking the stage at CMA Fest is a full circle moment. We only get the chance to celebrate our 50th anniversary once, and to do so in such an impactful way has meant the world to us. Thank you, Country Music!”

From sunup to sundown, there was no denying the energy of more than 90,000 estimated daily attendees, a 12% growth over 2022. The stadium alone saw a 10% increase in attendance year over year. Fans from all 50 states and a record-breaking 51 countries filled Music City in anticipation of seeing more than 300 acts taking part in CMA Fest.

Officially kicking off on Thursday morning with the Grammy award-winning Tennessee State University Aristocrat of Bands, followed by reigning CMA New Artist of the Year Lainey Wilson taking the Chevy Riverfront Stage, CMA Fest brought an eclectic mix of music to downtown Nashville throughout the entire weekend.

In addition to the Chevy Riverfront Stage, free outdoor daytime activity included performances at the Dr Pepper Amp Stage, Chevy Vibes Stage, Maui Jim Reverb Stage and, making its return this year, the Hard Rock Stage. Fans also experienced one-of-a-kind programming at Fan Fair X inside Music City Center, along with several brand activations and partners that took over Lower Broadway.

Fans packed the house at Nissan Stadium each night and, in true CMA Fest tradition, there was no shortage of surprise collaborations. Luke Combs welcomed Vince Gill for a powerful performance of “One More Last Chance,” while Carly Pearce brought Jo Dee Messina to the stage for an exciting rendition of “I’m Alright.”

Elle King and Tanya Tucker joined Lainey Wilson for an electric performance of “Texas (When I Die).” The roar of the crowd was deafening as Cody Johnson surprised fans, welcoming Reba McEntire to the stage during “Whoever’s In New England.”

The collaborations continued during Miranda Lambert’s set as she performed “If You Were Mine,” alongside Leon Bridges, lit up the stage with Elle King for “Drunk (And I Don’t Wanna Go Home),” and brought out Avril Lavigne for an energizing medley of Lambert’s “Kerosene” and Lavigne’s “Sk8er Boi.” HARDY welcomed Wilson for a stirring performance of “wait in the truck,” while Lauren Alaina and Devin Dawson joined the singer for an energizing performance of “One Beer.”

Additional Nissan Stadium highlights throughout the weekend included Jordan Davis who brought fans to their feet during “What My World Spins Around” and “Buy Dirt.” Darius Rucker surprised the audience with two acoustic performances of “Fires Don’t Start Themselves” and “Wagon Wheel.” Fans danced to Tyler Hubbard’s “5 Foot 9” and “Dancing in the Country” as well as Dan + Shay’s “Tequila.”

The audience erupted as Jelly Roll surprised fans with performances of “Need A Favor” and “Son of a Sinner.” Keith Urban brought the house down with “Long Hot Summer” and “Somebody Like You.” Jason Aldean performed fan-favorites “Dirt Road Anthem” and “She’s Country,” capping his set with “Hicktown.”

Little Big Town had fans swaying in their seats to “Boondocks” and “Pontoon,” while Old Dominion brought the house down with electrifying performances of “Memory Lane” and “Snapback.” Jon Pardi also hit the stage, performing “Last Night Lonely” and “Your Heart or Mine.” Closing the night on Saturday, Eric Church performed “Bad Mother Trucker” and “Drink In My Hand.”

On Sunday, Alabama surprised audiences with “Mountain Music” and a medley of “Dixieland Delight” and “Will the Circle Be Unbroken,” in addition to being presented the CMA Pinnacle Award by “CMA Fest” co-hosts Dierks Bentley and Elle King. Ashley McBryde hit the stage to perform “Brenda Put Your Bra On” as well as “One Night Standards,” while Bentley’s performance got fans on their feet for “Drunk On A Plane” and “5-1-5-0.” Tim McGraw performed fan-favorites “Something Like That” and “Real Good Man” while Luke Bryan closed out the 50th celebration of CMA Fest with entertaining performances of “Country Girl (Shake It For Me)” and “Rain Is A Good Thing.”

Additional performers at Nissan Stadium included opening acts Messina, Tucker, Tracy Lawrence and Josh Turner, as well as performances from the Platform Stage in the center of the stadium, featuring Ashley Cooke, Dalton Dover, Megan Moroney, Ian Munsick, RVSHVD, Nate Smith, Alana Springsteen, and Hailey Whitters. King Calaway also welcomed the Nissan Stadium crowd Thursday night performing the National Anthem.

The Nighttime Concert at Ascend Amphitheater also returned for a fifth year, with a packed crowd on Friday night. The party kicked off with headliner The Cadillac Three bringing the energy with special guest Little Big Town. Additional acts taking the stage included Boy Named Banjo, Randy Rogers Band, Elvie Shane and Tenille Townes.

Throughout the four-day event, fans enjoyed more than 200,000 square feet of air-conditioned fun at Fan Fair X inside Music City Center where artists participated in meet-and-greets and programming on two indoor stages, including the CMA Close Up Stage, which hosted the popular Artist of the Day sessions featuring Bentley on Thursday, McEntire on Friday, Brothers Osborne on Saturday and Wynonna Judd on Sunday. Other standout programming included two separate segments of a live taping of the Country Heat Weekly podcast on Amazon Music with Jelly Roll and Tucker.

ERNEST hosted a writer’s round, “Erns Cadillac Music” with songwriters Cody Lohden, Chandler Walters and Rhys Rutherford while the “Color Me Country” writer’s round featured Rissi Palmer with special guests Willie Jones, Charly Lowry, Dzaki Sukarno and Julie Williams.

“The Red Carpet and Beyond,” hosted by Daniel Musto and Lani Lupton featured Little Big Town’s Karen Fairchild and Kimberly Schlapman where they discussed their fashion influences. “OPRY NEXTSTAGE: Country’s Rising Sound” featured Chapel Hart, Cooke and Conner Smith.

Fan Fair X hosted daily performances on the Spotlight Stage from nearly 50 artists performing to full audiences. Country Music trio Chapel Hart, along with Blanco Brown, Adam Doleac, Tiera Kennedy, Kimberly Perry, Mason Ramsey, Randy Travis, Sam Williams, Bailey Zimmerman and dozens of other artists participated in the much-anticipated meet-and-greets with excited fans.

CMA hosted “Country Proud” Friday morning on the Hard Rock Stage with performances by Angie K, Brooke Eden, Chris Housman, Adam Mac and Shelly Fairchild. And on Sunday, CMA welcomed the Black Excellence Brunch, held at the National Museum of African American Music and featuring notable Black artists and industry leaders while honoring BMI Executive Director, Creative, Shannon Sanders.

CMA’s international presence remained strong as ever at CMA Fest this year, with 23 performances by artists from multiple countries including Australia, Canada, New Zealand and South Africa. The festival featured international hosts Justin Thomson, (Kix Country Radio/iHeart Australia) on the Maui Jim Reverb Stage and Shannon Ella (Pure Country Canada/iHeart Canada) on the CMA Close Up Stage.

CMA also welcomed industry to Nashville during its annual international reception, which included attendees from the organization’s international task forces as well as international promoters, media outlets and artists representing nine different territories (US, CAN, UK, AU, RE, NZ, SWE, GER, FR).

Unlike other festivals, CMA Fest acts donate their time to perform so ticket proceeds can directly benefit high-quality music education initiatives across the country through the CMA Foundation. This year, CMA will donate $2.5 million to the CMA Foundation.

Throughout the weekend, the CMA Foundation was incorporated into CMA Fest programming. To kick off the festivities on Thursday morning, ninth grade student Ariah McEwen joined the Tennessee State University’s Aristocrat of Bands marching band to perform the National Anthem on the Chevy Riverfront Stage.

On Friday, the CMA Foundation presented the Voices of Tomorrow on the CMA Close Up Stage at Fan Fair X inside Music City Center with Nashville-area Notes for Notes students—Andrew Garrett, Mikquala Skelton and Landon Wall—performing alongside Neon Union. Sunday was full of heartfelt moments as theater students from Page High School in Williamson County took on the CMA Close Up Stage to perform songs from the hit Dolly Parton musical “9 to 5.”

The segment was hosted by CMA Music Teacher of Excellence, Dajuana Hammonds and featured a celebrity Q&A with Chrissy Metz between songs. And for a heartwarming finale performance, students from Metro Nashville Public Schools joined McGraw on the Main Stage at Nissan Stadium to sing “Humble and Kind” to close out Sunday night. Four of CMA’s Music Teachers of Excellence recipients—Alicia Engram, Jacqueline Hanna, Ann Marie Morris and Danielle Taylor—joined in to conduct the student ensemble.

Other special events and activations across the CMA Fest footprint included CELSIUS-sponsored “Fitness at Fest,” a sold-out high-intensity workout with celebrity fitness trainer Erin Oprea and TRUMAV trainer Wirth Campbell with special guests Kaitlyn Bristowe, Cooke and Madeline Edwards. The event took place on both Friday and Saturday mornings at the Maui Jim Reverb Stage with all proceeds benefiting the CMA Foundation.

Young professional music industry leadership group, SOLID hosted a “Music Market Auction” inside Fan Fair X with a portion of the proceeds benefiting the CMA Foundation, while Friendly Arctic and Strung also donated a portion of their proceeds back to the CMA Foundation. CMA Fest also featured a celebrity dunk tank helmed by Country artists Restless Road on Broadway, with proceeds going back to the CMA Foundation. Select merch items benefiting the CMA Foundation are still available for purchase at CMAfest.com/shop-for-good.

Musically Fed, an organization that fights to end hunger by working with the music industry to distribute excess food from touring shows and events, donated food from various catering locations during CMA Fest, ultimately delivering the excess to Nashville Rescue Mission, Room In The Inn, Safe Haven Family Shelter, Operation Stand Down Tennessee, and Matthew 25.

Next year’s CMA Fest will take place in Nashville Thursday, June 6 through Sunday, June 9, 2024. Sign up for CMA Country Connection emails at CMAfest.com to be the first to know about ticket on-sale dates.

“CMA Fest,” the three-hour primetime television special hosted by Bentley, King and Wilson, airs Wednesday, July 19 at 8/7c on ABC.

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This week’s best celebrity beauty looks were bold in their own way

Be it a bright hair colour, a fresh new cut, or an eyeliner that is cinematic in its graphic nature, this week’s stand-out beauty celebrity moments were united in their bold elements.

While the focus was on attention-grabbing hair – from hot pink to cropped bobs – there was also plenty of experimental makeup to take inspiration from.

Whether it be at the glittering Tony Awards in New York, a fashion show in Stockholm or backstage while on tour, the stars embraced creativity above all else.

Keep scrolling for our favourites of the week.

Marcia Gay Harden

Marcia Gay Harden arrives at the 76th annual Tony Awards.

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Marcia Gay Harden arrives at the 76th annual Tony Awards.

Characterised by its lip length cut, strong outline and lived in texture, a French bob is the haircut du jour amongst those seeking easy wearing volume and life.

Despite this universal appeal, the cut has also become synonymous with a certain type of young, thin, aloof TikTok personality, which is why when I saw Marcia Gay Harden wearing the s..t out of this style at the Tony Awards yesterday, I yelped in delight. So good.

Lizzo

“Black girls + pink hair” wrote the superstar on Instagram earlier this week, sharing a video of herself with a group of fans with similarly vibrant and joyful looks.

Lizzo’s version was described by hair stylist Shelby Swain as an “effortless piecey look”, matched with a shimmering green and clear rhinestone 3D manicure by nail artist Eri Ishizu, and striking eye makeup by Alexx Mayo using Clinique Quick Liner in shade of Intense Ebony, Clinique High Impact Easy Liquid Liner and Clinique All About Shadow quad in ‘Pink Chocolate’.

Lily Collins

If Lily Collins’ heaving flower crown here is giving you Midsommar vibes, you wouldn’t be far off… It’s also kind of intentional: she’s in Stockholm for the launch of Max Mara’s Resort 23 collection which “celebrates the natural beauty of Stockholm and the radiance of the summer season.”

But the Scandi crown isn’t why I’ve included her. Instead, Collins earned a spot on my best of the week looks because her bronzed peachy cheeks are the inspiration I need to finally put down the go-to pink cream blush.

Lupita Nyong’o

The sheer fabulousness of Lupita’s silver breastplate at the Tony Awards almost overshadowed her choice to get her scalp decorated in this bold pattern by Henna artist Sabeen.

Nyong’o says she met the New York based artist 18-months-ago at a wedding in Pakistan and has been plotting their collaboration ever since.

“I was ASTOUNDED by the INTRICACY and BEAUTY of her work. There was something unique about the way she expressed herself in henna art. And I promised myself, ‘One day I will have a reason to work with Sabeen’,” she wrote on Instagram last month when the pair first worked together.

Hayley Williams

The Paramore lead singer’s beauty look is most associated with colourful hair (she foundered hair care brand Good Dye Young in 2016), but she’s also made graphic eye looks one of her signatures.

Sometimes they feature bright shocks of colour, and others, as here, the focus is on black artistic lines and exaggerated bottom lashes that almost sit in the realm of A Clockwork Orange.

RankTribe™ Black Business Directory News – Arts & Entertainment

Country music superstar accused of sexual assault in Strip hotel

Country musician Jimmie Allen is being sued for sexual assault by a second woman, who claims he secretly filmed the alleged incident at a Las Vegas hotel room.

The new lawsuit comes less than a month since the rising country star was accused of alleged sexual battery, assault, false imprisonment, sex trafficking and emotional distress by his former manager, who also claimed she was filmed against her will.

The lawsuit filed Friday in Tennessee federal court alleges that the “Best Shot” and “Warrior” singer sexually assaulted another woman at The Cosmopolitan of Las Vegas last summer and secretly recorded the encounter. She is seeking a judgment against Allen, along with an unspecified amount in monetary damages and legal fees.

The filing has apparently led Allen’s record label BBR Music to drop him as an “active artist” on its roster after it suspended him in the wake of the earlier allegations from his manager, according to Variety. The label said Friday that it has “dissolved its relationship” with Allen.

The second woman — identified as “Jane Doe 2” in the legal documents obtained Friday by the Los Angeles Times — alleges that in May 2022, she was approached at a Nashville airport by the musician’s bodyguard, Charles Hurd, who is also being sued, along with his employer, Aadyn’s Dad Touring.

Jane Doe 2 alleges that Hurd followed her into the airport and asked if she knew who Allen was, told her that he was a country musician and that Allen wanted her phone number, suggesting they hang out in Nashville later that evening. She said that after a fun evening, Allen allegedly told her he’d be leaving for a tour but would keep in touch.

In the following months, Jane Doe 2 alleges that she and Allen shared daily texts and FaceTime calls. Allen allegedly proclaimed his love for her and shared visions of their future together. According to the suit, he also repeatedly said he was separated from his wife and told Jane Doe 2 that she would be a good stepmother for his children.

The suit states that the alleged assault took place in July 2022. Jane Doe 2 claims that she was invited to meet Allen in Las Vegas and was assured she would have her own hotel room, per her request. The country musician also introduced her as his girlfriend, and his bodyguard showed her his two firearms and told her he was an air marshal, which made her feel safe, she alleges.

When the three of them went to hang out in Allen’s suite at the Cosmopolitan, she was told that her own room was being prepared and that Hurd’s room was next door, she says. Hurd then allegedly excused himself, leaving Jane Doe 2 alone with Allen.

According to the legal documents, Allen then instructed Jane Doe 2 to wait on the balcony, and he disappeared into the room where she assumed he was setting up some kind of romantic surprise. Per the suit, at no point did Allen disclose that he was planning to film their sexual encounter. While Jane Doe 2 states she did consent to sex, she alleges she repeatedly informed Allen that she was not on birth control and asked him to please pull out during intercourse, which she states he agreed to.

As the alleged sexual encounter transpired, she asked Allen again to pull out but says that he refused and told her he wanted to get her pregnant. Then he “passed out on the bed,” the lawsuit says.

Jane Doe 2 states that she was so distressed that Allen had refused her repeated requests that she got up to leave, desperate to find a separate hotel room and purchase a Plan B pill. The suit claims that as she walked past the closet to leave, an interior light switched on, catching her attention. That is when she discovered that Allen had set up his cellphone to record the alleged sexual encounter.

She stopped the recording and deleted the video, and when she couldn’t delete it from the “recently deleted” folder without Allen’s passcode, she tried to wake him, but he wouldn’t stir, so she took his phone with her and left, crying, shaking and in a panic, the lawsuit said.

“With nowhere to go,” she called her friends from her personal cellphone and sobbed that she wasn’t safe and needed to get away from Allen.

“Her friend Jill Doe called a different hotel, disclosed the assault, and the hotel arranged for a room,” according to the suit. Upon returning home, she took Allen’s phone to her local police department and reported the assault and the surreptitious recording.

The local police department told her they would report the incident to the Metropolitan Police Department.

Allen’s attorney did not immediately respond to The Times’ request for comment regarding the lawsuit filed Friday.

Last month, Allen denied any wrongdoing when The Times reached out for comment regarding the lawsuit filed by his former manager.

“It is deeply troubling and hurtful that someone I counted as one of my closest friends, colleagues and confidants would make allegations that have no truth to them whatsoever,” Allen told The Times in response to the first suit. “I acknowledge that we had a sexual relationship — one that lasted for nearly two years. During that time, she never once accused me of any wrongdoing, and she spoke of our relationship and friendship as being something she wanted to continue indefinitely.”

Allen said that his manager hired a lawyer to reach out for money after things ended between them, which led him to question her motives.

Elizabeth Fegan, the attorney representing Jane Doe 1 and Jane Doe 2, said “that is categorically not true” in a statement to The Times.

Fegan also said that a payout was never requested; however, on Friday, she confirmed that both Jane Doe 1 and Jane Doe 2 are seeking unspecified monetary damages in the lawsuits, which will be decided by the court.

Since the first case was filed last month, Fegan’s law firm has heard from others who share similar experiences with Allen, she said.

“Jane Doe 2’s filing demonstrates to me that there is a vivid, distinct pattern of behavior. We intend to show it’s a pattern of deceit, manipulation, and ultimately of force,” Fegan said Friday in an email. “The law is clear — anyone who has given consent in sexual activity has the right and the ability to revoke consent at any time. Just as no means no, stop means stop. If one participant doesn’t stop, it is sexual assault.”

Allen, who auditioned for the 10th season of “American Idol” in 2011 but was cut before the live rounds, has been slowly climbing the country music ladder over the last decade. In 2021, he won the CMA Award for new artist of the year, becoming the second Black artist ever to land the honor.

In April, Allen and wife, Alexis Gale, announced via social media that they were calling it quits after three years of marriage, but they also revealed that Gale was pregnant with their third child. A week after the first lawsuit was filed, Allen released a statement on social media addressing what he called an “affair” and seemingly blaming the music industry for his behavior.

“I want to publicly apologize to my wife Alexis for humiliating her with my affair. I’m embarrassed that my choices have brought shame on her. That’s something that she did not deserve at all,” he said, adding that he wanted to apologize for being a poor example of a man to his children.

“The business takes so much from you. It’s full of temptations that can cripple you and ruin everything you’ve built. I’m ashamed that I wasn’t strong enough to withstand them. I will no longer be a victim of my weaknesses.”

Fallout came swiftly for the Grammy-nominated country musician. Aside from being dropped by his record label, he was terminated by his publicist, United Talent Agency severed ties with him, he was removed from Sunday’s CMA Fest lineup in Nashville and he was dropped as the commencement speaker at Delaware State University’s graduation ceremony.

RankTribe™ Black Business Directory News – Arts & Entertainment

Iowa City celebrates Juneteenth with a variety of performances throughout the area

Angel McCambry, left, and NaÕilah Bakare pose for a photo during the "Downtown at Sundown" event hosted by the Johnson County Iowa Juneteenth Commemoration, Friday, June 17, 2022, at Chauncey Swan Park in Iowa City, Iowa.
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People dance while listening to music during the "Downtown at Sundown" event hosted by the Johnson County Iowa Juneteenth Commemoration, Friday, June 17, 2022, at Chauncey Swan Park in Iowa City, Iowa.

Iowa City’s Juneteenth celebrations will feature performances by Black artists, educational opportunities, and a fashion show as part of a week-long series of free public events throughout the area.

Juneteenth recognizes the end of slavery in the United States. June 19 was recently established as a federal holiday after President Joe Biden signed a bill passed by Congress in 2021.

Juneteenth commemorates June 19, 1865, when Maj. Gen. Gordon Grander informed the Galveston, Texas, community of President Abraham Lincoln’s Emancipation Proclamation, freeing the last enslaved people in the United States more than two years after the proclamation.

Drag kings and queens from Studio 13 wave while riding in a truck during the 51st annual Iowa City Pride Festival, Saturday, June 18, 2022, in Iowa City, Iowa.

Iowa City’s main Juneteenth celebration begins Friday with a resource fair at 4 p.m. in Blackhawk Mini Park. Soul food will be provided by Johnson County Supervisor Royceann Porter, who opened her own restaurant in March, beginning at 5 p.m.

The community can then participate in Black performances in the city’s Pedestrian Mall, beginning with a fashion show by Iowa City’s Wright House of Fashion at 5:30 p.m. The evening’s musical performances feature local artist Isaac Jordan at 6:30 p.m. and the Chicago-based group Aniba and the Sol Starz at 8 p.m.

Jordan is excited to perform during Black Music Month in front of the local Black community, he told the Press-Citizen.

“First and foremost, I’m a Black, queer artist. So Black music has always been a part of my life from day one because it is part of who I am,” Jordan said. “I almost have a duty to be able to put on a proper celebratory show for Juneteenth because it is a celebration of some systemic freedom.”

The Cedar Rapids native grew up listening to Stevie Wonder, Prince, and Michael Jackson, all of whom he described as “boundary pushers.” Their music resonated with him from a young age and helped inspire and lead him to become the artist he is today.

Jordan, who performed at Iowa City’s pride celebration last year, said he welcomes a chance to deeply connect with the audience again.

“When you have specific elements of music in your set, when you perform, it might not connect with everybody in the audience because that’s not who they are,” Jordan said. “With a more black audience, with an audience of color, you will get that [connection] more often and it’s so much more rewarding to be the representation for your people and to see in real-time the impact that has.”

He believes it’s important to inspire Black and queer youth by demonstrating that they can achieve their goals and that there are individuals like them who have succeeded.

A Juneteenth Freedom Day balloon is seen in a display during the "Downtown at Sundown" event hosted by the Johnson County Iowa Juneteenth Commemoration, Friday, June 17, 2022, at Chauncey Swan Park in Iowa City, Iowa.

“I would give so much to be able to be a child, a Black child, a Black queer child, and to see who I am being represented in the purest way through music,” Jordan said.

While he’s looking forward to performing most, Jordan said he’s also grateful to take in the rest of the Juneteenth celebration in a place that cares about representation and education.

“I’m excited to experience the Juneteenth celebration in Iowa City for the first time not just as a performer but also as another human being,” he said.

Area celebrations and educational opportunities are available throughout the week

Iowa City Mayor Bruce Teague believes a week-long celebration allows individuals to better understand Juneteenth’s significance.

Jee Michales, left, and Bailey Baker prepare sticks of cotton candy during an event organized by the Iowa Freedom Riders on Juneteenth, Saturday, June 19, 2021, at S.T. Morrison Park in Coralville, Iowa.

“As a Black man, I think it’s important for us to recognize what Juneteenth actually means and why it is celebrated,” Teague said. “My ancestors were still enslaved and this is a day that really did speak to their freedom. What that really means on a level for our entire nation was that this was a significant event where everyone within our nation was deemed to be free.”

University of Iowa professor Leslie Schwalm will provide a one-hour educational session on Wednesday, June 14 focused on how the destruction of slavery shaped the lives of Black Americans in the United States. The session is on Zoom and begins at noon. 

On Thursday, the St. Thomas More Catholic Church in Coralville will hold a Juneteenth prayer service at 6 p.m.

The Englert Theatre will welcome a performance of Charlie and the Wolf on Sunday, June 18, a “witty and whimsical” children’s opera that showcases a fictional meeting between Black jazz saxophonist Charlie Parker and famed composer Wolfgang Amadeus Mozart. The opera “celebrates uniqueness and reminds us that everyone is playing with the same notes,” its website says.

A Juneteenth and Father’s Day family picnic will also be held in Iowa City’s Wetherby Park on Sunday as part of the festivities. The event will feature 3-on-3 basketball, a DJ, and more, according to the city’s page.

The city’s celebrations of Juneteenth conclude on June 20 with a virtual discussion of the book “How the Word is Passed: A Reckoning with the History of Slavery Across America.” The Iowa City Public Library will host the session over Zoom, which begins at 6 p.m.

Iowa City has been a major supporter of Juneteenth for several years.

Teague spearheaded the city council’s official declaration of Juneteenth as a city holiday in December of 2020, before Biden’s federal declaration.

“It really does say a lot about our community, about acknowledgment and inclusivity, to recognize this holiday,” Teague said. “And it also gives us time to come together and celebrate as a community.”

RankTribe™ Black Business Directory News – Arts & Entertainment

Wayne State University Celebrates Juneteenth

“Warriors in the Community” is a radio segment that features short, insightful interviews with key figures from Wayne State University about the many ways in which the university and its programs make a positive impact on the metro area and on the lives of Detroiters. In a recent interview, Marquita Chamblee, Ph.D., Associate Provost for Diversity and Inclusion and Chief Diversity Officer at Wayne State University shared insights about the approaching Juneteenth holiday celebrations sponsored by the university.

Juneteenth is also referred to as Freedom Day or Emancipation Day. It commemorates the day on June 19th, 1865, when Union soldiers arrived in Galveston, Texas, to announce the end of the Civil War and slavery in the United States. It took over two years for the news of the Emancipation Proclamation to reach enslaved people in Texas.

Celebrating Juneteenth is important because it reminds us of some of the darker elements of our history, but also the tragedy of slavery and the resilience and celebration that came as a result of the emancipation. Wayne State University acknowledges and celebrates Juneteenth as an opportunity to celebrate Black culture and achievements, and to recognize the continuing struggles for equity, justice, and freedom.

Wayne State University is sponsoring various Juneteenth events. Professor Ronald Williams of the University of North Carolina at Chapel Hill will deliver the keynote speech on Juneteenth Black Struggle, Black Freedom, and Black Restitution on June 13th. On June 14th, an arts showcase featuring Black art will take place, followed by a panel event by the Organization of Black Alumni on June 15th. These events will lead up to the closing ceremony on June 20th, where the flag will be lowered with a big picnic celebration in honor of the holiday.

The Wayne State University Office of Communications serves as the university’s primary liaison between the news media and its many programs, departments, and initiatives. The university understands the importance of delivering a rapid response to media inquiries and providing reporters with relevant experts and spokespeople. For more Wayne State News, please visit us online at today.wayne.edu/wwj and join us next Monday at the same time for more warriors in the community.

Credit: today.wayne.edu

ENND

RankTribe™ Black Business Directory News – Arts & Entertainment

Could Frank Ogawa Plaza make a great concert venue? This group thinks so  

Last month, Frank H. Ogawa Plaza was transformed into a concert venue when South African house music DJ and producer Black Coffee played in front of a crowd of 5,000 people. It wasn’t the first time that a musical performance was held at the plaza, but it’s something that business leaders in Oakland are hoping to do a lot more. 

Oakland Central, the events arm of the Uptown Downtown Oakland Community Benefit Districts, the association behind the Black Coffee show, has been curating special events at the downtown plaza off and on since 2018. Last summer, the Oakland Symphony performed a free show called Summer Stage at Oakland City Hall. Also last year, musician and educator Kev Choice hosted an event series centered on the theme “Love Life,” where then-Mayor Libby Schaaf gave keys to the city to prominent Oakland figures.

Oakland Central is continuing that momentum with the Pablo’s Alley summer concert series at Frank Ogawa Plaza, now in its second year. The monthly series, which kicked off in May, will continue through October and feature a diverse array of musicians and DJs, from ‘80s tribute band The San Leandroids to the Africa-inspired rhythms of drummer and vocalist Tosin Aribisala.

The downtown plaza hasn’t been known as a concert venue so much as a public meeting place for political rallies and protests. In 2011, the plaza was at the center of the local Occupy Movement denouncing wealth inequality and police misconduct. During those protests, activists renamed the space “Oscar Grant Plaza” in honor of the 22-year-old Black man who was killed by a BART police officer at Fruitvale Station in 2009.

Over the years, the space has also been known as “City Hall Plaza,” “City Hall Park,” and “Memorial Plaza.” In 1998 it was officially named to honor Frank Hirao Ogawa, a civil rights activist who was the first Japanese American to serve on Oakland’s City Council.

<img data-lazy-fallback="1" data-attachment-id="424660" data-permalink="https://oaklandside.org/summer-stage/" data-orig-file="https://oaklandside.org/wp-content/uploads/2023/06/SUMMER-STAGE-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Oakland Symphony at Frank H Ogawa" data-image-description data-image-caption="

Last summer, the Oakland Symphony performed a free show called “Summer Stage at Oakland City Hall.”

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Last summer, the Oakland Symphony performed a free show called “Summer Stage at Oakland City Hall.” Credit: Oakland Central

Steve Snider, executive director of the Uptown Downtown CBD, sees potential in using the plaza and other public spaces around downtown as outdoor entertainment venues with more consistent programming.

“Prior to the pandemic, we saw this type of arts and entertainment as an essential community and economic development tool,” Snider said. “As we emerge from the impacts of the pandemic, we are clear that the social economy is critical to Oakland’s recovery.”

Snider would like to see Frank H. Ogawa Plaza become Oakland’s version of Stern Grove in San Francisco. The Stern Grove Festival has been curating free summer concerts since 1932.

“Imagine if downtown Oakland had a 5,000-person concert every Saturday,” he said. “When you create that element of foot traffic, the economic impact is substantial. And it creates jobs and supports the ecosystem.”

Not far from Frank Ogawa, other new series have taken off

In 2016, Snider and his team launched Third Thursdays at Latham Square. The summer happy hour series, located at a smaller plaza on Broadway just a stone’s throw from Frank Ogawa Plaza, showcased local musicians and vendors. The idea was to give people who worked downtown and residents a way to kick off their social plans after work. This series lasted three years. There were 21 events, and over 70 different artists and DJs performed. 

In 2019, following the success of that series, the business association launched AMP Oakland (Arts, Music, Performance Oakland), a curated “busker program” that books local artists to perform in downtown Oakland’s public spaces. Oakland Central teamed up with Ivy Hill Entertainment, a talent-booking company founded by four musicians, to help fellow artists book gigs. 

Since emerging from the pandemic, the Oakland Central team has again been booking local artists to perform for the AMP series. The weekly lunchtime performances take place through Sept. 6.

<img data-lazy-fallback="1" data-attachment-id="424667" data-permalink="https://oaklandside.org/amp-opening-1358/" data-orig-file="https://oaklandside.org/wp-content/uploads/2023/06/AMP-OPENING-1358.jpg" data-orig-size="2525,1685" data-comments-opened="0" data-image-meta="{"aperture":"1.4","credit":"","camera":"NIKON D800","caption":"","created_timestamp":"1556758835","copyright":"","focal_length":"24","iso":"50","shutter_speed":"0.002","title":"","orientation":"0"}" data-image-title="AMP – OPENING -1358" data-image-description data-image-caption="

An AMP lunchtime set at the plaza located at 25th and Webster Streets.

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An AMP lunchtime set at the plaza located at 25th and Webster Streets. Credit: Oakland Central

Snider said the value of the series isn’t only that it brings entertainment downtown; it also provides income to local creatives. “In 2019, we paid 300 [artists] to perform in those public spaces from May to October,” said Snider of the AMP series. 

Last year, the AMP series hosted 13 lunch concerts, 13 happy hour concerts, and 140 artists were paid to perform. 

“We’ve always been interested in the First Fridays model or what you’re seeing around the lake and providing opportunities for micro-business incubation through vending,” added Snider. 

When his team pitched the idea of hosting more events at Frank Ogawa Plaza to then-Mayor Schaaf, she allocated funding to support the group’s smaller-scaled events like “Love Life” and Oakland Central’s partnership with the Oakland Symphony.

The business association’s efforts to liven up downtown haven’t been without controversy. The pre-pandemic 13th Street Commons project shuttered traffic on 13th Street between Broadway and Franklin, turning the stretch into a no-traffic zone with seating. The project was criticized as a “public space that benefits private property owners, mostly big corporations,” due to the involvement of the Downtown Uptown CBD. When the pandemic started, this stretch stayed closed to traffic, and businesses along the street added parklets that remain in place today. 

Oakland Central currently receives little city funding, said Snider, with its events supported mainly by sponsorships and partnerships. Last year, he said Oakland Central’s larger sponsored events, such as Art & Soul and the Black Joy Parade, brought in over $95,000 in sponsorships. The sponsorship dollars are more important than ever: a $500,000 fund that was previously earmarked by the city for activities at Frank Ogawa Plaza is among Mayor Sheng Thao’s proposed budget cuts

In the summer of 2021, the association unveiled Story Windows, an art exhibit on Broadway featuring the work of more than 20 local Black artists. The multimedia exhibit, which included photos, videos, and textiles, adorned bustling businesses and empty storefronts. 

“The exhibit was an example of, let’s have art on the window or an installation inside of a store,” he said, “And the next step is, let’s utilize the store and actually have commerce happening and support a small business.”

<img data-lazy-fallback="1" data-attachment-id="424663" data-permalink="https://oaklandside.org/ph7a6908/" data-orig-file="https://oaklandside.org/wp-content/uploads/2023/06/PH7A6908-scaled.jpg" data-orig-size="2560,1707" data-comments-opened="0" data-image-meta="{"aperture":"4","credit":"","camera":"Canon EOS 5D Mark III","caption":"","created_timestamp":"1652980746","copyright":"","focal_length":"24","iso":"125","shutter_speed":"0.033333333333333","title":"","orientation":"0"}" data-image-title="Pablo’s Alley" data-image-description data-image-caption="

One of last year’s Pablo’s Alley show.

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Credit: Oakland Central

In 2022, the team launched the Pablo’s Alley series with live music on Tuesdays and Thursdays at the plaza. The goal, Snider said, was to help the businesses around the area draw in more visitors. This year, Pablo’s Alley is taking place on the third Wednesday of every month from 4 p.m. to 8 p.m.

In addition to producing its own events, Oakland Central sponsors and partners with other cultural events happening in Oakland throughout the year, such as Oaklash, Bandaloop, the aforementioned Black Joy Parade, and Art & Soul Oakland festival.

<img data-lazy-fallback="1" data-attachment-id="424661" data-permalink="https://oaklandside.org/rbdys-oak-562022-32/" data-orig-file="http://www.akh99.com/wp-content/uploads/2023/06/could-frank-ogawa-plaza-make-a-great-concert-venue-this-group-thinks-so-3.jpg" data-orig-size="1000,667" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"1651886415","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Redbull Competition at Frank Ogawa" data-image-description data-image-caption="

The Redbull dance competition at Frank Ogawa Plaza is another sponsored larger event.

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The Redbull dance competition at Frank Ogawa Plaza is another sponsored larger event. Credit: Oakland Central

“In a dream world, we can continue to grow our cultural impact and economic development through marketing and events,” Snider said. “It’s what Oakland Central set up to do.”

On the day that DJ Black Coffee played at Frank Ogawa Plaza, the nearby Paramount and the Fox theaters also had sold-out shows. Snider estimates that over 11,000 people roamed around downtown Oakland that night. 

“The economic engine for the city is downtown Oakland,” he said. “And [Frank Ogawa Plaza] is the attractor and the place where you can house it.”

RankTribe™ Black Business Directory News – Arts & Entertainment

The incomparable Hazel Miller, in her own words

Since she was in third grade, Hazel Miller — and more than likely, those around her — knew that she would be a singer. The legendary Colorado vocalist was inducted into the state’s Music Hall of Fame on June 10, capping an exceptional career that has taken Miller around the world and earned her a place in the hearts of thousands.

Miller, the fifth of seven children, was born in Louisville, Kentucky. Her mother and father were guarded-yet-exceptional singers in their own rights.

When Miller was in third grade, a priest at her school named Samuel Viani asked her to join the eighth graders for a Christmas song — a prospect that, to Miller’s knowledge, had never been done. Even at an early age, Miller’s talent was undeniable.

“After that, I knew,” Miller said. “When you’re the fifth of seven children, you’re Joanne’s sister, you’re Carol’s sister, you’re Eddie’s sister — all of a sudden, everyone knew my name. I told my mother I was going to be a singer. She said ‘OK, as long as you go to school.’”

That she did. Things were lean in the Miller household, but the tight-knit bond of the family largely made up for that. Miller said that her mom raised seven children on $150 a week salary.

Miller said she wasn’t particularly aware of social class before she transitioned from a parochial Catholic school to a public school. There, she faced bullying but was undeterred.

“I didn’t know I was broke until I got to public school, and these girls… they let me know in no uncertain terms that I’m from the project,” she said.

Early career

After high school, at age 21, Miller enrolled at the University of Louisville and sang in bars on weekends. Newly divorced and with a newborn baby boy in tow, she biked with her son to school, singing all the while.

“I used to wrap a towel around the crossbar — it was a boy’s bike — and we’d ride to school, the college was about four miles up the road,” Miller said. “And we’d sing all the way there and sing all the way home. My son, to this day, says, ‘I didn’t know we were broke. We were having so much fun!’”

Shortly thereafter, following the birth of her second son, Miller changed her focus to music, with the support of her family.

“I went to work at the best nightclub in Louisville, Joe’s Bomb Room,” Miller said. “I started making real money — $400 a week — and I worked from Thursday to Sunday. And my mother treated me like I was Aretha Franklin. She said, ‘Go do this, we’ll watch the kids.’ I have never known a time where my family didn’t support me.”

Miller built a strong following in Kentucky but was beginning to outgrow her hometown.

In 1982, she recorded the Louisville anthem “Louisville, Look What We Can Do,” which brought her further local acclaim. Earlier this year, she was invited back to her hometown in January to perform the song at Louisville Mayor Craig Greenberg’s inauguration. Still, Miller’s sights began to drift elsewhere.

Dana Marsh, Miller’s longtime keyboardist, moved to Colorado in 1982 and stayed in touch will Miller, with the latter flying Marsh back to Louisville for shows periodically.

“I kept telling her about Colorado,” Marsh said. “I said, ‘There’s no one out here like you. I think you would really like Colorado, and they would love you.’”

In 1984, Miller packed up a UHaul with her belongings, her two sons, a friend’s son she was taking care of and a friend who was running from her husband. At this point, Miller’s oldest was 12 years old and her youngest was 6.  

“I made the four of them a promise; ‘No one will ever live in our house,’” Miller said. “No one will ever come between us.’ And that was that. And I’ve been happily single for 43 years.”

From Kentucky to Colorado

Miller’s sights were set on the bright lights of Los Angeles, but her van had other plans.

Just inside Colorado’s borders, her UHaul broke down. Miller took the speedbump as a sign and has lived in the Centennial State ever since.

“To be honest with you, if I’d gotten to L.A., I’d probably have had to go home,” Miller said. “But God put me in Colorado. And I have had nothing but success.”

Without many local connections besides Marsh, Miller struggled to gain a foothold in the Denver scene at first. Then, she began sitting in at the fabled El Chapultepec every Saturday night, and her fortunes began to change.

“People like (fellow Colorado Music Hall of Famer Chris Daniels) took me under his wing,” Miller said. “There were other guys who worked at the Pec, they would tell me about who was looking for a singer. It was a lot of sitting in for no money, it was a lot of hanging out, trying to let people know who I was.”

Luckily for Miller, her generational voice left a lasting impression. El Chapultepec’s owner hired Miller to sing with the house band every Sunday night, for $40. After a few years of dues-paying, Miller had formed her own band in 1988, and, in her words, “was rollin’ and never looked back.”

‘Beloved by the people of Colorado’

One of Miller’s first bands, called Rich Relations, earned a reputation in the local scene and was hired to do a Department of Defense tour in the Far East. Miller’s backing band at the time was entirely white, leading to their — perhaps infamous — name change.

“We walked out on stage one night in Korea, this little bitty base in South Korea,” Miller said. “And I said, ‘Hi we are Hazel Miller —’ and these Black soldiers yelled, ‘And the Caucasians!’”

As Miller tells it, the base broke out in raucous laughter, prompting her to change the name of her band, in earnest, to Hazel Miller and the Caucasians. Perhaps in accordance with changing social norms, or perhaps simply because her point had been proven, Miller changed her band’s name to Hazel Miller and The Collective in the 2000s.

While Miller was, as she puts it, “rollin’,’” she had yet to gain a larger audience outside of Colorado by the 1990s. That would change after a fortuitous meeting with one of Colorado’s top bands of the era; Big Head Todd and The Monsters.

“We had first seen Hazel at JJ McCabe’s when we were students at Boulder in the ’80s,” Todd Park Mohr, Big Head Todd’s frontman, said. “We thought she was a soul diva and she knew about music we did not.  We invited her to sing on a track called ‘Wearing Only Flowers’ in 1995, but soon after she joined us a lot. “

Mohr might have been enticed by Miller’s music, but The Monster’s management wasn’t sold.

“Their manager, Chuck Morris, said, ‘You can’t have her there, your fans won’t understand,’” Miller said. “’Her voice is too ethnic.’”

Nevertheless, the rock outfit continued their pursuit of the vocalist, sending a cab to her home with a demo CD of “Wearing Only Flowers.” Two days later, she was in the recording studio laying down vocal tracks.

“Wearing Only Flowers” was released on The Monster’s 1994 album “Stratagem,” and Miller accompanied the band on stage at their album release show. Soon after, Miller and Big Head Todd hit the road together.

“In 1996, my son graduated from high school at Mullen, and I went out on tour (with Big Head Todd and the Monsters) for a month,” Miller said. “They said, ‘Just come and see if you like it.’ I went back home, got (my son) into college, and went back out with them the next fall.”

At first, Miller just sang backups on the one song but felt like her salary outweighed her contributions to the band. Little by little, Mohr began to incorporate Miller into more songs.

“Todd started saying ‘Can you do this part? Can you sing on this?’” Miller said. “And they did a second CD with me on it and I was singing on two songs. Little by little, I wormed my way in. It was like being on the bus with three of your little brothers. They treated me like I was Aretha Franklin.”

When she was on the road, Miller would go shopping at TJ Maxx or Ross and send clothes home to her family in Kentucky. During a stop in her home state, the Miller family came to a show and provided the band with four fried chickens, mac and cheese, cornbread, greens and desert.

“These guys (Big Head Todd and the Monsters) thought they died and went to heaven,” Miller said. “Todd goes, ‘Are y’all taking this food with you when you go?’ (Miller’s sister) Carol goes, ‘No, it’s for the bus.’ They love my family. My family shows up, they cook.”

The first time Miller and The Monsters played Red Rocks; Carol came to see her sister play. The Miller family was aware of Hazel’s success in Colorado but couldn’t quite conceptualize the heights to which she had risen.

“The first time I played Red Rocks with Todd, Carol, my sister came out,” Miller said. “She had no idea how many people were there. We came through the back. We walk up, and I say, ‘Turn around.’ She saw all those people out there, she said ‘Oh my god!’ (When I started singing) I looked over and Carol was crying. She’s like, ‘I’ve never seen anything like that in my life.’”

Mohr said his favorite performances with Miller have been their stops at Red Rocks over the years.

“My favorite memories of Hazel personally are her performances with us at Red Rocks,” Mohr raid. “I say that plural because it usually goes down the same way.  There is usually some over-the-top garments involved.  She just goes for it in every way and people lose their minds hearing and watching her energy and sincerity.”

Fittingly, Miller and Big Head Todd and The Monsters were inducted into the Colorado Music Hall of Fame together on June 10 — at their sold-out Red Rocks show.   

Karen Radman, the Colorado Music Hall of Fame’s executive director, said that Miller is being honored for her solo work and collaborations with The Monsters, and added that she has been crucial to spreading Colorado music across the globe.

“(Miller) really is seen as one of our key female artists,” Radman said. “We just decided to put them together, for what they’ve done collaboratively but what they’ve done individually as well.

“When we looked towards her as an artist to honor and celebrate with Hall of Famer status, it was the work that she’s done here and the impact that she’s made in Colorado music, but also to bring that Colorado music and bring that Colorado artistry to other places in the world,” Radman continued.

Miller toured with The Monsters until the birth of her granddaughter in 2001, when she decided to spend more time with her family. Nevertheless, the pair’s collaboration has continued throughout the years.

“We have had the pleasure of her company on many tours, shows and trips since but still maintain our separate identities,” Mohr said. “We have a close relationship beyond music and have been through a lot together over the years.”

Since retiring from touring, Miller has become one of Colorado’s most celebrated — and prolific acts. She plays frequently in far-flung localities from Denver to Buena Vista to Parker and beyond, always retaining the same energy and charisma which has defined her career.

At Winter Park Jazz one year, Miller sang with one of her heroes; Dianne Reeves. Miller said she considers Reeves to be the best jazz singer of their generation.

When Milller received word that she had been inducted into the Hall of Fame, she called her brother, who’s first reaction was to make sure Reeves was already in.

“‘When I told my brother, he said, ‘Is Dianne (Reeves) in?’” Miller said. “I said, ‘Hell yeah!’ He said, ‘Cool.’”

When asked about Miller, Reeves raved about her now-fellow Hall of Famer, describing Miller as “our precious treasure.”

“Hazel Miller is a consummate artist beloved by the people of Colorado,” Reeves said. “Over the years she has consistently brought joy, healing and celebration to us all. Hazel has always been and still remains to be a genuinely loving and caring human being. She is our precious treasure.”

A mentor for young musicians 

In recent years, Miller has helped a number of young Colorado artists get their start, including 20 Hands High, Julia Kirkwood and Blankslate — the latter of which happens to be the author of this article’s band. 

Miller said she wanted to be the role model for others that she never had. As a young singer, Miller was sitting in with an older band, when the band purposely played the song in the wrong key to mess with her. She stormed out, grabbed her coat and walked home. Miller was 17 at the time.

“I don’t want anyone to ever tell me that they had to go through that,” Miller said.

In her mentorship, Miller channels another one of her inspirations; Bonnie Raitt.

“I want to be like Bonnie (Raitt),” Miller said. “She resurrected Ruth Brown when (Brown’s) record company dropper her. And Bonnie started bringing her on tour. That’s what I want to be to these young kids. These kids call me, ‘Miss Miller, would you come mentor my band?’

“And I say, ‘Well, I’ve got to come see you first, make sure you’re doing something cool,’” Miller continued. 

One of Miller’s protégés, Chad Wooten — the frontman of country act 20 Hands High — said Miller discovered him in a karaoke bar in Morrison. Miller told Wooten to form a band and before long, he had taken her advice.

“She said, “A voice like yours needs to be on stage,’” Wooten recalled. “She’s a selfless shining light who has been enough to mentor me, as I had zero experience with a band, playing out live, booking … She loves to see others succeed… everyone in every music scene and genre could learn from her.”

Miller said that she especially hopes to mentor young female musicians, who she believes are often undervalued in the music community.

“We get the short end of the stick,” she said. “…They play, they sing, they write. I didn’t know how to do any of that. Nobody ever said, ‘You can write your own song.’ Nobody ever said, ‘You can start your own band.’ I started my band because I was tired of getting ripped off.”

‘If I die on stage, I’ll die happy’

While she doesn’t have any regrets from her career, one area that brings Miller sadness is that she — one of Colorado’s foremost Black artist — has never played for a predominantly Black crowd.

“I love my audiences because they don’t see me as being Black, they just see me as the band they came out to see,” Miller said. “The only thing that disappoints me — I have never had a Black audience. I can usually count Black people on one hand at my shows.

“And I can go see a Black band, and they’ll have all these people there, and they’ll know me — but they don’t come to my shows,” Miller continued. “I don’t know why. But I had to let go. Because the people that come to see me want to be there, and we have a ball. I don’t worry about it anymore, but it does hurt. It’ll never stop hurting.”

Miller recently turned 70 but has no plans to slow down.

“I don’t know how to give it up. In all honesty, if I die on stage, I’ll die happy,” Miller said. “Everyone I love and respect were still working when they died. From Ella Fitzgerald to Aretha Franklin. They were all working when they passed away. And you can’t beat that.”

All in all, Miller’s career has taken her around the globe, bringing the fifth of seven children from Louisville, Kentucky to stages massive and modest. The most important accomplishment from her career, she says, is that she was able to give her children and grandchildren opportunities that she was never afforded.

“My job allowed me to give my boys things that I never had,” Miller said. “I have been to places that I dreamed of, and I got to see them because I was there singing. I woke up one morning and looked out the bathroom window at Mount Fuji. It was unbelievable — there was snow on it!”

hazel miller, colorado music hall of fame, red rocks, big head todd and the monsters

RankTribe™ Black Business Directory News – Arts & Entertainment

Red Bull Racing Limited Edition Stromer E-Bike

The matte blue, red, and yellow Red Bull Racing cars are aerodynamic masterpieces, shaped by masters of the black art of aerodynamics and built by the most meticulously skilled craftsmen this side of the Rolex factory. Their efforts have earned them a number of Formula 1 World Championships and literal walls of victory trophies. Now, some of that glory — and a lot of that matte blue paint — is going on an e-bike.

Meet the Stromer ST7 ARBR limited-edition e-bike featuring a 110-mile range battery, 940W and 52Nm of torque from its Syno II Sport rear hub motor, an electronically shifted Pinion 12-speed gearbox, a Gates carbon drive belt, Blubrake’s finest ABS system on the front axle, and a 28 MPH top speed.

It is a stunner.

Stromer ST7 ARBR E-Bike

It’s worth noting, at this point, that this e-bike is not actually a limited-edition licensing deal between Stromer and the dominant Honda-powered Formula 1 team. Instead, it’s a licensing deal between Stromer and the similarly painted Alinghi Red Bull Racing sailing team. Which is also cool (probably), and ships in the team’s official Racing Blue color with a laser-engraved Alinghi Red Bull Racing logo on the top tube.

As an added bonus, ST7 ARBR buyers also get a leather carrier bag that features the team logo.

The ST7 ARBR edition is built on Stromer’s known, hydro-formed aluminum sports frame with a rigid aluminum fork. If you’re a fan of trail riding, though, you’re in luck — Stromer gives you the option to add an inverted Wren suspension fork and a Kinekt suspension seat post to ST7 ARBR, giving you an even special-er special.

The ST7 Alinghi Red Bull Racing Edition will be available to order from Stromer dealers later this month, with a starting price of $13,999 that elevates it to the same lofty heights as high-end bikes from Greyp, Pivot, and Specialized. Visit Stromer’s website for more information.

Source | Images: Stromer.

 


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RankTribe™ Black Business Directory News – Arts & Entertainment

What’s new at Ziegler Park? More open space, outdoor games, artwork

Over-the-Rhine's Ziegler Park pool now includes three different areas with multiple features.

In 2017, Over-the-Rhine’s Ziegler Park got a $31.9 million expansion, with a new pool, parking garage, playground and other features.

On Tuesday, city officials mark phase two of Ziegler’s remake, dedicating three new features with a combined cost of $3 million.

The park, between 13th and 14th streets on either side of Sycamore Street, now includes:

  • About 12,500 more square feet on the western side of the park, with Woodward and Yukon streets converted into pedestrian-only space.
  • New space for gatherings that includes a synthetic turf area for games like Connect Four and Big Blue Blocks.
  • The start of seven public art projects, curated by Black Art Speaks, the Cincinnati organization behind the Black Lives Matter mural in front of Cincinnati City Hall.
Once home to a 35-by-71 foot pool, dusty basketball courts and a children's playground, Ziegler Park now boasts nearly $35 million of features over 4.5 acres.

What does the Ziegler pool offer?

The public pool opened for the summer on May 13, with $4 admission at the gate. (Memberships, priced on a sliding scale, are sold out for the year.)

The pool hosts the Ziegler Park Rhinos swim team, and offers swim lessons, lap swimming and open swim hours. Pool features include a diving well, climbing wall and spray area.

What else does the park include?

The central plaza has tables for ping pong, chess and checkers, along with bocce courts. Nearby is a playground for ages 2 to 12 and three full-size basketball courts.

Ziegler also hosts summer camps, which began June 5 this year.

What kind of art will Black Art Speaks install?

The first piece, launched last weekend, will be painted on concrete, Black Art Speaks Executive Director Alandes Powell said. The interactive mural, depicting a four-square game, was designed by Antevin Brown and Annie Ruth.

Additional pieces will include murals on buildings, steps and the ground; a decorated electrical box; and a 5-foot concrete sculpture in the likeness of the “B” in the city hall mural.

Black Art Speaks will be refreshing the BLM mural June 30-July1.

Who paid for Ziegler Parks’ upgrade?

The project attracted $1.8 million from private donors in 2017, according to Joe Rudemiller, spokesman for Cincinnati Center City Development Corp. (3CDC), project developer. The city of Cincinnati contributed $10 million of the original cost, with additional dollars from 3CDC and the state of Ohio.

What’s happening at Ziegler on Tuesday?

Cincinnati Mayor Aftab Pureval, Cincinnati City Manager Sheryl Long and 3CDC Development Director Brandy Del Favero, along with Powell from Black Art Speaks, will make remarks at 2 p.m.

RankTribe™ Black Business Directory News – Arts & Entertainment

Juneteenth: Montgomery-area celebrations of freedom this weekend

Juneteenth: Montgomery-area celebrations of freedom this weekend

Here are the events happening from Thursday until the official holiday on June 19.

As the U.S. celebrates Juneteenth on June 19 — the official end of slavery when the last were freed in Texas on June 19, 1965 — Montgomery is starting early with a weekend packed with gatherings and celebrations.

There are several Juneteenth celebrations planned in Montgomery, including an R&B Rewind at Riverwalk Amphitheater.

For The Culture Juneteenth Weekend

  • When: Friday, 8 p.m. to midnight, June 17, 8 p.m. to midnight
  • Where: BB King’s Blues Club (in Wind Creek Montgomery), 1801 Eddie L. Tullis Road
  • Info: June 16 is Mr. Smoke’s album release party, featuring Mo’ Elements. June 17 is Lisa Perkins. DJ Meek will be there both nights.

Autauga County Juneteenth Parade & Celebration

The Autauga County Juneteenth Parade and Celebration is happening Saturday in Prattville.
  • When. Saturday, 7 a.m.-4 p.m.
  • Where: 122 Cone St, Prattville
  • Info: Lineup for parade begins at 7 a.m. Parade starts at 9 a.m. at Prattville Jr. High School, 1089 Martin Luther King Jr. Drive. Note that this is an update on the parade’s starting point, which was originally planned for Mac Gray Park. From the school, it goes right onto MLK/Chestnut, left on Main St., right on Northington, left on Doster Road, and ends at Stanley Jensen Stadium. Immediately after at 11 a.m. there will be a celebration of Jubilee with live music from MoElements, storytelling, youth activities, food trucks, vendors and a chain breaking ceremony at North Highland Park. The theme is, “We are our ancestors’ wildest dreams.” Bring lawn chairs and blankets.

Juneteenth 2023 at MMFA

  • When: Saturday, 9-11 a.m.
  • Where: Montgomery Museum of Fine Arts, 1 Museum Drive
  • Cost: Free to attend
  • Info: Montgomery’s Juneteenth event with a focus on African-American art, culture, creativity and community. There will be a parade into the garden, where guests can make art with their families, enjoy treats from Verde Café, listen to live music and create a community mural with artist El Chisolm.

Juneteenth Freedom Day

Guests can tour historic buses during the Juneteenth celebration outside the Rosa Parks Museum on June 17.,
  • When: Saturday, 11 a.m. to 5 p.m.
  • Where: Rosa Parks Museum, 252 Montgomery St.
  • Cost: Free to attend
  • Info: Free tours of Rosa Parks Museum and Children’s Wing, live music, food and merchandise vendors, arts and crafts for kids, and tours of an authentic 1950s Montgomery city bus and 1960s Greyhound bus.
They'll have fun for kids at the Juneteenth celebration on June 17 at the Rosa Parks Museum.

Montgomery’s Juneteenth R&B Rewind

  • When: Saturday, 2-6 p.m.
  • Where: Riverwalk Amphitheater, 355 Coosa St. (Enter park through tunnel on Commerce Street)
  • Cost: Free to attend
  • Info: Music by 2nd Coming and Yung Vokalz and The Movement, plus other special guests. There will be food trucks, vendors, kids zone, educational presentations and cultural art exhibits. Call 334-625-2118.
The band 2nd Coming is the featured act for the Juneteenth R&B Rewind on Saturday at Riverwalk Amphitheater in Montgomery.

Annual Celebration of Freedom in Wetumpka

  • When: Saturday, noon-7 p.m.
  • Where: Gold Star Park, Meadowview Drive, Wetumpka
  • Cost: Free to attend
  • Info: Praise and worship, local talent explosion, education speakers, live DJ, food vendors, voter registration sign up. Bring lawn chairs.

Juneteenth Father’s Day Festival

  • When: Saturday, 9 a.m. and June 18, 2 p.m.-3 a.m.
  • Where: 3037 County Road 57, Verbena
  • Cost: $35
  • Get tickets: eventbrite.com/e/juneteenth-fathers-day-festival-tickets-593223546597
  • Info: Two day event. Saturday, June 17, with arts and crafts, live bands, food, DJ at night. Sunday, June 18, with Southern soul blues artist Uncle Daddy, P2K, Mz. Brown Suga, and more.

Juneteenth Freedom Gala – A Celebration of Cultural Excellence

  • When: Saturday, 6-11:30 p.m.
  • Where: John Garrick Hardy Center ballroom, Alabama State University, 915 S. Jackson St.
  • Cost: General admission $60
  • Get tickets: eventbrite.com/e/j19-masquerade-gala-tickets-607935430237
  • Info: Silent auction 6 p.m. Gala starts at 7 p.m. Presented by Hutchinson Missionary Baptist Church. Music by Souled Out Groove. Hosted by Hosea Chanchez from CW’s “The Game.” This year’s theme is masquerade — come in masquerade masks, formal black tie with African accents.

2nd annual Father’s Day Gemini Birthday Bash Juneteenth

  • When: Sunday, gates open at noon
  • Where: The Ranch, 4784 Velma Circle, Montgomery
  • Cost: $15 to $25 admission
  • Info: This is a BYOB event, with live music, and TV and car giveaways. $15 admission automatically puts you in raffle for a car. $25 admission gets five tickets on chance to get TV or car. For more info and tickets, call 334-399-4470.

Juneteenth: Celebrating Freedom Party

  • When: Sunday, 4-8 p.m.
  • Where: KRU on Mt. Meigs, 2118 Mt. Meigs Road, Montgomery
  • Cost: Free to attend
  • Register: caarac.org/event-details/juneteenth-celebrating-freedom-party/form
  • Info: Join us for this “community coming together” event honoring and celebrating the announcement of freedom for Black Americans. Music provided by The Secretary of Sound. Free light refreshments and specialty drinks. Cash bar. Advocacy and community health information will be available from the CAARAC exhibit table. Raise a toast and dance your own freedom dance. Must be 21 years of age or older to drink. Wrist bands are required and will be provided at the door.

Montgomery Juneteenth Father’s Day Celebration

  • When: Sunday, 2-4 p.m.
  • Where: Montgomery Museum of Fine Arts, 1 Museum Drive, Montgomery
  • Cost: Free to attend
  • Info: Music, activities, games and food trucks and more. Presented by the Mayor’s Young Professional Council. Bring lawn chairs and blankets.

Free tours of EJI’s museum and memorial

A memorial to unknown racial terror lynching victims at the EJI Legacy Pavilion in Montgomery.
  • When: Monday, 9 a.m-5 p.m.
  • Where: Museum at 400 N. Court St. and Memorial at 417 Caroline St.
  • Cost: Free
  • Info: Take a free tour of two EJI locations in Montgomery that have gained worldwide attention: The National Memorial for Peace and Justice is the nation’s first memorial dedicated to the legacy of enslaved Black people, people terrorized by lynching, African Americans humiliated by racial segregation and Jim Crow, and people of color burdened with contemporary presumptions of guilt and police violence. The Legacy Museum: From Enslavement to Mass Incarceration offers a comprehensive history of the United States with a focus on the legacy of slavery.

Montgomery Advertiser reporter Shannon Heupel covers things to do in the River Region. Contact him at sheupel@gannett.com.

© 2023 www.montgomeryadvertiser.com. All rights reserved.

RankTribe™ Black Business Directory News – Arts & Entertainment